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Anthropology: A comparison of Shamanism among the Sami Groups and artist Yakut. ANTHROPOLOGY 305: ANTHROPOLOGY OF RELIGION. Spring 2014 DR. ERIC CANIN. I. Spiritual Healing or II. Fantasy and me mulatto Magic. For this assignment, you have a choice of 2 topics. Appropriation Artist? I. Spiritual Healing, or. II.

Fantasy and Magic. Write 1.5-2.5 pages double-spaced, 3 pages max (375-750 words), references not included. Margins 1”, 12pt font, double-spaced Upload the assignment to nella larsen summary Titanium in MS Word. I. Your 1 st choice is to study and write about spiritual healing, or shamanism. Consider this: Shamanism may be the world’s oldest profession.

Shamans have many functions in a society, as leaders, guides, weatherpersons, etc., but their most important role is as healer. Appropriation Artist? Shamans heal practically, through their knowledge of medicines, and through the aid of spirits. Read Ch. 6, pp. 120-126 in the textbook.

Feel free to extend your research beyond these sources. Mrs Merriweather To Kill A Mockingbird? Write a short essay, comparing 2 cultures that practice shamanism. Artist? By culture, be specific: for youth and society instance Native Americans is too broad; you need a tribe or nation. Paper title: Name 2 cultures in which shamanism is practiced, ancient or modern. Use this format for your title: Spiritual Healing: [Culture 1] and [Culture 2]. Appropriation? Do not use examples from the textbook: Yakut, Korean, Pentecostalists. Feel free to add an workplace essay additional (creative) subtitle. Each bullet point below should be a separate paragraph. Introduction Compare the appropriation, cultures by workplace essay, discussing 1-2 similarities in what shamans do.

Compare the cultures by discussing 1-2 differences in what shamans do. Relate your discussions to the Stein and Stein textbook in some way, pp. 120-126 . Cite pages numbers in parentheses in your text. Shamanism today : Stein and Stein discusses neoshamanism. What do they mean? Do you think neoshamanism is a legitimate form of shamanism? Conclusion : what did you learn? References : list all your sources, in APA format.

Minimum is 2 properly formatted scholarly references: the artist, textbook and an outside source. Do not use websites, except for online versions of scholarly published sources. You may use websites or any other source for references beyond the ethics essay, 2 required. II. Your 2 nd choice is to study and write about fantasy and magic. Consider this: One way that magic pervades our modern society is through literature, films, and games. Appropriation? Some of these media draw upon old traditions, whereas others create their own universes and sets of magical laws. Whether Arthurian legends of Merlin the Magician, Gandalf, Harry Potter, or an 90 th level Mage in an online role-playing game, magic and fantasy hold our imagination, and allow us to escape to youth an alternate universe. One persistent theme regarding magic is its morality: is magic a force for good or evil, or simply an instrument for artist either? Study the readings in our text concerning magic (Chapter 7, pp. 136-147).

Feel free to extend your research beyond this source. Write a short essay, discussing 2 fantasy worlds. By fantasy world is meant a fictional named cosmos, e.g. Middle Earth for Lord of the Rings or Azeroth for World of Warcraft. Ranch? If no world is named use the title of the work or the series. Paper title: Name 2 fantasy worlds , whether in appropriation, print, film or game form.

Use this format for your title: Fantasy and Magic: [World 1] and and society [World 2]. Appropriation Artist? Feel free to add an additional (creative) subtitle. Each bullet point below should be a separate paragraph: Introduction Compare the worlds by discussing 1-2 similarities in A Feminist Stoker's Dracula Essays, how magic works. Compare the worlds by discussing 1-2 differences in how magic works. Relate your discussions to the Stein and Stein textbook in appropriation, some way, pp.

136-147 . Cite pages numbers in parentheses in your text. Magic today : Why do you think magic and fantasy have such a strong appeal in nella summary, the popular media? Has this been controversial? Conclusion : what did you learn? References : list all your sources, in APA format. Minimum is 2 properly formatted scholarly references: the appropriation artist, textbook and an outside source. Do not use websites, except for online versions of scholarly published sources. Additional references may be fiction books, films and games.

For games, list: title, version, year published, and publisher. Shamanism is an ranch me mulatto ancient healing tradition and a way of life for many people around the world. This paper will focus on the Sam group of people and Hmong people in appropriation artist, relation to their shamanism practice. The Sami Groups of people, found in Northern Asia, are known for practicing shamanism even in ottoman empire, the modern times. The Hmong people on the other hand, are an artist ethnic group who live in quicksand nella larsen, the Central Republic of China.

Some important shamanic practices and beliefs are shared among the Sami and Hmong cultures. Among the similar Shamanism practices for artist these groups is the use of songs or music that is ranch, intended to mimic natural sounds while performing such rituals. For the Sami, the appropriation, songs, which were sung while performing shamanistic rites, were identified as Yoiks (Lintrop 2009). The Hmong accompanied their rituals with specific songs which are designed for specific function (Hoppál, 2008). However, there are notable differences between the two cultures on how they performed their Shamanistic practices for healing purposes. For instance, the Sami Group Shamans employed more simple magical actions, ritual objects and incantations without having to invoke the spirits (Lintrop 2009). The Hmong on workplace the other hand practiced complicated rituals such as using twigs to touch the sick part. Artist? Additionally, Hmong Shamans are known in using animal sacrifices in most of its shamanic rituals (Hoppál, 2008).

One important factor identified among the, Hmong over other Shamanic cultures as revealed by Stein (2009) is that they consider all living things to ottoman empire in ww1 have souls, which are equal in nature. According to Stein (2009), despite Shamanism being the appropriation artist, oldest religious practitice in human history, they continue to perform their religious practices in many societies at present. These people perform magical rituals in which they are considered as conversing with spirits and gods, performing healing with supernatural powers and even visiting the spiritual world. Stein continues to argue that although shamans are mostly treated with skepticism by youth, the more civilized or modern people, their services their magical functions very vital to their societies. Appropriation Artist? This author depicts shamans as being intermediates, healers or conductors of souls and according to Interpretation of Bram Essays her perspective; they have powers of travelling to the underworld. Top reasons to buy research paper. The advancing technology has evolved and emerged so many businesses across the globe. The businesses that provide online writing services have grown consequently over the few past years. Earlier on, there was a notion that the students who used the online services to buy academic work for instance research papers are those who were poor in doing the work. The new trends and the lifestyle of a student have counteracted this notion.

Here are five reasons why modern students buy research papers. There is a huge credit put on appropriation the final grade . The final grade is determined by all the term papers, research papers being inclusive. Education today is more of ranch me mulatto, attaining a grade than the knowledge. The passing of a student today depends on a certain grade from a certain paper. If the paper is the research paper, then it will be very simple for the students to buy a research paper to artist give them the desired grade.

Students have busy schedules . The economy of the world today calls for students to work as they study both as full-time and part-time to and society sustain themselves while in school. There are as well pressures to work to elevate their families financially. Balancing work and study especially assignments becomes a hurdle for artist such students. They, therefore, opt to buy the papers online to ease the pressure. The popularity of the services that offer research and a mockingbird other academic papers make students use them . The advertising in almost every site lures the student to use them. It is such that the time they would be doing the research or writing the paper, they just buy a research paper for the same and artist use that time to do something important to them. Some students do not understand the course . It comes all the way from lack of proper guidance when selecting the course. If they are not doing well with class work, the students can buy research papers which are standard to supplement their class work.

The last reason to buy a research paper is me mulatto, that it creates a positive outlook for education in students. Students feel like the appropriation, burden of writing papers is lessened from them. Attaining of good grades makes the families happy.

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Holes By Louis Sachar Essays and Research Papers. ENGLISH ESSAY HOLES BY LOUIS SACHAR Louis Sachar , the appropriation, author of . Ranch. Holes , uses the protagonist, Stanley, to explore the themes and main concerns of the novel. He does this by unfolding the plot into three different stories. He also uses Stanley to investigate the appropriation artist, characters and their traits, for youth, example, we found out that Zero could not read but could add and artist, multiply number very quickly. In the book, Stanley is described as a friendless, self-conscious, overweight fifteen-year-old boy.

Throughout. Family , Holes , Louis Sachar 959 Words | 3 Pages. Book Review Holes by Louis Sachar Stanley Yelnats is sent to Camp Green Lake because of a crime he actually did . not commit. At the camp, bad boys are forced to dig a big hole every day to youth build character. Stanley makes friends with a quiet guy and together they disclose the secret of Camp Green Lake. But this is not the only story oft he book, you also learn about the history of Green Lake. Camp Green Lake is a dry flat wasteland in Texas, there are not many trees or stones and most of.

Friendship , Holes , Louis Sachar 1359 Words | 4 Pages. no-good-dirty-rotten-pig-stealing-great-grandfather. Artist. Louis Sachar has contributed to and society American literature by writing childrens . books, in which his greatest strength as a writer is his creation of imagery that produces imagery in the readers head. Artist. In the novel Holes , by ottoman in ww1 Louis Sachar one of Sachars themes of the novel is artist that obstructing promises can be a crucial characteristic depicting the way one will live the rest of his life, for example being in the wrong place at the wrong time. A Feminist Of Bram Essays. Sachar certifies this through his use. Fiction , Holes , Louis Sachar 2173 Words | 6 Pages. yourself until you're tested. The book Holes by Louis Sachar tells a story of Stanley Yelnats, who happened to be . Appropriation Artist. under a curse that began with his no-good-dirty-rotten-pig-stealing great-great-grandfather. Throughout the days in Camp Green Lake, he was able to discover the real history of his family. I enjoyed reading the adventures in this book even though the ending seems a bit unrealistic. And Society. In personal opinion, there were several different purposes of artist Louis Sachar writing this novel.

First of all. Holes , J. D. Salinger , Louis Sachar 472 Words | 2 Pages. Holes(Louis Sachar Shows the Importance of workplace Friendship in Times of appropriation artist Adversity. Holes shows the importance of friendship in to kill a mockingbird, times of trouble and danger. Artist. Discuss Holes by Louis . Sachar is quicksand larsen a phenomenal and superlative narrative. Appropriation. Entwining three remarkable stories from ottoman empire in ww1, diverse generations and genres, Holes demonstrates immensely proficient writing dexterity, explicitly depicting the significance of earnest and genuine friendship in times of appropriation artist lifes trials and tribulations. Ranch Me Mulatto. This is exemplified when an averse and appropriation artist, apprehensive Stanley and a despondent and barely conversant. Holes , Interpersonal relationship , Louis Sachar 2050 Words | 5 Pages.

Louis Sachar was born in workplace ethics essay, East Meadow, New york in appropriation, 1954. When Louis was nine years old, they moved to Tutson in . Orange county, California, a rural area just begging to suburbanize At the time, there were orange groves all around, and mrs merriweather, the local kids would often divide up in to teams and artist, have ornge fights. Ranch Me Mulatto. He injoyed school and louis was a good student, but it wasn't until high school that he really became a divoted reader. After high school, he attended Antioch colledge in. College , East Meadow, New York , Elementary school 424 Words | 3 Pages. Plot:The story Holes is about a boy named Stanley Yelnats. His whole family (except forhis mother) believes that the Yelnats family is under a . Appropriation. curse. They always have bad luck. One day after Stanley is walking home from school, a pair of shoes fell from an overpassand hit him on the head. They were the shoes of a famous baseball player, ClydeLivingston. Stanley did not know, so he kept them and got arrested because hesupposedly stole them.

He ends up going to youth a juvenile camp, Camp Green Lake. Appropriation Artist. Hispunishment. Holes , Louis Sachar , Stanley Yelnats' Survival Guide to Camp Green Lake 652 Words | 2 Pages. Analysis of the empire, Friendship in Holes by appropriation artist Louis Sachar and Best Friends by Jacqueline Wilson. Sacrificial Friendship In the book holes , written by Louis Sachar , Stanley Yelnats the ranch, main character is a poor, . friendless, over weighted boy who is constantly bullied at school. He is arrest one day for a crime that did not commit. Stanley is therefore condemned to jail or to be sent to a place called Camp Green Lake for eighteen months as he is unable to prove his innocence.

Stanley chooses Camp Green Lake. But upon arriving in the camp, Stanley discovers that it is actually a barren and desolate. Friendship , Holes , Interpersonal relationship 1571 Words | 4 Pages. ?When you spend your hole life in a hole , the only way you can go is up -Zero In this essay it will be demonstrated that . it is artist possible to climb out of a hole if someone has the motivation and Interpretation of Bram Dracula Essays, determination to appropriation do so. Quicksand Nella Larsen Summary. Stanley and Zero are example of this.

Unfortunately this was not the case for Sam and artist, Lewis (barf-bag). The novel Holes show that Stanley did endeavour to overcome his many challenges, Stanley show persistence in spite of how difficult or burdensome the mission seemed. Hole , Holes , Louis Sachar 756 Words | 2 Pages. A book report on of Bram, the book Holes by Louis Sachar. The novel called Holes by Louis Sachar mainly takes place at appropriation artist Camp Green Lake, a detention center for ottoman in ww1, boys. Camp . Green Lake does not have a lake. Appropriation Artist. It used to mrs merriweather a mockingbird be a big lake full of water until it stopped raining there forever. Now it is appropriation artist a dry, flat wasteland for misbehaved boys and Essays, the only water comes from the warden. The main character, Stanley Yelnats was sent there innocently, unlike his friends that he met at there.

He was walking under a freeway overpass when a pair of shoes owned by a famous. Character , Holes , Logic 437 Words | 2 Pages. Louis sachar About himself: 1. Born in east meadow New York march 20, 1954 2. Moved to Austin, texas in artist, 1985 . Schooling: 3. Nella Summary. Favorite authors: E B white, Richard Price, Kazuo Ishigaro and appropriation, E.l Doctorow 4. Not interested in reading and writing till high school. 5. Sachar attended Antioch College for a semester before transferring to University of California, Berkeley, | 6. I thought it over and decided it was a pretty good deal. College credits, no homework, no term papers. East Meadow, New York , Holes , J. D. A Feminist Dracula Essays. Salinger 851 Words | 3 Pages. Digging for evidence as to whether or not the film adaptation of Holes was good Holes is a book by Louis . Sachar that was first published in 1998. The film adaptation of this novel, also titled Holes , was released in 2003.

These two literary works have many similarities and differences that can be easily compared, or contrasted. The film adaptation, directed by appropriation artist Andrew Davis, successfully represented the original novel by Sachar . And Society. Holes is the story of a young man by appropriation the name of A Feminist Interpretation of Bram Stoker's Dracula Stanley Yelnats. Stanley. Holes , Louis Sachar , Newbery Medal 2012 Words | 5 Pages. Holes by Louis Sacher Theme Fate does play an important role in the lives of many of the characters in the novel . Holes . Stanleys great-great-grandfather was cursed with bad luck by artist Madame Zeroni because he did not carry her up the mountain as he had promised. The bad luck haunts his relatives for over a hundred years, until the day Stanley Yelnats the third fourth fulfils the promise of his great-great-grandfather by carrying Madame Zeroni's great-grandson up a mountain and ottoman empire in ww1, sing him Madame. Holes , Louis Sachar , Luck 1571 Words | 5 Pages. The Giver and Holes Comparative Essay. The Giver and Holes The Giver of Lois Lowry and Holes by Louis Sachar are both based on certain . societies and how the main characters on each book made decisions to solve the appropriation artist, main problem. Workplace Essay. The two stories contain a lot of dillemas for the main characters to decide on. They both also contain great adventure and inspiring stories for the reader to enjoy.

These two John Newberry Awarded books will definitely prove themselves why they deserved their award. Appropriation Artist. THEME The two books gave the. Holes , Lois Lowry , Louis Sachar 1197 Words | 4 Pages. Holes Essay By Tanya Ilagan How would you feel if you had to put up with a family curse for youth and society, the rest of your life? In this essay I will be . discussing the artist, plot, setting, characters, themes and quicksand nella, point of view in the novel Holes written by Louis Sachar . The novel Holes is written in appropriation artist, an omniscient view as the narrator constantly moves through three different time periods. The narrator describes the in ww1, thoughts, actions and activities of the characters, especially Stanley as if there was a fly on. Character , Holes , Louis Sachar 803 Words | 3 Pages. In the book Holes , by Louis Sachar , I chose the character Miss Katherine Barlow also known as Kissing Kate . Barlow. Miss Katherine was first a schoolteacher, but then was the most feared outlaw. In the book you find out the appropriation, story of how she became an and society outlaw from a schoolteacher.

Miss Katherine Barlow was a sweet schoolteacher from the nineteenth century at Green Lake. She is also known for her beauty and her spiced peaches: . Appropriation. full of knowledge and full of A Feminist Stoker's Dracula Essays life. ( Sachar , 102) She was. Black people , Holes , Kiss 700 Words | 3 Pages. English 1 per 1 22 July, 2011 Holes 1. A. Appropriation Artist. Zero admitted that he stole Clyde Livingstons shoes. Zero got his nickname because . everyone thinks he has nothing inside his head.

B. And Society. Madame Zeroni is an appropriation artist old, Egyptian woman who was friends with Stanleys great- great grandfather. Shes the woman who cursed Stanleys family. C. Eyla Yelnats is Stanleys great-great grandfather who caused his whole family to be cursed. D. Stanley goes to quicksand nella larsen summary Camp Green Lake because he supposedly stole. Holes , Louis Sachar , Stanley Yelnats' Survival Guide to Camp Green Lake 1185 Words | 3 Pages.

What role does destiny play in artist, the book Holes by A Feminist Dracula Essays Louis Sachar. Have you ever thought about the power of destiny that determines the artist, events in your life? Holes by Louis Sachar . is a story of Stanley Yelnats, who happened to in ww1 be under a curse that was caused by appropriation his great-great-grandfather. As the A Feminist of Bram Dracula, story unfolds, we learn that the appropriation artist, curse leads to a series of empire in ww1 events that are all predestined. Everything started with Elya Yelnats, who didn't keep a promise with Madame Zeroni. Stanley was innocent of the crime for which he was convicted but because of the curse, he. English-language films , Holes , Louis Sachar 564 Words | 2 Pages. Outside reading project Holes by appropriation artist Louis Sachar Holes by Louis Sachar . is an Interpretation of Bram award-winning fictional story with an ironic setting of Camp Green Lake, the juvenile delinquent camp where Stanley Yelnats was sent in appropriation, the beginning of the story. There Stanley was forced to dig five by five holes everyday in the Dry, flat wasteland desert, at quicksand nella larsen summary Camp Green Lake in Texas. Appropriation. It was here where Stanley meet some very interesting people.

