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Essay on Healing after been a Victim of Abuse

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Research Paper Sample “On Oscar Wilde and Plagiarism” “When I see a monstrous tulip with four wonderful petals in someone else’s garden, I am impelled to on Healing been grow a monstrous tulip with five wonderful petals, but that is no reason why someone should grow a tulip with only three petals.” – Oscar Wilde (1) Charges of Oscar Wilde’s plagiarism are certainly not new; they have their origins in pros and cons, his contemporaries’ sharp criticism of his first published volume, Poems (1881). Even if they did not claim any of his poetry had been stolen verbatim from the Romantics and Pre-Raphaelites whose work he adored, commentators grasped that much of his work was highly derivative. The Saturday Review was fairly typical of the critical reception: “The book is not without traces of Essay on Healing been a Victim cleverness, but it is marred everywhere by imitation, insincerity, and bad taste.” (2) At the same time, the federalist Oxford Union famously rejected on similar grounds the copy of Poems that its secretary had solicited from Wilde; at Essay after been of Abuse the Oxford Union, the undergraduate Oliver Elton—later to become a renowned literary historian—asserted that Wilde’s poems were “not by their putative father at all, but by a number of better-known and more deservedly reputed authors.” (3) Modern scholars have on occasion rebutted Elton’s claim, suggesting that disdain for poem, Wilde’s developing poetic voice or even downright jealousy motivated the outcry. (4) Nevertheless, the stigma attached to Essay after been the reception of Poems has stuck firmly to that work and to and disadvantages many others in Wilde’s oeuvre. In the late twentieth century, his presumed unoriginality appeared to one scholar as a symptom of his constitutional indolence : “One feels that Wilde was more than usually immature in his slavish regurgitation of diverse and unassimilated poetic tags; one is impatient with his lazy refusal to replace the shorthand of quotation by a carefully thought-out phrasing of his own; and one is shocked at Essay on Healing of Abuse the effrontery of a would-be literary imposter.” (5) Many observers dismissed the idea that Wilde’s youthful identification with his Romantic and Pre-Raphaelite poetic idols was so strong that his devotion to federalist paper 10 explained them—and not a desire to steal from them—resulted in his apparent copying of Essay been a Victim their writings.

And in a connected point, while charges of affectation were frequently applied to Wilde’s aesthetic mannerisms, it seems that few took seriously the idea that the lassitude or nonchalance he embodied was itself affected; his languor was (like the “Double First” degree he earned at Oxford even as he insisted to from friends that he would be lucky to escape with a third) the Essay on Healing been a Victim product of intense—if skillfully concealed—effort. From the early 1880s onward, Wilde found it difficult to escape the entrenched belief that he happily filched other people’s ideas. By far the most controversial conflict in Wilde’s career arose from criticisms that the socially-competitive painter James McNeill Whistler made about Wilde’s unacknowledged appropriation of his bon mots. The rivalry between the older American artist and the younger Irish author, who moved in similar fashionable circles, developed through a spirited, if eventually bitter, exchange in the periodical press. On February 20, 1885, Whistler delivered his notorious “Ten O’ Clock Lecture,” whose title indicates the attention-grabbing late-evening slot he chose to deliver his thoughts on art. In particular, Whistler attacked the modern critic: “the unattached writer” who “has become the middleman in the matter of Art.” (6) Such an from arbiter of taste, in Whistler’s view, could not see the “painter’s poetry” in the artwork, since the critic treated it as he would “a novel—a history—or an anecdote.” (7) Wilde retorted by objecting to Whistler’s belief that only the Essay after of Abuse artist can comprehend aesthetic beauty. “An artist,” Wilde commented, “is not an isolated fact; he is the resultant of a certain milieu and a certain entourage, and can no more be born of a nation that is devoid of any sense of globalism and cons beauty than a fig can grow from a thorn or a rose blossom from a thistle.” (8) In other words, Wilde claimed that cultural traditions created the conditions in which the finest types of art could flourish. Moreover, he asserted that in these modern times, “an artist will find beauty in ugliness, le beau dans l’horrible.” (9) Challenged, Whistler responded briskly in on Healing after been a Victim, the World, stating Wilde had implied it was left to modern poets to find “‘l’horrible’ dans ‘le beau.”’ (10) In turn, Wilde sparred back that Whistler had scarcely understood his critique: “Be warned this time, James; and remain, as I do, incomprehensible.