Each character was different in their own way. This is where they. Curse , Grandparent , Holes 776 Words | 2 Pages. dig a hole that must be five feet deep and five feet across in every direction on the barren land under the scorching sun every day? Boys at . Interpretation Of Bram Stoker's Dracula. detention center called Camp Green Lake have to do so. Holes is about boys digging holes as a kind of punishment. Artist. As the ottoman empire, story progresses, friendship reveals its benefits with respect to survival. They are sent to appropriation artist Camp for some reasons to make up mistakes. Building character by various means is ottoman empire indispensible in ones growth, which can be seen in Holes by Louis. Abuse , Holes , Louis Sachar 594 Words | 2 Pages. HOLES In the beginning of the novel Holes , by Louis Sachar , Stanley Yelnats is convicted of stealing . Appropriation. a pair of sneakers that were supposed to be auctioned to supply a orphanage with money.

He didn't deliberately steal the sneakers they hit him in the head after Hector Zeroni stole them and saw the police so he threw them over the bridge. Later in the novel Stanley meets Hector and tells him why he is there and Hector describes what they look like. Stanley was convicted due to youth and society lack of evidence and. Curse , Holes , Louis Sachar 555 Words | 2 Pages. Holes Essay Novels are extremely important part in peoples life. They teach us valuable lessons and provide an escape from the real world. . Louis Sachars novel Holes , allows teenagers to feel for appropriation artist, the characters and ethics essay, also allows them to artist relate to mrs merriweather to kill what character is going through. In the novel Holes , there are many characters that teenagers can relate to.

One of these characters is Stanley. Stanley is the main character from the appropriation, novel. When he first arrives at me mulatto Camp Green Lake Stanley was bullied by. Character , Friendship , Holes 535 Words | 2 Pages. Similarities Between Flowers for appropriation, Algernon and Holes. Similarities between Flowers for Algernon and Holes In the books, Flowers for workplace, Algernon and Holes , the characters and events . are similar. Artist. Flowers for Algernon, written by Daniel Keyes, had many events that are similar to empire Holes , written by appropriation Louis Sachar , like when Charlie ran away during the convention relates to Zero running away from Camp Green Lake. First, within the book Charlie did not have many friends or family members that were close to and society him. Stanley did not have many friends as well; he was. Flowers for Algernon , Holes , Louis Sachar 1332 Words | 4 Pages.

There are many different challenges that Stanley Yelnats (the main character) from the artist, bestselling novel Holes written by youth Louis . Sachar has to over come. Stanley was first seen in the movie when a tilted shot of shoes hit him in the head and artist, he fell on the ground portraying he was weak and a bit stupid. Quicksand Larsen Summary. Stanley's personality was also displayed when his mum was so shocked when the police came around to their house telling them Stanley had stolens, this shows that Stanley had never commited a crime. Curse , Holes , Louis Sachar 1005 Words | 3 Pages. Louis Sachar's Holes - As good as I expected Louis Sachar's Holes - As good as I expected . Holes was an excellent read. I have been a fan of Louis Sachar since I was little. The Wayside School books made me laugh so hard back then. Artist. It is encouraging to know that Sachar's wit and knack for creating unique characters and situations has not declined. I saw the movie before I read the book, which was unfortunate because the whole time I was reading I already had the characters pictured in my head. Holes , Louis Sachar , Newbery Medal 408 Words | 2 Pages. Holes essay, A good novel consists of exciting characters, an interesting setting, plot and story line, but most importantly a good novel . Ethics Essay. conveys certain ideas about different messages the author is trying to artist get across, Louis Satcher in ranch me mulatto, the novel holes does exactly this.

Throughout the novel Satcher is constantly conveying the message of racial tolerance and appropriation, intolerance, perseverance and larsen, has used clever techniques such as linking references from the past with the present to create an interesting. Character , Comedy , Family 835 Words | 3 Pages. explain what a black hole is along with how black holes can be detected and how black holes are formed. Artist. Moreover, . this essay will also provide evidence of the existence of and society black holes and locate where in the universe black holes occur. Firstly, a black hole is seen as a body in space whereby a strong gravitational pull causes a suction to artist be formed.

The strength of the gravitational pull is so significant due to the different forms of A Feminist Interpretation Stoker's Dracula Essays matter being squeezed into a small hole which hence, creates. Binary star , Black hole , Galaxy 1931 Words | 5 Pages. Black holes are the most mysterious objects that modern physics predicted. Event horizon is the edge of the black hole . If . Appropriation Artist. anybody attempts to ranch cross the black hole he or she will never come back. Appropriation. The holes are involved in a broad range of astrophysical occurrence, including majority of the active events in the space. John Michelle, a British mathematician, initially visualized black holes in 1783. He called them dark stars and his explanation was based on Newton's laws of gravity. Employing Newton's. Black hole , Black holes , Galaxy 1150 Words | 4 Pages. INTO A BLACK HOLE INTRODUCTION: According to a mind-bending new theory, a black hole is A Feminist of Bram Stoker's actually a tunnel between universesa . type of wormhole.

The matter the black hole attracts doesn't collapse into a single point, as has been predicted, but rather gushes out a white hole at the other end of the black one, the theory goes. In a recent paper published in the journal Physics Letters B, Indiana University physicist Nikodem Poplawski presents new mathematical models of the spiralling motion of. Big Bang , Black hole , Dark matter 1811 Words | 5 Pages. ?Black holes When the word black hole pops to mind our initiative thought is appropriation literally a black hole . Workplace Essay. with no end. What is artist really the definition of a black hole ? A black hole is me mulatto a point in space in which gravity pulls in a drastic matter that not even light can exit. Not even humans vision is capable of viewing these holes . We only take notice as stars around black holes act differently than other stars in space. We can only ask questions such like; when they were theorized? How big. Black hole , Galaxy , General relativity 1608 Words | 4 Pages.

Black Holes Black holes intrigue many. They consist of a great amount of matter smashed into appropriation artist, a small area. In Ww1. There are actually . two types of appropriation black holes : stellar black holes and youth, massive black holes . Stellar black holes have masses up to appropriation ten times the mass of the sun and massive black holes have masses up to and society a billion times the mass of the sun. Black holes are something that makes one wonder what else is really out there in the universe. Massive black holes are more popular than stellar black holes.

Black hole , Dark matter , Galaxy 1125 Words | 3 Pages. relationship in the text. Explain why this relationship was important. In the text, Holes by Louis Sachar , an . important relationship in artist, the text was Stanleys relationship with Zero. Their relationship is Interpretation of Bram Stoker's Essays important because it shows us the idea that in times of adversity, true friends will stick up for you, and walk in when the rest of the world walks out on you.

One of the artist, important relationships in Holes is the and society, relationship between Stanley and Zero. Appropriation. After the unfolding of series of ranch events. Friendship , Interpersonal relationship , Louis Sachar 627 Words | 2 Pages. ? Case 14: Louis Vuitton in Japan American Military University Abstract Established in France in 1854, Louis . Vuitton, known as the oldest supplier of French luxury fashion goods, became known for appropriation artist, its exquisite leather bags and trunks. Larsen. Louis Vuitton opened its first overseas location in 1885 located in London, England. In 1888, Louis Vuitton developed the Canvas Damier Pattern which provided brand recognition and a symbol of product excellence.

In 1977, Louis Vuitton expanded into. Gucci , Luxury good , Luxury vehicle 1153 Words | 4 Pages. Marc Jacobs at Louis Vuitton When it comes to Louis Vuitton, we all think of Marc Jacobs. This talented designer has been with . Appropriation Artist. Louis Vuitton close 2 decades and has left indelible mark in the development of the empire, brand Louis Vuitton. The first step in the successful design career was marked by Marc Jacobs fashion label event 150 old Louis Vuitton dots brain This U.S. position Creative Director. Year 1997, Jacobs has officially become an important part of the oldest fashion brand Louis Vuitton. . Creativity , Fashion , Louis Vuitton 690 Words | 3 Pages. Holes Essay: Intro: In the Film Holes different filmic conventions are used to portray characters and construct atmosphere. . The film is about a young boy named Stanley Yelnats who follows a journey like his great great great grandfather did. He was sent to Camp Green Lakes for a crime that he did not commit and artist, when he arrived at camp he uncovered some of his family secrets. Techniques such as camera angles, sound effects and color constructs the characters and atmosphere in the film which creates. Holes , Louis Sachar , Stanley Yelnats' Survival Guide to Camp Green Lake 1606 Words | 4 Pages. Angulo ELA Honors 24, April 2012 Life of the King of Jazz My whole musical success goes back to the time I was arrested(Old 28).

Louis . Interpretation Of Bram Dracula. Armstrong started off as a normal kid who lived in a poor family and environment, but ended up as one of the most influential entertainers in history all because of one mistake he made as a child, which changed his life. Louis Armstrongs life was filled with events that built his musical skills, fame, and his well-being even though he did not start off very. Bix Beiderbecke , Cornet , Duke Ellington 870 Words | 3 Pages. Personally, Louis doesnt know what he did wrong. Appropriation Artist. A stupid chav was making fun of his sister and she started crying, so Louis did . the right thing and punched the lad. Sure, maybe he had a history of it or something. Nella Larsen Summary. It isnt his fault there are so many stupid people in the school.

When he told his mum that, she said he should hope for his own sake that there are less at this new school. Louis agrees, but only because switching schools again after this means going somewhere nearly an appropriation hour away. All That You Can't Leave Behind , Hand , Help! 1111 Words | 5 Pages. THE PEOPLE FIGHTER article called, The Right to Privacy Louis stated that Americans have the right to be left alone and as a result, he . defended citizens when this right was violated. Due to his dedication to defending the Constitution and the citizens of the United States, Louis was appointed to the Supreme Court by and society President Wilson. Louis believed that monopolies were dangerous and that big corporations were a threat to artist the well-being of Americans. Therefore, he believed that these monopolies.

Felix Frankfurter , Harvard Law Review , Harvard Law School 938 Words | 3 Pages. Louis Vuitton Presentation of the company Louis Vuitton is an international luxury French fashion house specialized in . trunks and leather goods, founded by Louis Vuitton in 1854. As an youth emblem of the French luxury, Louis Vuitton knew how to artist make way on the international scene, by advancing an image of quality, elegance and ottoman empire, refinement. Today, Louis Vuitton is one of the most recognizable and powerful brands in the world with more than 300 stores in appropriation, 44 countries around the world and 2,7 billion. Brand , Branding , Gucci 1468 Words | 6 Pages. France was affected by many kings; one of ranch me mulatto them was Louis the 14th. If you were asked who is the king that faced a big series of war, you will . Appropriation Artist. be answering Louis the 14th.

How did Louis the 14th affected France is the to kill, subject of appropriation artist that research. Ranch. I wrote about this subject because Louis the 14th sat on Frances from the age of appropriation five, and mrs merriweather a mockingbird, ruled France for appropriation artist, 72 years, from the year of ranch me mulatto 1643- 1715. Appropriation Artist. I faced many difficulties; one of them was the lack of information, and references. Another difficulty. Franco-Dutch War , Louis XIII of France , Louis XIV of empire in ww1 France 907 Words | 3 Pages. LOUIS XIV OF FRANCE AND ABSOLUTISM QUESTION: In Louis XIVs view, what were the qualities of an effective monarch? In his . opinion, what were the main obstacles to absolute rule?

Louis XIV is appropriation artist known as being one of the most remarkable monarchs in history. He reined for seventy-two years (1643-1715) and mrs merriweather, from 1661, he personally controlled French government. The 17th century is labelled as the age of Louis XIV. Louis XIV, was a strong believer in artist, absolutism - term used to describe a form of monarchical. Absolute monarchy , Cardinal Richelieu , Louis XIV of summary France 1032 Words | 3 Pages. Sunday May 26th Louis Armstrong Louis Armstrong was born August 4th 1901 in a part of New Orleans named Storyville, . another name for what most people would call a Red light district. Louis liked to tell people he was born the 4th of July 1900 but still used his correct birth date on legal documents. Appropriation Artist. Louis's Parents were both absent in his childhood, his father leaving their family when Louis was only and society, two and his mother a prostitute was in appropriation, and out of his life as a child. Of Bram Dracula Essays. Louis was raised mainly. Bix Beiderbecke , Cornet , Duke Ellington 1887 Words | 4 Pages.

: Richard Small Submission Date : 02-03-2011 PROJECT PROPOSAL TITLE: LOUIS VUITTON AIM OF THE PROJECT: To understand the . the appropriation, marketing challenge faced by the LOUIS VUITTON the no 1 luxury brand in quicksand nella, the world. OBJECTIVE: To investigate the LOUIS VUITTON (fashion amp; leather) business issues. These are some LOUIS VUITTON business issues * Regarding their distribution network, Louis Vuitton has a tremendous competitive advantage. But rapidly increase similar competitive. 19th century , Branding , Gucci 618 Words | 3 Pages. Younger English 12R 1/22/14 Louis Armstrong To millions of appropriation people he is just a great entertainer but to fellow musicians he is one of the most . important figures in jazz history. Workplace. Louis Satchmo Armstrong is the preeminent jazz artist of all time. As a musician and jazz fanatic myself, Louis Armstrong has made an impact on my life like no other.

Louis taught me that melodies are full of things (Collier, 31) and that I can make them say whatever I want. I read about appropriation, Louis to strengthen my knowledge. Benny Goodman , Fletcher Henderson , James Lincoln Collier 1108 Words | 5 Pages. ? Louis Riel Madman or Hero? Louis Riel is one of the most controversial figures . in Canadian history. To some, Riel may be a national hero. Quicksand Nella Summary. To others, he appeared to appropriation be a crazed lunatic. But no matter what your opinion is, it is larsen summary fact that Louis Riel was a determined man who wouldnt give up on his people.

His leadership of the Metis was shown in both the Red River and North West Rebellions. Everything Riel did was to intentionally improve the Metis. Canada , Canadian Pacific Railway , John A. Macdonald 1717 Words | 5 Pages. Holes Essay- Fate v/s Free Will Redemption? Destiny? Holes (by Louis Sachar ) is an engrossing . novel that revolves around these. In fact, everything, for artist, whatever the reason might be, seems to line up, linking many generations and histories together through Stanley Yelnats IV, the protagonist. Nevertheless, he doesnt know about it! Nor does he know that his endeavors have actually reformed him into a better person.

This essay will now explore and examine how Stanley, unaware of what he was actually. Curse , Destiny , Holes 1600 Words | 4 Pages. Black holes are one of the most fascinating and unrealistic seeming objects in the world to many people. They seem to be right out of a . science fiction novel, along with white holes , and wormholes. So far white holes and A Feminist Interpretation Stoker's, wormholes are still only science fiction. A white hole is a reverse of a black hole . And a wormhole is a combination of a white a black hole said to be a place of time travel. However, even quite a long time ago some members of artist our society realized that the black hole is not science.

Black hole , Black holes , Einstein field equations 2023 Words | 5 Pages. ? Louis XIV An absolute monarch is a ruler who governs alone and is not restrained by laws, or a constitution. Absolutism is the belief that . one ruler should hold power within a country. Of Bram Stoker's Essays. This could be caused by war , religious conflicts, or simply people wanting stronger leaders or protection of some sort. This lead to limited spread of ideas and religious beliefs , also many changes in the economy such as taxes. This infact is the way Louis XIV governed. One may ask well how or what did he. French Revolution , Jean-Baptiste Colbert , Louis XIII of France 1004 Words | 3 Pages.

Saimbert John HST 102-002 19 November 2014 Louis XIV Louis XIV (1638-1718), known as the appropriation, Sun King, lasted for 72 years, longer . than that of any monarch of nella larsen a major European history. In that time, he transformed the monarchy, also introduced a golden age of art and literature. He established his country as the dominant European power as well. During the appropriation artist, final decades of Louis XIVs rule, France was declined by workplace ethics several wars. Early life and reign of Louis XIV Louis XIV was born on September 5, 1638 , he.

Cardinal Mazarin , Cardinal Richelieu , Dauphin of France 1363 Words | 7 Pages. To Dig a Hole What my friend Juan and I will be doing is explaining the feat of creating a hole in a real life scenario by appropriation artist . helping a family of our church. Juan is the overseer of the jobsite and I am his worker and cofounder of the company that we hold. He has the tools and transportation and A Feminist Interpretation Dracula Essays, I help him out on main jobs and sometimes when we need extra help we hire one or two people for the one job. In this case we have two extra set of hands to appropriation artist do the job we will be doing. I have known Juan a.

American films , English-language films 1150 Words | 3 Pages. ?How Does The World Leading Companies Interact with Society: An investigation into the performance of mrs merriweather to kill Louis Vuitton Founded in 1854, . Louis Vuitton Moet Hennessy (LVMH) had become the appropriation, world's largest luxury fashion house brand group and manage to gain sales revenue of 20,320 million euros in 2010 to 23, 659 million Euro in 2011 and 28, 103 million Euro in 2012 (Jin, 2012). Nowadays in business world, the survivability of business depends on how it interact with the and society, society. Appropriation Artist. The way of a company. Carbon dioxide , Climate change , Emission standard 1694 Words | 6 Pages. Rebecca Huang Louis Armstrong I. Early Life A. Childhood B. Family C. Armstrongs natural talent from God II. Nella Larsen Summary. . Performance Career A. Experiences in New Orleans and appropriation artist, Mississippi B. Chicago and ranch me mulatto, Jazz Band C. Life from 1924 to 1930s III. Late Stage A. Artist. Armstrongs 1950 life B. And Society. The end of Louis Armstrongs Music Life IV. Music History A. Trumpet and Early Jazz B. Collaborators and Followers C. Appropriation Artist. Armstrongs Music Style 1. A Jazz musician . Blues , Cornet , Ella Fitzgerald 1642 Words | 5 Pages. two tremendous rulers emerged in workplace ethics essay, France.

During the age of rule under both Henry IV and Louis XIV, France obtained an absolutist government, . which the majority of citizens supported. Henry IV was more so a compromiser compared to Louis XIV who was at war the majority of his reign. King Henry IV clashes with the characteristics of King Louis XIV as a result. King Henry IVs reign differed from artist, that of King Louis XIVs in militaristic, economic, and religious aspects. During his reign, Henry IV only. Capetian dynasty , Edict of Nantes , French Wars of Religion 850 Words | 3 Pages. English Essay on Holes The film codes and conventions are greatly used in the movie Holes , directed by workplace ethics essay Andrew Davis, to . construct characters and develop the atmosphere.

The film is about a young boy, Stanley Yelnats, who is falsely accused of stealing a pair of shoes. As a punishment, he is sent to appropriation camp Greenlake, where he meats and discovers an ancient secret that leads him to great treasure. Throughout the mrs merriweather to kill a mockingbird, movie technical, symbolic, audio and written codes are used to demonstrate the characters. Boy , Holes , Louis Sachar 765 Words | 3 Pages. Louis Pasteur was an incredible man who changed much of history that led to the improvement of public health. He was born on December 27, 1822 . in Dole, Jura in France. He was the third child of parents, Jean-Joseph and Jeanne Roqui.

His father had always dreamed for Louis to have a good education and apply that to his future career. Pasteur was only an artist average student skilled at drawing and painting, which would help him illustrate what he saw in the microscope later on in life. In a college exam. Cholera , Germ theory of ethics disease , Louis Pasteur 1380 Words | 4 Pages. all this music to be a great source of inspiration. Artist. Already having demonstrated his singing talents on the city streets, Armstrong eventually bought and . And Society. taught himself to play a cornet.

He knew from that moment on he wanted to become a musician. Louis Armstrong was helped by a junk dealer whom he worked as a grade-school student to appropriation buy himself a cornet, this sparked an workplace early interest in music for Armstrong. He dropped out of school at 11 to appropriation join an informal music group, but received his first formal. Bix Beiderbecke , Blues , Cornet 1909 Words | 5 Pages. Stanley begins a friendship with Zero. A Feminist Stoker's Dracula. He teaches him how to artist read. Youth And Society. Zero ran away from appropriation, camp after being insulted by the camp leader and Mr. Sir.

Stanley and . Zero find a case, which is the ottoman, lost treasure of Kate Barlow. Question 7 Setting -the book holes takes place in a juvenile detention center that is in appropriation artist, a lake in Texas. Empire. Most of the story is in the end of the artist, 1990s. There are flashbacks of Green Lake, which existed hundreds of years earlier before the lake dried up. Question 10 Stanly is the. Character , English-language films , Louis Sachar 637 Words | 2 Pages. ?The northwest rebellion 1884-1885 we must make canada respect us - louis riel why was the empire, manitboa act so important? 1.provincial status . 2.land titles 3.they now had better representation (4 seats) in ottawa 4.french language and artist, culture were protected but there were a few problems. And Society. scrip - certificates that entitled individuals to land or money from the federal government. it was used to eleminate the aboriginal title of metis people in MB most metis lost their lands through. Battle of Batoche , Gabriel Dumont , Louis Riel 878 Words | 4 Pages. ?Question2: Introduction Louis Vuitton is the worlds biggest luxury brand for bags and appropriation artist, accessories. It was established in A Feminist of Bram Essays, France, . Europe in year 1854.

Louis Vuitton brand and company is an international well-established firm named after the appropriation, founder and designer Louis Vuitton. Louis Vuitton entered Japanese market in year 1968, and it came the most popular luxury brand in Japan. In year 1970, LV opened its first stores in Japan, which had revenue of $1 Million on its first day. By 1977. Brand , Brand management , Branding 1976 Words | 7 Pages. achieved by reducing costs and off-shoring production to China and elsewhere.

Louis Vuitton handbags, on the other hand, are priced high. Such . high prices are unnecessary for merely stowing and carrying things. In essence, the Louis Vuitton difference is youth value, not pricethis being absolute value, not relative value. Many of the principles for Price were innovations that came about after Kyojiro Hata became president of artist Louis Vuitton Japan and that subsequently went global. With the Yen getting strong.

Japan , Louis Vuitton Cup , Luxury good 832 Words | 3 Pages.

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an essay on critcism The Harvard Classics. Appropriation Artist. 1909#150;14. The significance of the essay in the formation and perpetuation of critical doctrine is also apparent if one turns to the formal histories of criticism. Systematic treatises on the theory of the fine arts, including literature, have appeared at intervals since the time of Aristotle. The science of ?sthetics, as we know it, was developed in Germany during the latter half of the eighteenth century, and it forms an to kill a mockingbird, integral portion of the appropriation, philosophical system of Kant and of many other philosophers.

But these formal treatises upon quicksand nella summary the nature of beauty, involving as they do the analysis of the beautiful as it exists in the natural world and in works of art, appeal primarily to a few thinkers and scholars, and not to the general public. It is true that men of genius like Goethe, Schiller, and appropriation artist, Burke have the faculty of discussing the ethics essay, philosophic basis of appropriation artist, ?sthetic theories in such a way as to make them interesting and highly instructive to the general reader. But as a rule the systematic treatises upon the nature and history of the fine arts, and of literature in nella, particular, have been necessarily addressed to a limited audience. The discussions which have really caught the ear of the public have been the casual utterances of brilliant men in the act of attacking or defending a literary creed, of artist, writing a preface to a book or a play, or of hazarding, in some dialogue, pamphlet, or essay, a new opinion about beauty, a new theory of poetry or of prose. To understand, therefore, the history of actual critical opinion, one must study the essay. It is a very variable, highly personalized literary form: resembling now a dinner-table monologue or dialogue, and now a letter to a friend. Here it is quicksand nella larsen a mere sparkling fragment of some solid mass of philosophical theory, and there it is a tiny jewel of paradox, interrogation, or fancy; here an echo of some great historical debate over tragedy or comedy, and there the first faint stirring of some new, living idea, which by appropriation artist, and by will be tossed about with all the winds of doctrine. But however changeable this literary type may be, one who reads the various essays in The Harvard Classics can hardly fail to get a general notion of the nature of #147;the essay.#148; The type will gradually make itself clear to Interpretation Stoker's Essays, him, as something different from the appropriation artist, formal treatise, the dialogue or the letter or the ottoman empire, magazine article. He will learn to watch the type emerge into clear outline with Montaigne 1 and Bacon.

2 He will see that it modifies itself under the influence of national traits or of the fashions of appropriation, successive historical periods, that it differentiates itself into species and varieties, precisely as other literary types undergo variation and development under specific conditions. It will flourish in one age and decline in another, as do the drama and the lyric, although, like them, the essay represents a certain permanent mood which never goes wholly out of fashion. The reader who is interested in literary criticism will soon find that the essay has been a particularly convenient form for conveying literary theories from one mind or age to another. The #147;critical essay,#148; while conforming in general to workplace ethics essay, the flexible laws of appropriation, #147;the essay,#148; is used for a specific purpose. It deals with the emergence, continuance, and disappearance of critical opinions; it records, in an informal but none the less effective manner, the judgment of Europe upon books. Ethics Essay. Let us take a specific example. Charles Lamb#146;s #147;Essay on the Tragedies of Shakespeare#148; 3 is appropriation a singularly perfect specimen of #147;the essay#148; type. Ranch Me Mulatto. It is personal and casual.

It opens with the appropriation, sentence: #147;Taking a turn the quicksand larsen, other day in the Abbey, I was struck with the affected attitude of a figure, which I do not remember to have seen before, and which upon examination proved to be a whole-length of the celebrated Mr. Garrick#148;; and then Lamb passes, with apparent artlessness, from the affectations and appropriation, tricks of actors to the profound question of the possibility of an adequate representation of the personalities of Hamlet and Lear upon the stage. This personal essay, with its odd whims and A Feminist Interpretation of Bram Stoker's Dracula Essays, fancies, deepens page by page into a masterly critical essay, which makes a distinct phase of the attitude of the English mind toward England#146;s greatest poet. The two essays which have just been mentioned#151;personal in their immediate character, and yet even more significant as representing doctrines which came to be held by a generation or a school#151;may also serve to illustrate a third aspect from which essays may be regarded. One may study them, in chronological order, as successive indications of a national point of view.

Thus the English critical essay, in the Elizabethan period, in the seventeenth century, or in any subsequent epoch, reveals the artist, precise extent to which the English mind accepts, modifies, or rejects the main body of European critical doctrine. As affording material for such a chronological study, it is not essential that any particular English critical essay should be marked by personal distinction of style, or by special critical acumen. The undistinguished mass of book reviews, of gossip about writers, about the and society, stage and appropriation, other forms of contemporary art, is often the me mulatto, most valuable evidence of the instinctive working of the English mind. What does an average bookish Englishman, in a given decade, understand by the words #147;tragic,#148; #147;comic,#148; #147;heroic,#148; #147;the unities,#148; #147;wit,#148; #147;taste,#148; #147;humor,#148; #147;Nature#148;? The historian finds the appropriation artist, answer in a thousand casual expressions, each one of which bears the stamp of the period and youth, the race. Appropriation. The Englishman interprets the general laws and phrases of European criticism in terms of his own neighborhood and time, and a collection of English critical essays thus illustrates the traits of the English national character. Let us now turn from the broader relations of the essay with criticism, and endeavor to ascertain precisely what the word #147;essay#148; means. The older English form of the empire, word is #147;assay,#148; i. e., a trial or experiment. It is derived, through the appropriation artist, French, from a late Latin word #147;exagium,#148; which means a standard weight, or more precisely, the act of weighing.

The word #147;examine#148; comes from the in ww1, same Latin root. As defined by appropriation, the #147;Century Dictionary,#148; #147;essay#148; means I, A trial, attempt or endeavor; 2, An experimental trial or test; 3, An assay or test of metal; 4, In literature, a discursive composition concerned with a particular subject, usually shorter and less methodical and finished than a treatise; a short disquisition. Dr. Samuel Johnson, who was himself one of the most famous essayists of his day, defines #147;essay#148; in his Dictionary as #147;A loose sally of the mind; an irregular indigested piece; not a regular and orderly composition.#148; Possibly it was the Doctor#146;s happy word #147;sally#148; which suggested to and society, a recent writer, Mr. F. Artist. N. Zabriskie, the following excellent definition: #147;The essay is youth properly a collection of notes, indicating certain aspects of a subject, or suggesting thoughts concerning it; #133; not a formal siege, but a series of assaults, essays or attempts upon it.#148; It is for this reason that Mr. Zabriskie calls the essayist the excursionist of literature, the appropriation, literary angler, the meditator rather than the thinker; and he points out that the German mind is not adapted to youth and society, the essay, since the Germans are not satisfied to make mere assaults upon a subject, mere excursions into it; they must go through a subject from end to end and leave it a conquered territory. Montaigne, who was the initiator of the modern essay (1580), laid stress upon its essentially autobiographic nature. Appropriation. He confesses that he writes #147;not to discover things, but to lay open myself.#148; He thinks that an essay should be spontaneous and free from every artificial trammel. It should have the characteristics of open, varied, wide-ranging talk: #147;I speak unto paper as unto the first man I meet.#148; Lord Bacon, whose first edition of youth and society, essays appeared in 1597, is appropriation artist more orderly than Montaigne.

He masses his material more closely, keeps to his topic, packs his sentences as full as they will hold. He is too austere for ranch the leisurely, personal method of Montaigne; he imparts his concentrated worldly wisdom coolly, almost impassively; he loves the pregnant opening and close. #147;To write just treatises,#148; he says, #147;requireth time in the writer and leisure in the reader, which is the cause that hath made me choose to write certain brief notes, set down rather significantly than curiously, which I have called essays; the word is late, but the thing is ancient. For Seneca#146;s Epistles to Lucilius, if one mark them well, are but essays#151;that is, dispersed meditations.#148; And finally, Addison, whose essays sum up the early eighteenth century as completely as Montaigne and Bacon represent the late Renaissance, is quite as explicit as they are in artist, emphasizing the informal character of this type of literature: #147;When I make choice of a subject that has not been treated on by others, I throw together my reflections on it without any order or method, so that they may appear rather in the looseness and freedom of an a mockingbird, essay, than in the regularity of a set discourse.#148; #147;The thing is ancient#148;; there is no doubt of that. Analogies to the mood of the modern essay and to appropriation artist, its urbane, free, flexible methods of discussion, may be found in the #147;Dialogues#148; of Plato, 5 in the #147;Lives#148; 6 and #147;Morals#148; of Plutarch, in the letters of Cicero, 7 Horace, and the younger Pliny, 8 in the gossipy #147;Attic Nights#148; of Aulus Gellius, in the talks of Epictetus, 9 and the Meditations of Marcus Aurelius. 10 There is nothing new under the sun; and me mulatto, there were Greek and Roman gentlemen quite as capable as Montaigne of appropriation artist, writing with frankness, ease, quaintness, and an open-minded attitude of skeptical inquiry. But though they often revealed the spirit of the modern essayist, they were groping uncertainly after the appropriate literary form. Montaigne#146;s great achievement was to hazard his fortunes in youth, an unsurpassed series of #147;sallies,#148; #147;assaults,#148; #147;assays#148; upon appropriation a hundred entrenched topics, and youth and society, always to come bravely off#151;so that his tactics became the model for appropriation artist all literary skirmishes. To think and feel and write like Montaigne was to produce the modern essay.

Without his example, it is mrs merriweather doubtful if we should have had the essays of Lamb, of Emerson, and artist, of Stevenson. Supporting the whole theory and ottoman empire in ww1, practice of Montaigne, undoubtedly, stood the appropriation, Renaissance itself. This #147;re-birth#148; of the human mind, this new awakening of ottoman in ww1, vital energies and intellectual powers, involved a new way of artist, looking at the world. And Society. Nothing seemed quite the same as it had been. Artist. Church and empire and feudal system were apparently weakening; new nationalities, new languages were to be reckoned with; new continents were explored, new inventions altered the face of daily life; a new intellectual confidence, inquiry, criticism, supplanted the A Feminist Dracula Essays, medi?val obedience to authority.

There was a new #147;weighing,#148; #147;assaying#148; of all things. Artist. The actual world was changing before men#146;s eyes, and the inner world changed no less. There was universal curiosity about individual capacities and opinions, experiences and tastes. The whole #147;undulating and various#148; scheme of things#151;to use a favorite expression of Montaigne#151;was a direct provocative of the essay state of mind; and the essay form, in turn, in workplace ethics essay, its looseness, vagueness, and range, was singularly adapted to the intellectual spirit of the period. One type of Renaissance essay, for example, concerned itself with a casual survey of the fragments of the appropriation, classical and youth, medi?val world. Modern books like Taylor#146;s #147;Classical Heritage of the Middle Ages,#148; and #147;The Medi?val Mind,#148; Einstein#146;s #147;Italian Renaissance in England,#148; Sir Sidney Lee#146;s #147;French Renaissance in England,#148; Spingarn#146;s #147;Literary Criticism in the Renaissance,#148; and Saintsbury#146;s #147;History of Criticism#148; set before us, with abundance of detail, the kind and extent of knowledge of the past which was possessed by Renaissance essayists. Caxton#146;s naive Prologues and Epilogues 11 to appropriation artist, the popular classical and Stoker's Essays, medi?val books which he issued in appropriation, English, Sir Philip Sidney#146;s chivalrous #147;Defense of Poesy,#148; 12 and Edmund Spenser#146;s explanation to Sir Walter Raleigh of the purpose of #147;The Faerie Queene#148; 13 are good illustrations of the attitude of typical Englishmen toward the imaginative life of the past.

Gregory Smith#146;s collection of #147;Elizabethan Critical Essays#148; affords a fairly complete view of the critical ideas which sixteenth-century England had inherited from Europe. The evolution of the A Feminist of Bram Dracula, English critical essay, during the three hundred years which have elapsed since then, is appropriation artist mainly the story of the preservation of these ideas and their modification or transformation under the successive impacts of new intellectual forces, and of differing social and literary conditions. Another type of essay, originating in the Renaissance, and a favorite with Montaigne, deals not so much with books as with life itself. The new culture, the novel intellectual perceptions, altered at once the accepted theories of man#146;s duty and destiny. Montaigne does not dogmatize about these matters: he asks questions, he suggests possible answers. The speculative essay, the summary, philosophical and scientific essay, the social essay which draws its materials from the ever-renewed revelation of the actual life of man, all find their source in artist, an awakened curiosity. The enthusiasm, the gusto, with which sixteenth-century men discussed every topic within their range of vision, has remained an integral element of the effective essay. Youth. A man may set himself sadly and grimly to work upon his formal treatise, and write it through to the end with disillusion in his soul. But the appropriation artist, born essayist, though knowing well enough that his raids into unconquered territory must be merely a perpetual series of sallies and retreats, nevertheless advances gayly to the assault. Like Lamb and Stevenson, he preaches without being a preacher; like Huxley and Tyndall, he teaches when he means only to inform; so communicable and infectious is this gift of curiosity about ethics life. There is a third type of essay, originating in the Renaissance emphasis upon individualism, and confidently asserting itself upon the pages of Montaigne, 14 Addison, Hazlitt, De Quincey, 15 Emerson, 16 Thoreau, 17 and a hundred other men.

It is the autobiographic, #147;egotistic#148; essay#151;in which there is rarely any insolence of appropriation, egotism, but only an quicksand, insatiable curiosity about oneself, and an entire willingness to discuss that question in public. If you like the man who is talking, this kind of essay is the most delightful of all. But it betrays a great deal, and like lyric verse#151;the most intensely personalized mode of poetry#151;it sometimes betrays too much. When the artist, right balance is struck between openness and conceit, or when, as with Emerson, the man is youth sweet and sound to the core, the self-revealing essay justifies itself. Appropriation Artist. Indeed, it is thought by some critics that the subjective or lyrical quality of the essay is a part of its essential character. Thus Professor A. C. Bradley has asserted: #147;Brevity, simplicity, and singleness of presentation; the strong play of Interpretation of Bram Dracula, personality, the subjective charm, the delicate touch, the limited range of theme and of treatment, and the ordered beauty through exclusion of all disordered moods and fiercer passions#151;these flow directly from the appropriation artist, presence and dominance of the lyrical element, and these are the constant features of the Essay.#148; In fact, one of the most interesting studies made available through The Harvard Classics is the survey of various national moods in A Feminist Interpretation of Bram Stoker's, successive historical periods. Take, for instance, the English essayists of the eighteenth century. Here are characteristic utterances of men so differently yet richly endowed as Addison and Swift, Steele and Defoe, 19 Sidney and Samuel Johnson, Hume 20 and Burke, 21 yet the student of the eighteenth century, whether he is reading Hume or Burke on Taste, or Johnson explaining the plan of appropriation artist, his great Dictionary, 22 Defoe#146;s ironical scheme for ridding the world of Dissenters, or Addison#146;s delicately sentimental musings in Westminster Abbey, detects, beneath all the differences in style and varieties of personal opinion, the unmistakable traits of race, nation, and period. These essays are thus historical documents of high importance. One understands better, for reading them, the England of Marlborough and of Walpole, the England of the Pitts and the four Georges. Any one century, as Carlyle said long ago, is the lineal descendant of all the ranch me mulatto, preceding centuries, and an intelligent reading of the English essays of the seventeenth, eighteenth, and nineteenth centuries is one of the best ways of appropriation, learning that significant lesson.

Even if the reader of these essays has no special knowledge of English history, and has hitherto paid but little attention to the influence of one school of ottoman empire in ww1, thought upon its successors, he cannot help discovering one difference between what we have called #147;the essay#148; and artist, its more specialized from me mulatto, #147;the critical essay.#148; #147;The essay#148; moves in a circle. Appropriation Artist. Its orbit tends to return perpetually upon itself. A Feminist Of Bram Stoker's Dracula. One may even say that the appropriation, type was already complete in Montaigne, and that since then it has made no real advance; that we have only a succession of essayists, doing, of course with infinite personal varieties of pattern, precisely what Montaigne showed them how to do. But the critical essay advances, albeit by zigzag lines. It is obliged to tack, as the winds of doctrine shift and the tides of opinion ebb and of Bram Dracula, flow, yet it is always steering, and not merely drifting. Take, for artist example, the most famous critical essay of the Greeks, the of Bram Stoker's Essays, #147;Poetics#148; of artist, Aristotle. It is an attempt to establish certain fundamental principles of quicksand larsen summary, ?sthetic criticism, such as the laws of epic poetry and the nature of tragedy. It analyzed the structure of contemporary works of literary art, tested the artist, psychological effect of poem and play upon the mind of the reader and youth and society, spectator, and laid down some shrewd rules for the guidance of poets. It is an essay rather than an exhaustive treatise, but it is by no means the sort of essay which Montaigne would have written had he been a Greek. It is impersonal, analytical, scientific.

And so logical is its matter, so penetrating its insight, that it became a model of sound critical procedure. The writer of the critical essay, in appropriation, short, finds that his course has been laid out for him by the very nature of the task which he has undertaken. The mere essayist, as we have seen, can sail in ottoman, a circle, starting and ending with his own fancies; but the man who uses the essay as the vehicle of criticism must use chart and compass; must proceed from a given starting point to a definite point of arrival. And he cannot do this if he is ignorant of the efforts of his predecessors, and unaware of the general aims and methods of critical procedure. If he is artist writing, for instance, on the theory of poetry, he does not wish to leave the ottoman empire, matter where he found it: he desires to make, if he can, a contribution to that branch of human knowledge. But he is not likely to succeed unless he has a tolerably clear notion of just how far the world-old discussion has proceeded at the point where he himself takes up the appropriation, debate. When Horace wrote that clever versified essay on the poet#146;s art, an essay which has been irreverently termed #147;the business man#146;s guide to poetry,#148; he had no intention of slavishly imitating the rules of the Greek theorists. Youth And Society. But after all, his father had sent him to appropriation, a Greek University, and the ghosts of his old professors were peeping over his shoulders as he wrote. Quicksand Larsen. And when, long afterward, the Italian Vida and the Frenchman Boileau came to write their own verse essays on the same topic, the ghost of the appropriation artist, clever Roman held their pens. Sidney and Shelley, in composing their eloquent Defences of Poetry, 23 had probably no conscious thought of continuing the formal discussion of poetic theory which the Greeks began and the Renaissance resuscitated; nevertheless, their confessions of faith in poetry form an essential chapter in the evolution of ottoman empire in ww1, criticism.

So with the prefaces of Wordsworth and artist, Coleridge and Walt Whitman. To Kill. 24 These men are innovators in theory and practice of their craft, but, like most of the successful innovators and artist, #147;modernists#148; in art, they possessed a fairly accurate knowledge of the ancient defenses which they were trying to carry by assault. Yet these assaults, no matter how brilliant, never really end the siege. The final truth escapes complete analysis and definition. The history of the critical essay shows only mrs merriweather a series of approximations, a record of endeavors which must be constantly renewed. Out of all this variety of effort, however, three tendencies of criticism emerge. They are usually called the #147;judicial,#148; the #147;interpretative,#148; and the #147;impressionistic.#148; The theoretical distinction between these tendencies of criticism is clear enough. #147;Judicial#148; criticism passes judgment upon established facts. It deals primarily with rules, with the #147;canons#148; of criticism, although it may, of course, examine the principles upon which these rules are based. Appropriation Artist. Its estimates are likely to be dogmatic and magisterial. It says bluntly, in the voice of Jeffrey, that Wordsworth#146;s #147;Excursion#148; #147;will never do#148;; that his #147;White Doe of mrs merriweather to kill, Rylstone#148; is #147;the very worst poem we ever saw imprinted in a quarto volume.#148; It declares, with Professor Churton Collins, that #147;Criticism is to literature what legislation and government are to states.#148; The aim of #147;interpretative#148; criticism, on the other hand, is not so much to pass judgment upon a specific work, as to explain it. It seeks and establishes, if possible, correct texts; it makes clear the biographical and historical facts essential to an understanding of the work in question.

It finds and reveals the meaning and beauty there contained. It points out the ethical and social significance of the appropriation, literary product. To explain a book, no doubt, is often tantamount to judging it; for if the book be demonstrated to be full of corruption, that is the most effective way of declaring it a corrupt book. Nevertheless, the object of the #147;interpretative#148; or #147;appreciative#148; critic is primarily expository, and he prefers that the ottoman empire in ww1, reader himself should pass ultimate judgment, in the light of the exposition which has been made. He puts the needful facts before the jury, and then rests his case. Sainte-Beuve 25 is a master of this sort of criticism, as Jeffrey is of the magisterial. The #147;impressionistic#148; critic, finally, does not concern himself overmuch with the canons. He leaves #147;universal considerations#148; and #147;the common sense of most#148; to his rivals. Textual criticism bores him. The examination of principles strikes him as too #147;scientific,#148; the massing of biographical and historical details seems to him the artist, work of the historian rather than the nella summary, critic.

He deals frankly in appropriation, his own #147;impressions,#148; his personal preferences, the youth, adventures of his soul in the presence of appropriation, masterpieces. He translates the sensations and emotions which he has experienced in his contact with books into symbols borrowed from all the other arts and from the me mulatto, inexhaustible stores of natural beauty. His rivals may call him a man of caprice rather than a man of artist, taste, but they cannot really confute him, for such are the infinitely varied modes of physical and psychological reaction to the presence of the beautiful, that nobody knows exactly how the other man feels. We must take his word for it, and the words of impressionistic criticism have often been uttered with an exquisite delicacy and and society, freshness and radiance that make all other types of literary criticism seem for artist the moment mere cold and formal pedantries. So much for the theoretical distinction between the mrs merriweather, three tendencies. But no one can read many pages of the artist, masters of modern criticism without becoming aware that all three tendencies frequently reveal themselves in the same man, and even in the same essay. Some of the famous #147;impressionists,#148; like Lamb, Stevenson, Lemaitre, and Anatole France, know a great deal more about the #147;canons#148; than they wish at the moment to confess. They play so skillfully with the overtones of criticism because they know the empire in ww1, fundamental tones so well.

Stevenson attempts #147;scientific#148; criticism in his essay on #147;Style,#148; #147;historical#148; criticism in his essay on Pepy 26 Jeffrey occasionally writes #147;national character#148; criticism quite in the expository method of Sainte-Beuve. Coleridge and artist, Emerson, Arnold and Ruskin, 27 are too many-sided and ranch me mulatto, richly endowed men to limit their literary essays to any one type of criticism.

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MoMA | Appropriation

Film Crit Hulk Smash: ANCHORMAN 2 And The Inherent Problem With Comedy Sequels. LIKE MOST OF YOU, HULK SAW ANCHORMAN 2 A FEW WEEKS AGO AND HULK. Appropriation! HAD SOME THOUGHTS. Workplace Essay! BUT HULK WANTED TO LET SOME TIME PASS FOR REASONS THAT WILL SOON MAKE SENSE. Appropriation! AND NOW THAT ENOUGH TIME HAS PASSED. Essay! HERE'S AN ESSAY IN TWO PARTS. PART 1 - EXPLAINING THE JOKE. QUESTION: WHY IS IT SO DIFFICULT FOR COMEDY SEQUELS TO BE GOOD? IT'S A LEGITIMATE QUESTION, OR A QUESTION THAT RECOGNIZES A VALID TREND OF SEQUEL INFERIORITY.

BUT WHY DOES THIS TREND EXIST? WHY DO EVEN THE FUNNY COMEDY SEQUELS HAVE THIS WEIRD WAY OF FALLING AWAY FROM OUR CONSCIOUSNESS? WHY DOESN'T IT STICK? WHY IS IT SO DAMN HARD FOR THE CREATORS TO RECONNECT ALL THE WIRES AND MAKE SOMETHING JUST AS GREAT? OR HECK, EVEN IN THE SAME BALLPARK?

WHAT IS REALLY HAPPENING HERE? HULK WOULD ARGUE THAT TRUTH AT THE HEART OF THIS QUESTION (AND MAYBE EVEN THE TRUTH AT THE HEART OF COMEDY IN GENERAL) IS ROOTED IN A SIMPLE PHRASE RECENTLY UTTERED BY THE GREAT BILL WATTERSON: REPETITION IS THE DEATH OF MAGIC. GRANTED, THE PHRASE MAKES THE MOST SENSE IF YOU ARE TALKING ABOUT ACTUAL MAGIC TRICKS. Appropriation Artist! FOR INSTANCE, IF HULK WAS TO STAND IN FRONT OF YOU AND START PERFORMING SOME CRAZY NEW CARD TRICK, YOU'D PROBABLY BE AMAZED AT TWO THINGS: 1) THE SURPRISING RESULT OF THE TRICK AND 2) THE SKILL IT TOOK TO PULL IT OFF. Ethics! BUT WHAT IF, IMMEDIATELY AFTER HULK FINISHED, HULK JUST PERFORMED THE EXACT SAME TRICK ONCE AGAIN? SINCE THE VISCERAL ELEMENT OF THE INITIAL SURPRISE WAS SO IMPORTANT TO YOUR FIRST REACTION, IT STANDS TO SAY THAT THE EFFECT OF THE TRICK WOULD DEFINITELY HAVE LESS IMPACT THE SECOND TIME, RIGHT? THAT'S NOT EXACTLY A REAL LEAP OF LOGIC, RIGHT?

GOOD. Appropriation! AND THE REASON THIS OCCURS IS THAT YOU HAVE TO THINK ABOUT MAGIC TRICKS AS AN EXPERIENCE . Youth And Society! THERE IS THE DELIGHT, THE AWE. Appropriation Artist! OR TO USE A CERTAIN MOVIE'S EXAMPLES, THE PLEDGE, THE TURN AND THE PRESTIGE. Youth! BUT THE EMOTIONAL FUNCTION OF THOSE SPECIFIC EXPERIENCES IS INHERENTLY DEPENDENT ON THE NEWNESS OF THE EXPERIENCE. Artist! AND IF IT'S ALL ALREADY OUT OF THE BAG? EVEN IF THE SAME SKILL AND CRAFT IS ON DISPLAY? THEN THE EMOTIONAL EXPERIENCE CAN'T HELP BUT BE DIFFERENT. Ranch! IT MAY BE A POSITIVE REACTION, BUT IS DEFINITELY NOT THE SAME REACTION. Artist! AND HECK, EVEN IF THERE IS A SLIGHT VARIATION ON THE MAGIC TRICK TO MAKE IT ALL SEEM A BIT DIFFERENT, THERE IS A PART OF OUR BRAIN THAT CAN'T HELP BUT SEE IT AS THE SAME ESSENTIAL TRICK AT ITS CORE.

AND THIS MATTERS BECAUSE COMEDY WORKS IN A VERY SIMILAR WAY TO MAGIC. THINK OF THE FIRST TIME YOU HEAR A JOKE, OR SEE A GAG, OR, HELL, JUST ANYTIME ANYTHING FUNNY HAPPENS. Ranch! THINK OF HOW THAT THING IS SO FUNNY THAT THE SECOND IT HITS YOU OR THE SECOND YOUR EYEBALLS SEE IT, YOUR BODY INSTANTLY ERUPTS WITH LAUGHTER . Appropriation! ISN'T THIS KIND OF REMARKABLE? YOU'RE NOT IN CONTROL OF IT. Ethics Essay! IT'S A PURELY VISCERAL THING. Artist! LAUGHTER IS BOTH IMMEDIATE AND INVOLUNTARY. Quicksand Nella Larsen! AND NOT ONLY DO WE NOT HAVE ENOUGH TIME TO THINK ABOUT WHY WE ARE LAUGHING, BUT OUR BRAINS WILL OFTEN GO SO FAR AS TO BE AFRAID TO THINK ABOUT IT BECAUSE WE ARE AFRAID TO LOSE THAT LOVELY VISCERAL ELEMENT THAT IS HAPPENING. Appropriation! WE ARE AFRAID OUR UNDERSTANDING WILL RUIN IT. Ranch Me Mulatto! AND WHAT IS A PROLONGED LAUGH BUT A DESPERATE ATTEMPT FOR YOUR BODY TO FIGHT THE REGAINING OF CONTROL?

LAUGHTER IS INSANE. Appropriation Artist! IT'S ILLOGICAL. AND THIS ALL JUST SPEAKS TO THAT OLD ADAGE ABOUT NEVER EXPLAINING THE JOKE, BUT IF OUR QUEST IS ONE OF GENUINE UNDERSTANDING THEN EXPLAINING THE JOKE WE MUST DO. Quicksand Nella! AND THE TRUTH IS COMEDY ISN'T REALLY ALL THAT DIFFERENT FROM THE OTHER MODES OF DRAMATIC STORYTELLING. Artist! FOR IT TOO IS COMPLETELY ROOTED IN THE PRINCIPLES OF CAUSE AND EFFECT, WHICH HULK WILL ARGUE IS REALLY ALL ABOUT EXPECTATION. Me Mulatto! FOR EXAMPLE, WITH HORROR MOVIES YOU BUILD UP TENSION AND THEN DELIVER A SCARE, RIGHT? AND IN ROMANTIC COMEDIES YOU BUILD A RELATIONSHIP AND DESIRE AND THEN DELIVER A KISS (OR MORE!). Appropriation Artist! AND IN ACTION MOVIES YOU BUILD UP THE THREAT OF THE HERO DYING AND THEN THEY OVERCOME THE THREAT TO THE AUDIENCE'S DELIGHT. A Feminist Stoker's Dracula! IN ALL THESE CASES YOU'LL NOTICE THAT THE OPERATING MECHANISM ON THE BACK-END OF CAUSE AND EFFECT IS REALLY THE IDEA OF RELEASE . Artist! YOU BUILD UP AN EXPECTATION OF A CERTAIN EMOTION, THEN YOU MAKE IT SEEM LIKE THAT EMOTION IS IN JEOPARDY, AND THEN RELEASE THE TENSION / EMOTION WITH THE DESIRED EMOTIONAL RESPONSE. Ranch Me Mulatto! THIS IS CAUSE AND EFFECT.

THIS IS CINEMA. Artist! AND PLEASE UNDERSTAND THAT THIS CAUSE AND EFFECT MECHANISM IS SO COMPLETELY TRUE OF COMEDY TOO. And Society! IT'S JUST THAT THE WORDS WE USE TO DESCRIBE THIS MECHANISM ARE USUALLY SET-UP AND PUNCHLINE. THE THING TO UNDERSTAND ABOUT COMEDY IS THAT IT'S ALMOST ALWAYS ABOUT DEFYING YOUR EXPECTATIONS. Appropriation Artist! WHICH MAKES IT DIFFERENT FROM ROMANTIC MOVIES WHERE YOU BUILD UP ALL THE REASONS YOU WANT A SEXUAL CATHARSIS TO HAPPEN. And Society! OR WITH HORROR MOVIES WHERE IT CAN ACTUALLY GO TWO WAYS: SOMETIMES YOU ARE HOLDING THE KNIFE OVER A BELOVED CHARACTER AND WE WANT THEM TO GET AWAY. Artist! SOMETIMES YOU ARE HOLDING THE KNIFE ABOVE AN ASSHOLE CHARACTER WE WANT TO SEE OFFED (BAD HORROR MOVIES OFTEN DON'T SEEM TO UNDERSTAND WHICH IS WHICH). Ranch! THESE ARE ALL ABOUT THE WAYS WE DELIVER WHAT IS REQUIRED AND THUS OFTEN ARE UTTERLY RELIANT ON CREATING DRAMA WITH THOSE GOALS. Artist! BUT WITH COMEDY IT IS ALWAYS ABOUT GOING IN A DIFFERENT DIRECTION THAN WHAT YOU'RE THINKING.

IT'S ZIGGING WHEN YOU EXPECT A ZAG. To Kill! AND OFTEN THEY PLAY ON OUR FAMILIARITY AND UNDERSTANDING. Appropriation! (THERE'S AN OFFENSIVE JESELNIK JOKE THAT HIGHLIGHTS THIS DYNAMIC COMPLETELY: My girlfriend always complains 'I'm a chocoholic! I'm a chocoholic!' So I took her down to nella summary, skid row and appropriation showed her all the me mulatto, drug-addled crack addicts stumbling about and appropriation artist said to quicksand summary, her, 'See? Why can't you be that skinny?'). Appropriation! PLEASE NOTE THAT THIS IS EXACTLY LIKE MAGIC. And Society! IT'S DISTRACTION. Appropriation Artist! SUBVERTING LOGIC. Mrs Merriweather! IT'S BUILT ON A TURN.

AND OFTEN IT'S NOT QUITE AS MECHANICAL AND JOKEY AS THAT. Appropriation Artist! SOMETIMES COMEDY IS ABOUT HITTING YOU WITH A WITTY RETORT BEFORE AN AUDIENCE MEMBER CAN EVEN THINK OF THEIR OWN RESPONSE (CUE: PRESTON STURGES, WHICH IS AKIN TO WATCHING VERBAL TENNIS). Youth! YOU'RE REALLY JUST PLAYING A GAME WITH THE AUDIENCE'S BRAINS. Appropriation Artist! AND IT'S A REALLY, REALLY COMPLICATED GAME. Essay! BECAUSE SOMETIMES THE BEST COMEDY ISN'T SO MUCH ABOUT DEFYING EXPECTATION, BUT STAYING TRUE TO THE OBVIOUS ANSWER, WHICH IS ITS OWN WAY OF DEFYING EXPECTATION. Artist! SOMETIMES IT'S ABOUT PROMISING A ZIG AND DOUBLING-DOWN WITH AN EXTRA ZIG IF THAT MAKES SENSE (THINK NORM MACDONALD: The UFC just announced the nella, expansion of appropriation, its new sport, MURDER!). Me Mulatto! WE JUST ALL HAVE DIFFERENT SETS OF COMEDIC EXPECTATIONS AND THAT'S REALLY WHY WE ALL HAVE DIFFERENT SENSES OF HUMOR. Artist! YOU JUST NEED THE COGNITION TO RECOGNIZE THE JOKE. Me Mulatto! (PLEASE NOTE HOW THE MOST POPULAR COMEDIANS OF EACH ERA TEND TO BE THE KIND THAT LIKE TO DOUBLE-DOWN ON THE REALITIES OF LIFE BECAUSE THEY ARE NOT-SO-COINCIDENTALLY TRYING TO TALK ABOUT THE MOST UNIVERSAL TRUTHS AMONG US ALL). Appropriation! AND WHILE WE MAY ALL HAVE DIFFERENT FORMS OF COMEDIC RELEASE, THE THING TO UNDERSTAND IS THAT IT IS ALMOST ALWAYS VISCERAL. Youth And Society! WHICH IS REALLY THE COMMON TRAIT OF EVERY OTHER STORY MECHANISM TOO.

HORROR WANTS TO MAKE YOU JUMP. Artist! ROMANCE WANTS TO MAKE YOU SWOON. Ottoman Empire In Ww1! PORNOGRAPHY WANTS TO GET YOU AROUSED. Artist! AND COMEDY WANTS YOU TO MAKE YOU LAUGH. WHICH IS GOOD BECAUSE THE GREAT THING ABOUT LAUGHING IS THAT WE KNOW WHEN WE'RE LAUGHING. Quicksand Larsen! THERE'S HONESTY THERE.

AND SINCE THE VISCERAL EFFECT OF LAUGHTER IS SUCH A CONCRETE THING, IT MAKES COMEDY-WATCHING SOMEWHAT EASY TO HAVE AN OPINION ON. Appropriation Artist! WE CAN SAY WE THINK SOMEONE IS FUNNY WITH COMPLETE CERTAINTY. Quicksand Larsen Summary! WE CAN ALSO SAY WE DIDN'T FIND SOMEONE FUNNY WITH CERTAINTY. Appropriation Artist! AND WHEN IT COMES TO EVALUATING COMEDY MOVIES WE TEND TO JUST DO A SIMPLE THING AND ADD UP ALL THE TIMES WE LAUGHED VS. Essay! THE TIMES WE GROANED AND IT COMES TO A SUM TOTAL. Appropriation! AND THAT SUM TOTAL BASICALLY REFLECTS HOWEVER THE HELL WE FELT ABOUT THAT PARTICULAR COMEDY. Workplace Essay! IT MAKES FOR AN INTERESTING COMPARISON TO OTHER KINDS OF STORIES, WHICH OFTEN WORK ON US IN MUCH MORE MYSTERIOUS AND CONFUSED WAYS. Artist! BUT COMEDIES ARE REALLY KIND OF ABOUT THAT BASIC MATH. Summary! THE ONLY REAL FACTORS FOR DISAGREEMENT SEEM TO BE THE AFOREMENTIONED MATTER OF HAVING DIFFERENT SENSES OF HUMOR OR WHATEVER OUR INDIVIDUAL CRITERIA IS FOR THE NEEDED SUM TOTAL OF LAUGHS. NOW, IF THIS EVALUATION OF HOW COMEDY WORKS SEEMS RATHER NEAT AND TIDY, WELL, IT'S SUPPOSED TO BE.

AFTER ALL, WE'RE JUST TALKING BASIC FUNCTIONALITY. BUT WHERE COMEDY BECOMES REALLY INTERESTING AND COMPLEX IS THE MATTER OF LASTING EFFECT . Artist! IN OTHER WORDS, WHAT IS THE KIND OF COMEDY THAT LASTS FOR YEARS WITH US? WHAT RESONATES BEYOND THE INITIAL LAUGHTER? WHAT GOES ON TO BE LONG-RUNNING JOKES OR GREAT CINEMA CLASSICS? MANY WOULD ARGUE THAT TRULY GREAT COMEDY GOES BEYOND THE NECESSARY NEEDS OF TIMING AND CRAFT AND IS REALLY ABOUT ARTICULATING A TRUTH . Youth And Society! FOR EXAMPLE, YOU MAY HAVE NOTICED THAT THE CURRENT FUNNIEST MAN IN THE UNIVERSE, LOUIS C.K., (BIASED OPINION) DOESN'T REALLY TELL JOKES IN A CONVENTIONAL SENSE. Artist! HE JUST ZEROES IN ON THE MOST PAINFULLY WEIRD TRUTHS AND IRONIES OF LIFE AND SIMPLY EXPLAINS THEM WITH THE UTMOST URGENCY. Workplace Ethics! YEAH, IT'S MADE MORE WONDERFUL BY HIS DELIVERY, WHERE THERE'S ABSOLUTELY NO MITIGATION OF THE CORE IDEA AND NO OTHER HINTS OF HUMOR BEYOND AN OCCASIONAL WRY SMILE (INDICATING HE KNOWS HE'S ONTO SOMETHING).

BUT WHAT LOUIS C.K. Artist! IS REALLY DOING IS EXPLAINING THE PLAIN TRUTH OF SOMETHING. Quicksand Nella Larsen Summary! OFTEN HE'S TAPPING INTO OUR COLLECTIVE SENSE OF EMPATHY AND SADNESS AND RELAYING IT BACK TO US THROUGH PAIN. Appropriation Artist! HE'S NOT BEING ABSURD (WHICH A LOT OF HIS OLD COMEDY WAS DOING), HE'S PAINTING A PORTRAIT OF THE ABSURDITY OF LIFE ITSELF. Ottoman In Ww1! WHICH, IN EFFECT, MAKES HIM THE ULTIMATE DOUBLE-DOWNER. Artist! HECK, HE CAN EVEN EXPLAIN SOMETHING AS SILLY AS WHAT FARTS ARE WITH NO REAL EMBELLISHMENT AND MAKE IT HILARIOUS: BELIEVE IT OR NOT, THIS IS IMPORTANT TO HULK'S POINT.

BECAUSE IT HELPS HULK ARGUE THAT THE MOST RESONANT COMEDIANS IN THE WORLD AREN'T MAKING UP FUNNY IDEAS. Youth! THEY ARE JUST THE BEST AT FINDING THE FUNNY IDEAS IN LIFE, THE ONES THAT AN AUDIENCE CAN INSTINCTIVELY UNDERSTAND, AND THEN REFLECTING THEM BACK YOU. Artist! TO WIT: HULK ONCE ASKED PATTON OSWALT SOME NONSENSE ABOUT THE ROLE OF COMEDIAN AS BOTH A CRITIC AND A STORYTELLER AND HE ZOOMED RIGHT PAST THAT DILEMMA AND BEAUTIFULLY CLARIFIED THAT THE AIM OF BOTH CRITICISM AND COMEDY IS TO UNVEIL AN ACTUALITY . A Feminist Stoker's Essays! AND HULK AGREES THAT IS BY FAR THE MOST POWERFUL THING THAT THAT THEY BOTH CAN DO. Appropriation! AND THINK ABOUT HOW THAT WORKS. A Feminist Interpretation Of Bram! IT'S MORE THAN A CEREBRAL CONNECTION. Appropriation Artist! IT IS AN ACTUALITY OF TRUTH THAT IS SO CLEAR THAT IT CAN REACH DOWN INSIDE OF US AND RESULT IN THE VISCERAL BELLY LAUGH. Mrs Merriweather A Mockingbird! IT REVERBERATES BACK UP TO OUR BRAINS WHERE IT THEN LINGERS ON IN PERPETUITY.

IT IS THE MOST AMAZING KIND OF LAUGH IN THE WORLD. AND THE LAST THING YOU NEED TO UNDERSTAND ABOUT THIS KIND OF LAUGH IS THAT THE IDEA INVOLVED DOESN'T ALWAYS HAVE TO BE SOME CLEARLY ARTICULATED PHILOSOPHY (LIKE TO ALCOHOL, THE CAUSE OF, AND SOLUTION TO, ALL OF LIFE'S PROBLEMS!). Artist! IT CAN INSTEAD BE A KIND OF COMEDIC APOPHASIS. Mrs Merriweather A Mockingbird! A DIAGNOSIS OF EXCLUSION. Appropriation Artist! OR PERHAPS, BETTER PUT, A WAY OF DEFINING THE THING BY THE THING THAT IT'S NOT. Ottoman! THINK OF THE WAY THAT WOLF OF WALL STREET CRITICIZES MASCULINITY BY SHOWING MASCULINITY AS THE MOST OVER-THE-TOP RIDICULOUS THING EVER. Appropriation! AN EXAGGERATED REVERSAL OF TRUTH IS REALLY JUST ITS OWN KIND OF TRUTH. To Kill! AND SOMETIMES THERE IS NOTHING BETTER AT HIGHLIGHTING THE DIFFERENCE BETWEEN WHAT SHOULD BE HAPPENING WITH WHAT IS HAPPENING. WHEN WE TALK ABOUT THIS KIND OF COMEDY WE OFTEN USE THE WORD ABSURDITY, WHICH IS A WORD THAT MOST PEOPLE USE AS A SYNONYM FOR RIDICULOUSNESS. Artist! BUT HERE WE'RE ACTUALLY TALKING ABOUT SOMETHING CLOSER TO THE ACADEMIC DEFINITION OF ABSURDISM, WHICH CONCERNS HUMAN KIND'S PENCHANT FOR TRYING TO FIND MEANING IN THE WORLD WHERE THERE ACTUALLY IS NO MEANING: HENCE LIFE ITSELF IS AN ABSURD QUEST.

AND WHILE YOU DON'T REALLY HAVE TO CALL IT COMEDIC ABSURDISM, (BECAUSE THERE'S SOMETHING NATURALLY DARKLY FUNNY ABOUT THAT IDEA), IT HELPS TO THINK OF COMEDIC ABSURDISM AS WHEN THE EXPECTATION OF SOMETHING LOGICAL IS MET WITH A NON-LOGICAL REALITY, WHEREIN THE GULF BETWEEN THE TWO IS ACTUALLY A FUNNY REPRESENTATION OF THE HUMAN CONDITION. Ethics Essay! OKAY, THAT MAY SOUND REALLY COMPLICATED, BUT THINK OF HOW THIS IS THE SET-UP / PUNCHLINE WRIT INTO THE FABRIC OF LIFE. Artist! IT CAN BE SOMETHING OBVIOUS LIKE How could my life get any worse! *IT STARTS RAINING*. Ottoman Empire! BUT A BETTER POPULAR EXAMPLE WOULD BE THE CINEMA OF COEN BROTHERS. Appropriation Artist! SOME PEOPLE SEE THEIR WORK AS BOTH HILARIOUS AND TRUE. Empire! SOME DON'T LIKE THE WAY IT PUNISHES ALL THE CHARACTERS WHO STRIVE FOR HUMAN HAPPINESS AND UNDERSTANDING. Appropriation! OR FOR A MORE EXTREME VERSION, THINK OF THE ABSURDITY OF THE MARX BROTHERS, WHICH IS BASICALLY NOTHING BUT AN ATTEMPT TO THROW THE SOCIAL RULES, MORES, AND TABOOS OUT THE WINDOW IN A FIT OF DELIGHTFUL CHAOS. A Feminist Interpretation Stoker's Essays! THE THING HULK WANTS YOU TO UNDERSTAND ABOUT ALL THESE ABSURDITIES IS THAT THEY OFTEN HAVE A POINT. Appropriation Artist! YEAH, SOMETIMES IT'S FUN AND PLAYFUL, FULL OF VERBAL PUNS OR VISUAL GAGS AND WHATNOT, BUT COMEDY ALWAYS HAS SOMETHING IT'S POINTING AT.

IT'S TRYING TO SAY THAT THESE SOCIAL RULES THEMSELVES ARE RIDICULOUS. A Feminist Interpretation Of Bram! WHEN THE MARX BROTHERS GO IN AND TORTURE SOME PEARL-CLUTCHING SOCIALITE, THEY'RE HAVING A GO AT SOCIETY ITSELF. Artist! AND SOMETIMES, IT POINTS TO THESE THINGS IN THE TRUTHY DOUBLE-DOWN WAY TOO. A Feminist Interpretation Of Bram Stoker's! LIKE WHEN GROUCHO SAYS I'd never belong to appropriation artist, any club that would have me as a member, HE'S LITERALLY TALKING ABOUT THE ABSURDITY OF THE HUMAN CONDITION. Nella Summary! AND THERE'S A REASON THAT QUOTE LIVES ON YEAR AFTER YEAR. Appropriation Artist! BECAUSE THE IDEA BEHIND THE JOKE IS SOMETHING THAT RINGS INCREDIBLY TRUE.

WHAT HULK IS TRYING TO CONVINCE YOU OF IS THAT GREAT COMEDY, WHETHER DIRECT OR INDIRECT, IS ALWAYS STILL ABOUT THE IDEA. Workplace Ethics! AND WHEN A FUNNY IDEA / GAG / WHATEVER TRULY STRIKES US, WHEN IT UNVEILS AN ACTUALITY, IT THEN HAS THE FUNNY HABIT OF STICKING WITH US FOR WEEKS, MONTHS OR EVEN YEARS TO COME. Artist! IT FEELS LIKE A MAGICAL PROCESS, BUT IT IS ALL BUILT ON VERY CONCRETE UNDERSTANDINGS OF THE UNIVERSE. Mrs Merriweather To Kill! WHICH JUST MEANS THAT AS SILLY AS THE MARX BROTHERS MAY SEEM, THEY'RE STILL ABOUT SOMETHING THAT IS VERY REAL TO US. THE PROBLEM IS THAT WE'RE REALLY BAD AT UNDERSTANDING ALL OF THIS. NOT THAT HULK BLAMES ANYONE.

WE HAVE NO REAL REASON TO UNDERSTAND OUR LAUGHTER, AFTER ALL. Artist! BUT IT'S STILL CURIOUS. Nella Larsen Summary! FOR AFTER THAT INITIAL, VISCERAL LIGHTING-STRIKE HAS HAPPENED AND WE HAVE LOSE OUR INITIAL GUT REACTION, OUR BRAINS EITHER LET THE HUMOR GO OR BECOME CONVINCED THAT WE MUST EVOLVE OUR UNDERSTANDING IN ORDER TO KEEP IT RESONANT. Appropriation Artist! MAYBE WE BEGIN APPRECIATE THE INHERENT IDEA OF WHAT WAS SO FUNNY ABOUT IT EVEN MORE. Ranch Me Mulatto! MAYBE WE KICK OUR BRAINS INTO OVERDRIVE AND WE GROW TO UNDERSTAND THE THING ITSELF.

MAYBE THAT THING WORKS ITSELF INTO OUR OWN SENSE OF HOW COMEDY WORKS AND IT HELPS SHAPES US. Appropriation! MAYBE IT INSPIRES US TO LOOK AT THE CRAFT AND SKILL OF COMEDY AND SO MAYBE THE WHOLE EXPLAINING OF THE JOKE IS NOW WHAT BECOMES INTERESTING OR FUNNY TO US. Ranch Me Mulatto! REALLY, IT'S NO DIFFERENT THAT TRYING TO LEARN A MAGIC TRICK. Appropriation! YOU GET FAR PAST THE EMOTIONAL NATURE OF THING AND ZERO IN ON THE CRAFT. Ethics Essay! AND DESPITE ALL OF THESE QUALITIES BEING GOOD THINGS, THERE IS AND OVERLAP OF BEHAVIOR THAT HULK THINKS IS VERY IMPORTANT TO NOTE: THE CONVENTIONAL WISDOM OF DRUG ADDICTION IS THAT WE ARE ALWAYS JUST CHASING THAT FIRST HIGH OVER AND OVER AGAIN, BUT ALWAYS TO DIMINISHING RESULTS. AND WHAT IS COMEDIC REPETITION BUT AN ATTEMPT TO CHASE A HIGH?

GONE IS THE THRILL OF COMEDIC DISCOVERY (I.E. Appropriation Artist! THE VISCERAL BELLY LAUGH) AND SO WE REPLACE IT WITH THESE OTHER MEANINGFUL APPRECIATIONS THAT HULK JUST ARTICULATED ABOVE. Workplace Essay! OR FAR MORE LIKELY, THE JOKE GOES ON TO BECOME A SERIES OF REFERENCES AMONG OF GROUP OF FRIENDS. Appropriation Artist! BUT PLEASE UNDERSTAND THAT THE VISCERAL ELEMENT OF WHAT YOU ARE EXPERIENCING IS NOW LESS ABOUT THE JOKE ITSELF AND MORE THE CAMARADERIE WITH WHICH YOU ARE RE-SHARING IT. Quicksand Larsen! IT BECOMES A SOCIAL OR CULTURAL THING. Appropriation Artist! THE FEELINGS TURN TO A COMMUNITY SENSE OF BINDING, LOVE AMONG FRIENDS, THE TRADITION AND ROUTINE OF THE TELLING, OR EVEN THE PURE NOSTALGIA OF FONDLY LOOKING BACK AT THE EXPERIENCE ITSELF.

IT IS IN THIS SPECIFIC WAY THAT OUR FAVORITE COMEDIES GO ON TO LIVE IN OUR LIVES (AKA OUR INDIVIDUAL COMEDIC CONTEXTS), NO DIFFERENT FROM THE WAY THAT THE FUNNY REAL-LIFE STORIES WE EXPERIENCE GO ON TO TAKE THE SHAPE OF LEGENDS . A Feminist Interpretation Of Bram Stoker's Essays! BUT EITHER WAY, THE POINT IS THAT THE JOKE NOW DEPENDS ON THAT FAMILIARITY, CULTURE AND TRADITION. Artist! AND THEY HAVE BECOME INSEPARABLE. To Kill! AND IF WE TAKE THAT REALIZATION AND BRING IT ALL TOGETHER WITH ALL THE THINGS WE'VE DISCUSSED THROUGHOUT THIS ESSAY, YOU CAN SEE THE OBVIOUS PROBLEM: THERE'S NO UNVEILING ANYMORE. THING ABOUT IT. Appropriation! WITH THE ADDITION OF TIME, FAMILIARITY AND OUR LOVE OF THE THING ITSELF, WE ARE FUNDAMENTALLY CHANGING WHAT THE JOKE IS AND HOW IT WORKS.

EVEN IN A PURE MECHANICAL SENSE, YOU CANNOT DENY THAT FAMILIARITY IS AWFUL FOR SET-UPS AND PUNCHLINES. Quicksand Nella Summary! WHEN YOU UNDERSTANDING HOW IT WILL ZIG OR ZAG, THEN THERE IS NO SURPRISE. Artist! NO INSTANTANEOUS VISCERA. PART TWO - WHAT THE HELL THIS HAS TO DO WITH ANCHORMAN 2. IF HULK TELLS YOU THERE'S NO MAGIC IN COMEDY SEQUELS, YOU MAY HAVE A LOGICAL RESPONSE: But Hulk, aren't we still laughing? YES. Youth And Society! SOME OF THE TIME YOU ARE INDEED LAUGHING. Artist! BUT GOING OFF EVERYTHING WE'VE TALKED ABOUT, HULK WOULD ARGUE IS THAT WHAT WE ARE EXPERIENCING IS A DIFFERENT KIND OF LAUGH ALL TOGETHER. Me Mulatto! SIMPLY PUT: I T'S A NOSTALGIA LAUGH . Appropriation! IT'S A FAMILIAR LAUGH. In Ww1! IT'S A CULTURAL LAUGH THAT ISN'T AWAKENING THE THING INSIDE US, BUT INSTEAD MERELY PICKING UP THE WORDS THAT ARE ALL ALREADY ON THE TIP OF OUR TONGUES. Artist! WE AREN'T LAUGHING AT COMEDY SEQUELS BECAUSE THEY ARE UNVEILING A NEW ACTUALITY.

WE LAUGH AT COMEDY SEQUELS BECAUSE WE ARE EATING COMFORT FOOD. PLEASE UNDERSTAND THAT THERE IS NOTHING WRONG WITH EATING COMFORT FOOD, METAPHORICAL OR OTHERWISE. In Ww1! BUT THE THING IS WE ARE TALKING ABOUT COMEDY AND ITS PROLONGED EFFECT HERE, WHICH IS SOMETHING PEOPLE INHERENTLY DON'T WANT TO UNDERSTAND. Appropriation! THEY JUST WANT TO FEEL IT. Youth! WHICH JUST MEANS OUR ACTUAL PROBLEM WITH COMEDY SEQUELS IS THAT WE GO INTO THEM AND WE DON'T REALLY UNDERSTAND OUR MOTIVES, OR HOW OUR LAUGHS WILL ACTUALLY BE DIFFERENT. Artist! WE TEND TO JUST UNDERSTAND THE DEGREES.

THUS, WE JUST END UP CONFUSING BOTH OUR EXPECTATIONS. Quicksand Larsen Summary! THE WHAT WE WANT AND THE WHAT WE ARE ACTUALLY EXPERIENCING GETS ALL MIXED UP IN OUR BRAINS AND BODIES AND IT RESULTS IN A SERIES OF COMPLICATED (AND OFTEN SUBDUED) REACTIONS. PUT IT LIKE THIS: WHEN HULK WATCHES ANCHORMAN FOR, LIKE, THE 1432TH TIME, HULK KNOWS ALL THE LINES AND BEATS ALREADY, SO REALLY IT'S LIKE SINGING AN OLD SONG. Artist! THE DELIGHT OF THE UNVEILING IS GONE SO YOU ARE RE-WATCHING TO ENRICH THE DETAILS. Larsen Summary! OR MAYBE EVEN JUST CHASE THE HIGH.

EITHER WAY, IT'S ABOUT HULK'S RELATIONSHIP TO THAT THING. Appropriation Artist! BUT WHEN WE GO TO SEE THE SEQUEL (OR REMAKING) OF SOMETHING HULK LOVES AS MUCH AS ANCHORMAN , THEN THE EXPECTATION INHERENTLY CHANGES. Ranch Me Mulatto! THEN YOU AREN'T ACTUALLY RE-WATCHING THE SAME THING. Appropriation Artist! YOU ARE GOING TO SEE SOMETHING THAT WE CAN'T HELP BUT HOPE WILL RECAPTURE THE EXPERIENCE OF THE ORIGINAL . Me Mulatto! AND THAT DIFFERENCE OF EXPECTATION IS EVERYTHING. Appropriation Artist! IT MEANS YOU ARE HELPLESSLY APPROACHING THE COMEDY IN THE WAY THAT YOU WOULD WATCH ANYTHING ELSE THAT IS NEW. Ethics! WHICH JUST MEANS YOU ARE INHERENTLY CRAVING THE UNVEILING MECHANISM THAT COMES WITH HOW WE CONSUME NEW THINGS. Artist! YOU WANT THE VISCERAL DELIGHT OF IT ALL BACK. Workplace Ethics! YOU WANT THE SURPRISE. Artist! THE DISCOVERY.

THE PLEDGE. Youth! THE TURN. Appropriation Artist! THE PRESTIGE. Youth! THE SET-UP. Artist! THE PUNCHLINE. Ranch Me Mulatto! THE MAGIC. Appropriation Artist! WHICH IS ALL JUST A WAY OF SAYING YOU WANT A NEW IDEA THAT IS SO FUNNY YOU WILL REACT WITH LAUGHTER. UNSURPRISINGLY, IT NEVER SEEMS TO QUITE WORK. WHICH IS MORE TO ARGUE THAT IT CAN'T EVER WORK . Quicksand Larsen! THE NUMBER OF COMEDY SEQUELS THAT HAVE MANAGED TO LIVE UP TO THE CLASSIC ORIGINAL IS A BIG FAT ZERO AND IT IS THAT WAY FOR A DAMN REASON. Artist! IT'S THE TWO-PRONGED REALITY THAT THE MOVIE WILL BE REPEATING TO SOME DEGREE AND KILLING THE MAGIC GETTING CROSSED WITH THE AUDIENCE'S INABILITY TO REQUIRE THAT THESE SEQUELS RECAPTURE THAT MAGIC (WHICH AGAIN, IS FORMED FROM THAT SPECIFIC IDEA-UNVEILING-BASED LAUGHTER THAT'S BUILT ON SURPRISE) AND IT SIMPLY CANNOT BE RECREATED USING THE SAME PARTS. Of Bram Dracula! IT'S IMPOSSIBLE.

THE AUDIENCE ALREADY UNDERSTANDS HOW THE TRICK IS DONE. AND YOU KNOW WHAT THE REAL KICKER IS? THAT BOTH CREATIVE PEOPLE AND THE AUDIENCE INSTINCTIVELY KNOW THIS TO BE TRUE . Appropriation! BUT BECAUSE THEY CAN NEVER QUITE ARTICULATE IT IN THE PLAIN LANGUAGE HULK'S TRIED TO USE HERE, WE FAIL TO RECOGNIZE THE IMPOSSIBILITY OF IT ALL. Mrs Merriweather! SURE, WE'VE ALL BEEN DOWN THIS PATH BEFORE. Appropriation Artist! THERE'S A REASON CREATIVES TRY TO STAY AWAY FROM COMEDY SEQUELS AND THERE'S A REASON AUDIENCES WORRY OVER THE FACT THEY MAY BE BAD. Essay! IT'S BECAUSE WE'VE ALL DONE THIS ALL SO MANY TIMES BEFORE. Appropriation Artist! SO WHY DO WE STILL MAKE THESE MOVIES? AND WHY DO PEOPLE STILL GO SEE THEM? WHY DO WE FALL FOR IT?

BECAUSE, EMOTIONALLY SPEAKING, WE WANT TO CHASE THE HIGH. WE WANT TO HOPE AGAINST HOPE AND RETURN TO THE SAME THING THAT WE LOVED. Youth! BECAUSE WE JUST WANT TO LAUGH. Appropriation! BECAUSE WE DON'T LIKE TO THINK ABOUT IT. Me Mulatto! BECAUSE WE'RE ACTUALLY PRETTY BAD AT DIAGNOSING THE KIND OF LAUGHTER WE'RE EXPERIENCING IN THE MOMENT AND THEN WONDER ALOUD WHY WE CAN'T REMEMBER A SINGLE MOMENT FROM THAT FUNNY MOVIE WE SAW THREE DAYS AGO. Appropriation! IT'S BECAUSE WE KEEP FORGETTING THAT REPETITION IS THE DEATH OF MAGIC. Ottoman In Ww1! AS FOR WHY THE CREATIVE PEOPLE COME BACK?

WELL, 9 TIMES OUT OF 10 IT'S MONEY. AND SO THESE MOVIES HAPPEN NO MATTER WHAT. AND THUS WE CONSIDER OUR OPTIONS OF STORY APPROACH, WHICH ARE IMMEDIATELY HIT BY A CATCH 22 OF DIFFERING EXPECTATION. Artist! IF WE ASK THAT THESE MOVIES TO BE NEW! AND YET WE ALSO REQUIRE THAT THEY STILL BE THE SAME THING! FOR NOSTALGIC PURPOSES, THEN HOW CAN THAT BE ACCOMPLISHED? LOGICALLY, THE ONLY PLACE TO GO IS UP. A Feminist! IT'S EXACTLY WHY SO MANY BROAD COMEDY SEQUELS JUST END UP DOING THE SAME KINDS OF JOKES, JUST WITH A CRAZIER BUILD UP AND BIGGER RELEASE. Artist! SURE, YOU CAN CHANGE SOME THINGS OR ADD NEW CHARACTERS.

BUT AT ITS VERY CORE, THE FILM WILL INEVITABLY BE USING THE SAME LANGUAGE. Ranch Me Mulatto! EVEN WHEN IT INVERTS THE TROPES OF EXPECTATION (THINK OF THE MOMENT WHERE INDY SMILES, BUT IT TURNS OUT HE DOESN'T HAVE THE GUN IN TEMPLE OF DOOM ). Appropriation Artist! IT'S ALL JUST ELABORATED INTER-TEXT. Dracula! IT WORKS, BUT THERE'S NOTHING ACTUALLY NEW IN THE JOKE, WHICH IS WHY THE ORIGINAL GUN / SWORD JOKE IN INDY IS THE ONE THAT STILL MAKES US LAUGH. Artist! WE CAN'T HELP BUT TURN COMEDY SEQUELS INTO NOTHING MORE AN ESCALATING GAME OF JENGA. BUT ENOUGH PRETENSE, LET'S GET CONCRETE WITH THE MOVIE OF THE HOUR: WHEN HULK THINKS ABOUT THE ORIGINAL FIGHT SCENE IN ANCHORMAN , YES, SO MUCH OF IT IS DEPENDENT ON THE PERFECT COMIC EXECUTION, BUT REALLY IT'S THE THREE BASIC IDEAS OF THE JOKE ITSELF, RIGHT? FIRST OFF, THE FIGHT ITSELF, WHICH IS SO COMPLETELY OVER THE TOP AND SILLY TO THE POINT THAT IT BECOMES SURREAL (COMPLETE WITH A SERIES OF INSANE CAMEOS). Mrs Merriweather To Kill A Mockingbird! BUT, THE SECOND FUNNY IDEA IS THAT THE FIGHT IS A COMPLETE NON-SEQUITUR. Appropriation! IT'S TRULY OUT OF NOWHERE. Quicksand Nella Larsen Summary! ONE GIANT ZIG THAT ISN'T EVEN BEING BUILT OFF A ZAG.

AND BECAUSE IT WAS A COMPLETE NON-SEQUITUR, IT ALLOWS FOR A FULL PUNCH OF A THIRD JOKE WHERE THEY FOLLOW UP THAT ABSURDITY BY DOUBLING DOWN WITH A LEVEL-HEADED CONVERSATION OF ALL THE SURREAL EVENTS THAT JUST TOOK PLACE (STARTING WITH THE NOW IMMORTAL LINE OF BOY, THAT ESCALATED QUICKLY!). Artist! THEY EVEN TALK OF TRIDENTS AND BRICK LYING LOW BECAUSE HE MURDERED SOMEONE. Nella Summary! IT'S A PERFECT BACK AND FORTH AT EVERY MOMENT. Appropriation Artist! NOW HULK WANTS YOU TO THINK ABOUT THE SEQUENCING AND THE MEANING OF THE JOKE HERE. And Society! THE SCENE IS A COMPLETE, MEANINGLESS LARK. Appropriation Artist! AND THEN IT JUST HIGHLIGHTS THE ABSURDITY OF THAT LARK BY TALKING ABOUT IT AS IF IT WAS A REAL THING. Ethics! BUT INSTEAD OF GETTING INTO SOME DIEGESIS ON FIGHT SCENES IN MOVIES, HULK WANTS YOU TO NOTICE A DIFFERENT FACT: THAT THERE'S NOWHERE LEFT TO GO WITH THE JOKE. Appropriation! THE JOKE OF THE RUMBLE HAS ALREADY BEEN MADE TO THE POINT OF INFINITY. Of Bram Dracula Essays! AND THERE IS A REASON THE SCENE BECAME A CLASSIC. Artist! IT'S BUILT OFF THE PERFECT EXECUTION OF DELIGHT AND SURPRISE.

IT WORKS OFF EVERY LITTLE BIT OF UNDERSTANDING AND PRECOGNITIVE EXPECTATIONS ABOUT HOW MOVIE VIOLENCE WORKS. Essay! EVERY SINGLE BIT OF IT IS A GENUINELY FUNNY IDEA THAT HARKENS BACK TO OUR MOST BASIC UNDERSTANDING OF COMEDY ITSELF. Appropriation Artist! IT'S THE ULTIMATE MAGIC TRICK. AND NOW, ANCHORMAN 2 RETURNS TO THE SAME WELL YET AGAIN WITH ANOTHER GIANT RUMBLE, THIS TIME AT THE FILM'S CONCLUSION. Youth! IT'S THE CLASSIC SOLUTION OF TRYING TO GO UP. Appropriation Artist! THE FIGHT IS BIGGER. Ottoman Empire In Ww1! THE WEAPONS ARE CRAZIER. Appropriation Artist! AND IT'S FILLED WITH SO MANY IMPOSSIBLE LARGER-THAN-LIFE CAMEOS, BUT HULK IS SORRY: THERE IS NO DENYING THAT EVERY SINGLE BEAT IS STILL THE SAME EXACT JOKE. Ranch! UPPING THE ANTE?

SURE. Appropriation Artist! BUT THEY WOULD HAVE HAD TO DO SOMETHING LITERALLY UNBELIEVABLE, LIKE DIGGING UP RICHARD PRYOR'S CORPSE TO ACTUALLY SURPRISE HULK ON THIS ONE BECAUSE THE IDEA HAS ALREADY BEEN TAKEN TO INFINITY. Mrs Merriweather To Kill! THIS FEELS MORE LIKE THE CHILDISH SCHOOLYARD RETORT INFINITY PLUS ONE. Artist! AND THAT'S NOT EVEN TO COUNT THE WEIRD WAYS THEY ACTUALLY TRY AND CHANGE THE COMEDIC LANGUAGE OF THE BRAWL, BUT NOT TO THE RIGHT KIND OF EFFECT. Mrs Merriweather To Kill A Mockingbird! THE POINT OF THE ORIGINAL FIGHT WAS THAT IT WAS A LARK AND THEN IT WAS A LARK TAKEN SERIOUSLY. Appropriation! AND IN THIS ONE, THE BRAWL IS TURNED INTO THE FAMILIAR THIRD ACT BATTLE WITH DRAMATIC STAKES OF PREVENTING RON FROM SEEING HIS SON'S RECITAL. Nella Larsen Summary! HULK GETS THE IMPETUS OF THE CHANGE, AND IT COULD HAVE BEEN A RIPE OPPORTUNITY TO MAKE FUN OF THOSE KINDS OF MOVIE HYSTERICS. Appropriation Artist! BUT THE SCENE ISN'T ACTUALLY PORTRAYED LIKE THAT. Interpretation Of Bram Stoker's! INSTEAD, IT'S A REGURGITATION OF THE FIRST, WHICH JUST MAKES IT UNDERCUT ITS OWN COMEDIC INTENTION. Artist! PLUS, DOESN'T THE LARK NATURE OF THE FIRST ONE ALREADY MAKE THE ULTIMATE JOKE ON FIGHT SCENE HYSTERICS AND THEIR RELATIVE OBLIGATORY NATURE? DOUBLE PLUS, DOESN'T THE MERE APING OF THE THIRD ACT RUNNING-TO-THE-ONE-YOU-LOVE TROPE FEEL A BIT.

SMALL FOR THE HUMOR OF AN ANCHORMAN MOVIE? IT'S THE ESSENTIAL PROBLEM OF COMEDY SEQUELITIS ALL HIGHLIGHTED: THE THING THAT MADE THE FIRST SCENE SO MEMORABLE AND IMPORTANT IS ESSENTIALLY IMPOSSIBLE TO RECREATE. In Ww1! THE SECOND SCENE JUST PROVIDES A CHANGE OF WINDOW DRESSING, BUT NOT ONLY DOES IT FEEL LIKE AN ENCORE, IT ACTUALLY CREATES PROBLEMS FOR MEANING OF THE PORTRAYAL. Artist! IT ACTUALLY HURTS THE IDEA THAT MADE IT FUNNY TO BEGIN WITH. BEYOND THE MERE COMPARISON OF THE RUMBLES, WHAT HULK WOULD LIKE TO SUGGEST IS THAT THE FIRST ANCHORMAN IS A CLASSIC IS BECAUSE THE ENTIRE MOVIE IS FILLED WITH SUCH AMAZING AND DIVERGENT IDEAS ON STORY AND COMEDIC APPROACH. A Feminist Stoker's Essays! IT'S NOT JUST THAT THERE IS SO MUCH ZIGGING IN PLACE OF ZAGGING, BUT REALLY IT'S JUST THAT ENTIRE FILM IS COMPLETELY FUCKING INSANE. Artist! VIRTUALLY EVERY SCENE IS COMING OUT OF LEFT FIELD. In Ww1! EVERY CONFLICT IS A JOKE IN AND OF ITSELF. Appropriation Artist! EVERY BIT OF PERSONAL STAKE AND BELIEF FOR RON BURGUNDY IS COMPLETELY LUDICROUS. Dracula Essays! EVERY SERIOUS PLOT-POINT IS DOUBLED DOWN ON (THINK EVERYONE'S REACTION TO GO FUCK YOURSELF SAN DIEGO). Appropriation Artist! AND IN THE END THE MOVIE DOESN'T MAKE A LICK OF LOGICAL SENSE, BUT EVERYTHING MAKES PERFECT SENSE IN TERMS OF CHARACTER CONSISTENCY OR AS A REACTION TO THE MOMENT BEFORE IT.

PUT IN GRAND TERMS: THE MOVIE IS BOTH A SEND-UP AND EARNEST EMBODIMENT OF STORYTELLING ITSELF. To Kill! AND AS A RESULT WE GET INSPIRED DIVERSIONS LIKE PLEASURE TOWN. Artist! THE JAZZ FLUTE INTERLUDE. Workplace Essay! MILK BEING A BAD CHOICE. Appropriation! THESE ABSURD MOMENTS MEAN SOMETHING BECAUSE THEY WERE NEW COMEDIC IRONIES, BROUGHT TO LIFE WITH FULL COMMITMENT. Ranch! AND THE EFFECT OF ALL OF THIS WAS QUITE REAL. Artist! THERE'S A REASON THIS FILM WAS BELOVED IMMEDIATELY AND SLOWLY MADE ITS WAY THROUGH EVERYONE WHO MISSED IT IN THE THEATER. Quicksand! IT KNEW EXACTLY HOW TO PLAY WITH OUR SPECIFIC SET OF COMEDIC EXPECTATIONS AT THE TIME. Appropriation Artist! IT PERFECTLY UNDERSTOOD FERRELL'S ABILITIES AND HE WAS COMING OUT GUNS BLAZING. A Mockingbird! IT ASSEMBLED A MURDERER'S ROW OF YOUNG TALENT. Appropriation! MCKAY WAS PURE AUDACITY UNPOLISHED.

AND BECAUSE OF ALL THIS, IT CAME FROM NOWHERE TO IMMEDIATELY WORK ITS WAY INTO THE PANTHEON OF GREAT COMEDIES. And Society! IT WAS A ZIG TO OUR ZAG. Artist! A PURE UNVEILING. AND NOW WE KNOW THE TRICK. Youth! NOW WE KNOW ANCHORMAN FAR TOO WELL.

NOW, ALL THE ABSURDITY AND LEFT FIELD SCENES HAVE BECOME THEIR OWN LANGUAGE WE UNDERSTAND. Appropriation! NOW WE KNOW ALL THE SETS-UPS AND PUNCHLINES OF THIS PARTICULAR INSANE WORLD. Larsen! AND IF FAMILIARITY IS THE ENEMY OF A GOOD SET-UP AND REPETITION IS THE DEATH OF MAGIC, THEN HOW WOULD ANCHORMAN 2 EVER HAVE A CHANCE? WE'RE TALKING ABOUT A MOVIE THAT BECAME FAMOUS BECAUSE YOU COULDN'T LOCK IT DOWN. Appropriation Artist! BECAUSE IT WAS PLAYING WITH ALL OUR EXPECTATIONS OF WHAT COMEDIES SHOULD BEHAVE LIKE AND UPHOLDING THE FINE TRADITION OF TURNING IT ON ITS HEAD. Ottoman In Ww1! SO WHY WOULD YOU WANT TO RETURN TO THAT WORLD TO RE-TELL THOSE JOKES? HOW COULD THIS MOVIE EVER WORK AS COMFORT FOOD? HOW COULD THE REVEAL OF A JAZZ FLUTE SEQUENCE EVER FEEL AS SILLY OR DELIGHTFUL AS IT DID THE FIRST TIME? IF IT SOUNDS LIKE HULK IS BEING A LITTLE TOUGH ON ANCHORMAN 2 HERE, HULK WANTS TO CONVINCE YOU THAT HULK'S NOT.

FOR WHATEVER IT'S WORTH HULK COUNTED ONLY FIVE MOMENTS OR SEQUENCES WHERE THE FILM ACTUALLY TRIED OUT A COMPLETELY DIFFERENT KIND OF JOKE THAN WHAT WAS IN THE FIRST FILM (AND PLEASE NOTE THESE ALSO GOT THE FIVE BIGGEST LAUGHS IN HULK'S THEATER). Artist! THE FIVE MOMENTS ARE: 1. Workplace Ethics! THE RUBBERY PRACTICAL BAT. 2. Appropriation Artist! THE SUDDEN CUT IN THE MIDDLE OF EVERYONE LAUGHING AFTER A DUMB KITTEN JOKE. 3. And Society! RON JUST YELLING BLACK! 4. Appropriation! PRETTY MUCH EVERYTHING INVOLVING RON'S BLINDNESS. THOSE FIVE MOMENTS WERE GENUINELY FUNNY, BUT JUST ABOUT EVERYTHING ELSE IN THE FILM SEEMED TO BE DIRECTLY ROOTED IN EITHER THE SPECIFIC LANGUAGE OF, OR THE DIRECT COMEDIC MECHANISMS OF THE FIRST MOVIE. Quicksand Nella! THEIR PURPOSE?

TO SERVE THE NOSTALGIA LAUGH FUNCTION, WHICH, AGAIN, IS FINE ON LIKE A MORAL LEVEL OR WHATEVER, BUT THE REASON IT MATTERS SO MUCH HERE IS BECAUSE HULK WOULD ARGUE THAT A NOSTALGIA LAUGH IS ACTUALLY A HUGE DISSERVICE TO THE INTENT OF THE ORIGINAL MOVIE. Appropriation! HOW TO PUT IT. And Society! HULK WOULD ARGUE THAT THE ONLY WAY TO THEORETICALLY GIVE US A TRUE ANCHORMAN SEQUEL IS TO ACHIEVE THE MIND-BLOWING EFFECT THE FIRST ANCHORMAN HAD ON US. Appropriation Artist! BUT THINK ABOUT WHAT THAT WOULD REQUIRE! IT MEANS THAT IT WOULD HAVE TO ESSENTIALLY DEFY EXPECTATIONS OF WHAT ANCHORMAN IS EVEN ABOUT AND THE KINDS OF JOKES THAT ARE FOUND WITHIN IT. Mrs Merriweather To Kill! DOES THAT MAKE SENSE? IF WE ALREADY EXPECT A CERTAIN ZIG FROM A ZAG, THEN THOSE EXPECTATIONS WOULD THEORETICALLY NEED TO BE INVERTED AGAIN. Appropriation Artist! IT'S NOT EXACTLY IMPOSSIBLE, AS THE FIVE MOMENTS LISTED ABOVE REALLY DO DELIVER A DIFFERENT ENOUGH KIND OF COMEDY, BUT OTHER THAN THOSE MOMENTS THE FILM RARELY TAKES THE TIME TO EXPLORE NEW KINDS OF GAGS IN AS EFFECTIVE A WAY (LIKE THE RV CRASH IS TECHNICALLY NEW, BUT IT HONESTLY JUST FEELS KIND OF UNINSPIRED). Ottoman! AND AGAIN, FOR A WEIRD AMOUNT OF THE FILM'S RUNNING TIME, WE'RE SETTLING FOR EITHER THE NOSTALGIA LAUGH OR THE UP MANTRA (GOOD LORDY, DO THEY TRY TO DO FAR TOO MUCH WITH BRICK AND LADY BRICK). NOW.

WHERE THIS GETS EVEN MORE COMPLICATED IS THAT HULK GETS THE SENSE THAT THE GREAT COMEDIC MINDS RESPONSIBLE BEHIND ANCHORMAN 2 UNDERSTOOD THIS PROBLEM AND SET ABOUT CHANGING THE FILM IN SOME REALLY TANGIBLE WAYS. Appropriation Artist! BUT THE PROBLEM IS THAT THESE NEW CHOICES WITH REGARDS TO THE FILM'S PLOT. Me Mulatto! WELL. Artist! THEY DON'T QUITE WORK EITHER. And Society! NOW, HULK KNOWS THIS IS THE KIND OF COMPLAINT YOU SEE OFTEN FROM MOVIE GOERS, WHERE PEOPLE WILL COMPLAIN WHEN A MOVIE REGURGITATES THE SAME JOKES, BUT EQUALLY COMPLAIN ANY TIME IT TRIES TO BE DIFFERENT (WHICH JUST SPEAKS TO THE AFOREMENTIONED CONFUSED EXPECTATIONS AND MOTIVATIONS GOING IN) BUT HULK SWEARS HULK'S RESPONSE IS DIFFERENT AND HULK WILL MAKE A CASE FOR WHY:

THE FIRST IS A CHANGE IN THE STYLE OF SOME OF THE JOKES. Appropriation! ANCHORMAN SPENDS MOST OF ITS RUNNING TIME DEALING WITH THE SEXUAL POLITICS OF THE WOMEN'S MOVEMENT AND HAVING THE BOYS IN THE FILM EXHIBIT THE MOST CHILDISH, OUTLANDISH, AND ABSURD BEHAVIOR EVER (THINK THEIR PUERILE COMPLAINTS AT FRED WILLARD'S DESK AND THE WAY THEY KEEP LINING UP IN FRONT OF IT). Nella! INSTEAD OF TREADING THIS SAME GROUND, ANCHORMAN 2 WISELY SETS ITS SIGHTS ON SOMETHING NEW: RACISM JOKES. Artist! THEY TOTALLY WORK AT FIRST WHEN RON AND HIS TEAM ARE INTRODUCED AND TERRIFIED AND HE JUST NONSENSICALLY YELLS BLACK! BECAUSE IT HIGHLIGHTS AN ABSURDITY. Mrs Merriweather To Kill! BUT THEN YOU GET TO THE DINNER TABLE SCENE AND IT JUST STARTS DOING THE COMEDY OF OFFENSIVE DISCONNECT. Artist! WHICH JUST MEANS IT'S ENGAGING IN A SIMPLER DEVICE AROUND A CHARACTER'S BEHAVIOR BEING MORE SHOCKING INSTEAD OF NAIVELY LUDICROUS. Quicksand Nella Larsen Summary! TO PUT IT IN WEIRD TERMS: IT'S THE DIFFERENCE BETWEEN THE SWEET AND STUPID HOMER SIMPSON OF THE GOLDEN YEARS AND THE ASSHOLE HOMER SIMPSON THE LATER YEARS (OR WORSE, IT KIND OF FEELS LIKE PETER JUST SAYING THE MOST OFFENSIVE THING POSSIBLE IN THE FAMILY GUY WAY). Appropriation! REALLY, IT JUST DOESN'T FEEL QUITE RIGHT IN TERMS OF BEING IN LINE WITH ANCHORMAN HUMOR. Ottoman! RON BURGUNDY'S SOCIAL DISONNECTS SHOULD BE BATSHIT.

THE WAY HE VIEWS WOMEN IN THE ORIGINAL FILM IS A LARK. Appropriation! PURE ABSURITY. Youth! BUT MOST OF HIS COMEDY WITH REGARDS TO THE RACE THING JUST FEEL MUNDANE. Appropriation Artist! HULK COULD CHALK IT UP TO BEING UNINSPIRED, BUT IT JUST PERPETUATES A COMEDY OF VICTIMHOOD INSTEAD OF TRANSCENDING IT. BUT IT'S NOT JUST THE RACE HUMOR. Mrs Merriweather To Kill A Mockingbird! THERE ARE LOTS OF OTHER LITTLE THINGS THAT JUST FEEL OFF. Appropriation! HULK DOESN'T KNOW ABOUT YOU, BUT THERE'S SOMETHING REALLY WEIRD ABOUT SEEING A DRAKE CAMEO.

IT JUST FEELS OUTSIDE THAT WORLD. Essay! IT DOESN'T ADD ANYTHING. Appropriation! IT'S JUST DOESN'T FEEL LIKE WHAT ANCHORMAN MOVIES SHOULD BE TRYING DO. Ranch! THE SAME THING GOES WITH HOW MUCH TIME THE MOVIE SPENDS WITH BRICK. Artist! IT'S JUST SO OBVIOUSLY AGAINST THE INTEREST OF WHAT THAT CHARACTER DOES FOR THE ENSEMBLE.

THE SCENE WHERE HE HIDES BEHIND THE COUCH? PERFECT. Workplace Essay! BUT PAIRING HIM WITH A FEMALE BRICK AND GIVING IT A RUN-ON SERIES OF THREE SCENES OF LOVE STORY? ABSURD OR NOT, IT DOESN'T WORK. Appropriation! TO HARKEN BACK TO ANOTHER WEIRD ANALOGY, IT WOULD BE LIKE IF THE GOLDEN AGE OF LATE NIGHT WITH CONAN O'BRIEN DECIDED TO GIVE THE THIRD MAX WEINBERG GAG AN ACTUAL A PLOT (LIKE FIVE PEOPLE ARE VIGOROUSLY NODDING THEIR HEADS RIGHT NOW). Mrs Merriweather To Kill A Mockingbird! IT'S A COMPLETE MISUSE OF A CHARACTER'S STRENGTHS AND ABILITIES. Artist! AND REALLY, IT'S ALL INDICATIVE OF A LARGER PROBLEM WITH THE FILM'S APPROACH. THERE'S THIS CURIOUS THING THAT YOU'LL SEE POP UP IN AGAIN AND AGAIN IN COMEDY SEQUELS WHERE THEY APPROACH THE THING WITH TOO MUCH OF A LEVEL-HEADED ATTITUDE TOWARD STORY INTEGRITY. Ottoman Empire In Ww1! THAT MAY SOUND LIKE A WEIRD STATEMENT, BUT THINK OF HOW MANY CLASSIC COMEDIES WILL ESTABLISH A COMPLETELY BONKERS WORLD IN THE FIRST FILM. Artist! BUT THEN THE RE-CREATORS WILL GO BACK LOOK AT THAT BONKERS WORLD AND THEN MAKE TWO KEY MISTAKES: 1) THEY WILL EITHER CORRECT THEM BECAUSE THEY NOW SEE THAT MADCAP NONSENSICAL PLOTTING AS A MISTAKE ITSELF AND THUS THEY TRY TO INCORPORATE THEM INTO A MORE SERIOUS, COHESIVE MOVIE.

AND / OR. 2) THE BONKERS ELEMENTS THAT EXIST WILL ALSO BE MISTAKEN FOR RULES OF THAT WORLD THAT MUST BE FOLLOWED. YOU CAN SEE THE PROBLEM WITH BOTH, RIGHT? THE UNINTENTIONAL EFFECT OF BOTH OF THESE DECISIONS IS THAT THEY WILL INHERENTLY BOX IN THE POSSIBILITIES FOR A MOVIE THAT WAS ORIGINALLY DEFINED BY BEING LIMITLESS . To Kill! IT IS, EFFECTIVELY, THE LEGITIMIZATION OF THE ILLEGITIMATE. Appropriation! AND HULK IS CERTAIN IT IS RESPONSIBLE FOR HOW MUCH ANCHORMAN 2 'S PLOT FEELS LIKE A WEIRD ATTEMPT TO BE LEVEL-HEADED. EVEN ON A PURELY TACTILE LEVEL, THE FILM FEELS COMPLETELY WRONG ON AN AESTHETIC LEVEL. A Feminist Interpretation Of Bram Stoker's Dracula! HULK HATES TALKING ABOUT CINEMATOGRAPHY FOR THE MOST PART BECAUSE IT ALWAYS BECOMES A WEIRD CONVERSATION FULL OF MISUNDERSTANDING OF WHAT HULK IS REALLY SAYING (ESPECIALLY W/R/T FILM VS. Appropriation! DIGITAL). Essay! BUT WE CAN FORGO ALL THAT AND JUST RECOGNIZE THAT SHOT SELECTION, COLOR, FRAMING HAVE A CERTAIN EFFECT ON US, RIGHT?

COOL. Appropriation Artist! WELL, FOR THAT VERY REASON CERTAIN COMEDIES ARE FILMED IN A VERY SPECIFIC WAY. Ranch Me Mulatto! THEY USE HIGH KEY LIGHTING WITH LOTS OF FILL AND A BIG DEPTH OF FIELD TO KEEP THE LOOK AS HAVING A FLAT, BRIGHT SURFACE. Artist! IT GIVES THE PROPER GLOSSY, CARTOONISH EFFECT TO EVERYTHING AND EFFECTIVELY HELPS MAKE IT UNREAL. Workplace Essay! WHICH IS PERFECT FOR ANCHORMAN , WITH ITS STANDARD FRAMING AND ROOM TO SEE THE DETAILS OF THESE LIVE ACTION CARTOON WEIRDOS. Appropriation! IT FITS EVERYTHING ABOUT IT. ANCHORMAN 2 IS FILMED WITH WIDESCREEN FRAMING, A LOT OF PASTEL COLOR TEXTURING, A LOT OF USE OF SHORT DEPTH OF FIELD. In Ww1! IT HAS A LOOK OF MORE CLASSIC 70'S STYLE, WITH DARKER DARKS AND SOMETHING MORE BEFITTING OF A DRAMA. Appropriation Artist! NOW, THIS IS NORMALLY WHERE HULK WOULD LAUNCH INTO A RANT ABOUT THE CAPABILITIES OF THE RED AND ALEXA AND WHY THEY CAUSE PEOPLE TO KEEP MAKING THESE CHOICES WHEN REALLY THEY'RE JUST SELECTING THE LESS PAINFUL-TO-EXECUTE OPTION AND EVERYONE IS JUST PRETENDING LIKE THIS ISN'T HAPPENING AND DIGITAL CAMERAS ARE PERFECT AND IT'S THE FILMMAKER NOT THE TOOL AND EVERYONE STARTS YELLING AT HULK ACCORDINGLY. Larsen Summary! SO HULK'S NOT GOING TO GO THERE.

THE MORE IMPORTANT POINT IS THAT THIS CHOICE FOR THE FILM'S AESTHETICS DOES NOT HELP IT CAPTURE THE TONE IT WANTS TO IN TERMS OF CINEMATIC EFFECT AND THAT MATTERS. Appropriation Artist! WHAT SUCKS IS HULK COULDN'T FIND GOOD SCREEN CAPS THAT PERFECTLY EMPHASIZE THIS AS YOU REALLY HAVE TO SEE IT IN THE THEATER (PLUS STILLS RARELY COME FROM THE PROPERLY FORMATTED SOURCE), BUT LET'S LOOK AT TWO SCREENCAPS THAT SORT OF EXPLAIN WHAT HULK'S TALKING ABOUT. THE DIFFERENCE IS SUBTLE, BUT THERE. Stoker's Dracula Essays! ONE IS FLAT, CARTOONY. Appropriation! UNTEXTURED. Ranch Me Mulatto! PERFECT FOR COMEDY THE OTHER? THERE'S THAT BLUE, SOMBER, QUIET QUALITY TO IT. Appropriation! THE UNINTENDED CONSEQUENCE OF THESE AESTHETIC CHOICES IS A MOVIE THAT DOESN'T FEEL RIGHT. WORSE, IT MAKES IT SEEM LIKE ANCHORMAN 2 IS TRYING TO TAKE PLACE IN THE (SLIGHTLY MORE) REAL WORLD. And Society! A FEELING THAT IS MADE ALL TOO REAL BY THE FILM'S CURIOUS PLOT DECISION.

LOOK. Appropriation Artist! THE INCREASINGLY-POLITICAL MCKAY ACTUALLY HAS A GREAT MESSAGE FOR SATIRIZING THE RISE OF CABLE NEWS AND CORPORATE SYNERGY WITH THIS FILM AND HE GOES FOR IT WITH DEAD SERIOUSNESS. A Mockingbird! AND THERE IS EVEN AN ARGUMENT TO BE MADE THAT THIS MESSAGING IS EXACTLY THE KIND OF UNEXPECTING THING THAT AN ANCHORMAN MOVIE NEEDS TO RECAPTURE THE MAGIC OF A SURPRISE. Artist! IT'S A ZAG, IF YOU WILL. Ottoman Empire In Ww1! AND IT'S ONE THAT COMPLETELY FITS THE INTENDED THEME OF THE FILM IN TERMS OF GIVING PEOPLE WHAT THEY NEED (A DIRECT UNDERSTANDING OF OUR INSANE NEWS CULTURE) INSTEAD OF WHAT THEY WANT (MORE LAUGHS). BUT WHILE THAT CHOICE WORKS IN THOSE CAREFUL TERMS, IT IS ALSO A CHOICE THAT COMPLETELY UNDERMINES THE TONE AND FUNCTION OF THE MOVIE.

REALLY. Appropriation Artist! IT ONLY SERVES TO MAKE THE ABSURD ELEMENTS OF THAT WORLD MORE JARRING. Interpretation Stoker's Essays! IT RENDERS THE THIRD ACT BATTLE THAT FOLLOWS COMPLETELY INERT. Artist! IT IS DEFYING EXPECTATION, BUT DRAMATIC MOMENTS HAVE TO BE BUILT ON DRAMATIC GROUND. Ethics Essay! HEARTFELT PLEAS FOR SANITY ARE NOT LARKS AND IT IS HARD FOR THEM TO EXIST AS LARKS. Artist! THE AUDIENCE'S REACTION, IF HULK WERE TO CHARACTERIZE IT CORRECTLY, WAS MORE OF WAIT. Mrs Merriweather To Kill A Mockingbird! ARE THEY BEING SERIOUS, RIGHT NOW? . Appropriation! OKAY. Mrs Merriweather A Mockingbird! IT'S NOT AN INDICATOR OF THE AUDIENCE'S LACK OF UNDERSTANDING (AS IT IS VERY GETTABLE THING).

IT IS THE REACTION OF AUDIENCE THAT IS SUDDENLY HAVING TO PLAY WITH A REDUCTIVE APPROACH. Appropriation Artist! TRYING TO TURN THE LARK INTO SOMETHING SERIOUS HAS PRECEDENT, BUT IT'S SOMETHING THAT TAKES A REAL DEFT TOUCH. Ethics! IT TAKES GROUNDING CHARACTERS AND WEAVING THINGS IN A WAY THAT MAKES THE EARNEST MOMENT FEEL REAL AND EARNED IN WAYS WE NEVER EXPECTED. Artist! HULK HONESTLY BELIEVES IT'S IMPOSSIBLE TO DO IT IN THIS MANNER, BECAUSE THIS MOVIE NEVER DOES THE WORK. Nella Summary! IT JUST WANTS THE RESULT. Appropriation! MAYBE IT JUST NEEDED TO FIND AN IRONIC WAY TO GET ALL THESE POINTS ACROSS. Workplace! WHICH SHOULDN'T BE UNHEARD OF BECAUSE THE FIRST ANCHORMAN MAKES FUN OF ALL THE BLUSTER OF 70'S SEXISM JUST BY SHOWING IT AS RIDICULOUS. REALLY, IT JUST HIGHLIGHTS WHY A DRAMATIC STORY AND A COMEDIC STORY ARE DIFFERENT IN SO MANY WAYS. Appropriation! IN DRAMAS OUR CHARACTERS CAN GROW AND EVOLVE. Mrs Merriweather To Kill! NEW THINGS CAN HAPPEN TO THEM AND IT WILL SHAPE THEIR OUTLOOK AND THE FUNCTION OF THE MOVIE BECOMES MUCH MORE ABOUT THEM AND HAS VERY LITTLE TO DO WITH THE CIRCUMSTANCE OF AUDIENCE RESPONSE.

HECK, SOME DRAMATIC OR ACTION SEQUELS HAVE DOWNRIGHT ADVANTAGES . Artist! BUT COMEDIES WORK IN DIFFERENT WAYS AND SERVE A DIFFERENT FUNCTION. Mrs Merriweather A Mockingbird! WE NEED THE LAUGH. IT IS HERE THAT HULK WILL SUGGEST THE ONLY REAL WAY TO BREED DISTINCTION WITH A COMEDY SEQUEL IS TO REALLY CHANGE EVERYTHING ABOUT THE ORIGINAL. Appropriation! IN FACT, THE ONLY GOOD SEQUELS WERE TO MOVIES THAT ORIGINALLY TOOK THEMSELVES MORE SERIOUSLY. Mrs Merriweather To Kill! GREMLINS 2 TOOK A FUNNY HORROR MOVIE AND TURNED IT INTO A LIVE ACTION LOONEY TUNES (HULK SAID WHILE EVEN COMPLETELY FORGETTING ABOUT THE BOOKEND). Appropriation Artist! EVIL DEAD 2 TOOK A CABIN IN THE WOODS HORROR MOVIE AND TURNED IT INTO A MADCAP FUNHOUSE. Quicksand Nella Larsen! BAD BOYS 2 TOOK THE ORIGINAL AND. Appropriation Artist! WELL. Ottoman Empire In Ww1! ALLOWED MICHAEL BAY TO GO FULL MICHAEL BAY. Artist! THE LESSON IS CLEAR: IN ORDER FOR US TO MAKE A COMEDY SEQUEL, THE VERY IDEA OF FULL-ON COMEDY MUST BE A REVELATION IN AND OF ITSELF.

OR TO BE MORE FAIR, IN ORDER TO MAKE THE NEW COMEDY DISTINCT, IN ORDER FOR IT TO UNVEIL A PROPER ACTUALITY, IT MUST BE COMPLETELY TRANSFORMED. BUT GOOD LUCK GETTING THE STUDIOS TO AGREE TO THAT. BECAUSE HULK ASSURES YOU, THEY ARE QUITE HAPPY TO TAKE A ROOM FULL OF LESSER NOSTALGIA LAUGHS. Quicksand Summary! IT'S THE CLOSEST THING YOU CAN FIND TO A SURE THING IN THIS BUSINESS. Artist! GET THE STARS AND CREATORS TOGETHER AND IT'S A PAY DAY FOR EVERYONE. Workplace Ethics! THEN GO SO FAR AS TO SELL THE FILM OFF THAT EXPECTATION. Appropriation! BECAUSE YOU KNOW WHAT SELLS WELL? EXPECTATION.

IT'S THE SAME REASON TRAILERS GIVE AWAY THE WHOLE STORY. Youth! IN PURE BUSINESS TERMS, WE NATURALLY CAN'T HELP BUT PREFER THE SHORT-TERM CERTAINTY OF SEQUELS THAT PROMISE EXACTLY WHAT THE LAST ONE GAVE. Artist! AND ALL HULK IS TRYING TO ARGUE IS THAT IN ESSENCE THAT'S NOT REALLY WHAT THE LAST ONES GAVE US. Empire In Ww1! IT CALLS RIGHT BACK TO HULK'S CONTINUOUS EXAMPLE THAT OUR BIGGEST PROBLEM IN HOLLYWOOD IS MISTAKING FORM FOR FUNCTION. Artist! WE CREATE SEQUELS THAT LOOK EXACTLY LIKE THE THING. Empire In Ww1! BUT EXACTLY AREN'T THE SAME THING AT ALL.

AND OUR REACTIONS REFLECT THAT. Appropriation! BUT THERE'S A SMALL IRONY TO THIS FACT BECAUSE IT WEIRDLY RUNS AGAINST THE PREACHED ETHOS OF ANCHORMAN 2 ON THE DIFFERENCE BETWEEN WHAT THE PUBLIC WANTS AND WHAT THE PUBLIC NEEDS - THE BROAD COMEDY SEQUEL'S COMFORT FOOD REPETITION IS WHAT WE WANT, BUT THIS REPETITION IS NOT WHAT WE NEED. THAT BITTER IRONY OF THE BUSINESS END BRINGS US RIGHT BACK TO THE CRUX OF ALL THIS. Ethics! IT SUCKS. Appropriation! BUT ALL HULK CAN DO IS PROVIDE WHAT HULK SEES AS THE KEY AWARENESS OF THE DYNAMIC AT HAND AND MAKE ONE LAST DESPERATE PLEA. THE BEST COMEDIES ARE THE ONES THAT SURPRISE US. Quicksand Nella Summary! WE OFTEN HAVE NO IDEA WHAT THEY WILL BE WHEN WE WALK INTO THEM. Appropriation! THEY ALMOST ALWAYS FEEL LIKE HAPPY ACCIDENTS. Workplace Essay! NEW IDEAS AND MODES OF COMMUNICATION THAT COME TO LIFE IN FRONT OF OUR EYES. Artist! IT'S LIKE BOTTLING LIGHTNING.

AND THERE IS NO DOUBTING THAT THE ORIGINAL ANCHORMAN WAS ONE OF THOSE MOVIES. Empire In Ww1! PEOPLE FORGET WE WERE COMING OUT OF A GENERATION OF COMIC-STAR VEHICLES WITH SIDE-KICKS. Appropriation! AND THEN THESE GUYS SHOWED UP WITH THEIR NON-INDULGENT TEAM-FIRST ATTITUDE THAT BECAME THE STAPLE OF APATOW'S WORK, WHICH MATCHED PERFECTLY WITH THE ABSURDISM OF MCKAY AND FERRELL. Nella Larsen! IT WAS JUST SO UNPRECEDENTED IN MOVIES AT THE TIME (WELL, NOT UNPRECEDENTED. Appropriation! IT HAD JUST BEEN AWHILE). Mrs Merriweather To Kill! IT WAS LIKE WHERE HAS THIS BEEN ALL THESE YEARS. Appropriation! IT WAS SOMETHING THAT TRANSFORMED US. Youth! AND BECAUSE OF THAT.

HULK HONESTLY CONSIDERS MCKAY AND FERRELL AS PERSONAL HEROES. HULK MEANS THAT. Artist! THEY ARE ABSOLUTE FAVORITES. A Feminist Of Bram Dracula! PEOPLE WITH INCREDIBLE ABILITY AND UNDERSTANDING FOR THE CRAFT OF COMEDY, AND SEEM SPECIFICALLY DESIGNED FOR PROVIDING HULK WITH THAT WONDERFUL THING KNOWN AS THE VISCERAL BELLY LAUGH. Appropriation! HULK'S ENJOYED EVERY SINGLE ONE OF THEIR PAIRINGS IN DIFFERENT WAYS (HULK THOUGHT THE WAY MCKAY TURNED ACTION HYSTERICS INTO REAL LIFE COMMENTARY ON OUR DISCONNECT WITH WHITE COLOR CRIME WAS BRILLIANT). A Feminist Stoker's Dracula! BUT NOW THIS JUST PROVES THE SIMPLE PSYCHOLOGICAL TRUTH THAT MAKING A GREAT SEQUEL TO CINEMATIC MAGIC IS, BY ITS VERY NATURE, COMPLETELY IMPOSSIBLE. WE COULD GET MORBID ABOUT THIS. Appropriation Artist! WE COULD OUTLAW COMEDY SEQUELS FOREVER. Quicksand Nella Larsen! BUT THE THING IS THE REAL ANCHORMAN SEQUEL IS OUT THERE SOMEWHERE IN THE ETHER. Appropriation Artist! IT WON'T BE CALLED ANCHORMAN OR BE ANYTHING LIKE IT. Ethics! BUT IT WILL BE HILARIOUS.

IT WILL STRIKE A CHORD. Appropriation! IT WILL HAVE THE KIND OF TALENT WHERE WE WILL LOOK BACK AND SAY MAN, ALL THOSE ACTORS WERE TOGETHER IN THAT SAME MOVIE? IT WILL REACH DOWN INTO OUR HEARTS AND BRAINS AND MAKE US LAUGH FOR DAYS. Youth! IT WILL BECOME A PART OF OUR SOCIAL INTERACTIONS WITH FRIENDS. Appropriation Artist! WE WILL QUOTE IT ENDLESSLY AND MAKE T-SHIRTS.

AND IT WILL EVEN INSPIRE SOME YOUNG SCHMUCK TO GET INTO COMEDY, WHO JUST MAYBE, WILL START THE PROCESS ALL AGAIN. CLICHE AS IT SOUNDS, THESE ARE VERY HUMAN THINGS. Interpretation Of Bram Stoker's Essays! WE PERPETUATE CYCLES OF BEHAVIOR AND HOPE FOR THE FUTURE BECAUSE THEY ACTUALLY HAPPEN. Appropriation Artist! BUT MORE THAN THAT, EVEN AFTER ALL THESE THOUSANDS OF WORDS ABOUT WHY COMEDY SEQUELS ARE INHERENTLY WRONG, HULK CAN'T TRULY COME DOWN ON THEM. Ranch! WHY?

BECAUSE IT'S JUST SO HUMAN. Artist! WE CAN'T HELP BUT HOPE THAT MAYBE SOMEDAY A COMEDY SEQUEL WILL FIGURE IT OUT. Empire! WE CAN'T HELP BUT TRY AND REPEAT THE MAGIC TRICK. Appropriation! WE CAN'T HELP BUT CHASE THE HIGH. A Feminist Interpretation Of Bram Dracula Essays! IT'S OUR OWN ABSURDITY. Appropriation Artist! OUR OWN ONGOING COMEDY. AND FUCK IT.

IF THERE'S ANYTHING IT'S OKAY TO BE ADDICTED TO, IT'S LAUGHTER. FILM CRIT HULK WAS CREATED IN A CHAOTIC LAB EXPERIMENT INVOLVING GAMMA RADIATION, TELEPODS, AND THE GHOST OF PAULINE KAEL. And Society! NOW HULK HAVE DEEP AND ABIDING LOVE CINEMA. New DADDYS HOME 2 Trailer Is Filled With Hijinks, Tomfoolery And Shenanigans. May also include monkey business, horsing around and artist Mel Gibson playing one of the youth, Three Wise Men. Sam Rockwell Is Going To Play George W. Appropriation Artist! Bush, Because Sometimes Good Stuff Happens. But will he dance?

Will Ferrell Will Play THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED. In which Will Ferrell plays FORREST GUMP-esque, century-old explosives expert.