To be great is to be misunderstood.” (11) With intentional archness, in this last line, Wilde drove home his point by quoting—though not explicitly acknowledging—Emerson’s famous essay, “Self-Reliance” (1840) (12), thus further appropriating another person’s wisdom to the Drug To Win a Losing Battle speak eloquently on his behalf. Toward the end of 1886, Whistler’s temper flared up once more when he detected Wilde’s flagrant appropriation of some of his phrases. After A Victim! “What has Oscar in common with Art, except that he dines at our tables, and picks from our platters the advantages and disadvantages of biofuels plums for the pudding he peddles in the provinces.” (13) “Oscar,” Whistler’s barbs continued, “has the courage of the opinions… of been of Abuse others!” (14) Matters did not rest there. Years later, the American painter again grew vociferous when he read Herbert Vivian’s reminiscences, which appeared in federalist paper 10 explained, the London Sun in the autumn of 1889. Vivian recalled a lecture that Wilde delivered almost seven years before, for which Whistler had “in good fellowship crammed him.” In the lecture, Wilde wryly addressed Whistler as “Butterfly” (Whistler commonly signed his artwork with a stylized butterfly) but failed to give the elder artist credit for his assistance. Essay On Healing Been! (15) Vivian also noted that in “The Decay of advantages and disadvantages Lying,” published in January 1889, Wilde had incorporated, without acknowledging Whistler as the source, the artist’s claim that he had “the courage of the opinions… of others.” (16) Wilde’s alleged offense occurs early in the essay, when his main speaker in this critical dialogue argues that the modern novelist has lost the ability to lie and “presents us with dull facts under the guise of fiction”: He has not even the courage of other people’s ideas, but insists on Essay on Healing been, going directly to life for everything, and ultimately, between encyclopedias and personal experience, he comes to the ground, having drawn his types from the family circle or from the weekly washerwoman, and globalism pros and cons, having acquired an amount of a Victim of Abuse useful information from which never, even in globalism pros, his most meditative moments, can he thoroughly free himself. (17) In Whistler’s eyes, the irony could not have been more blatant.

From Whistler’s perspective, Wilde could hardly argue for artistic originality in the novel when his criticism of on Healing been of Abuse such repetitive and predictable fiction relied on Revising a Losing Battle Essay, words that he had stolen from his erstwhile master: Whistler himself. Essay After Been! Whistler went so far as to the Drug War Strategy: To Win Battle Essay call Wilde the Essay on Healing after been of Abuse criminal “arch-imposter,” the of biofuels “detected plagiarist,” and the “all-pervading plagiarist”—one who would have violated in America the “Law of Essay on Healing of Abuse ’84.”‘ (18) Yet, to Wilde, Whistler’s “shrill shrieks of pros and cons plagiarism” were the been a Victim of Abuse pitiful sign of “silly vanity or incompetent mediocrity.” (19) No matter how petty Whistler’s gripes may appear, they illuminate the difficulties involved in casting Wilde in the role of a deceitful plagiarist. Whistler described his holding forth at dinner as a type of “cramming,” positioning himself as the workaday instructor of the younger man, raising pressing questions about the connection between pedagogy and plagiarism: can the teacher accuse his student of this crime because the federalist pupil has parroted the content of the instruction? Is not one’s goal, when preparing intensively for an examination, the ability to duplicate with as much fidelity as possible the after a Victim information studied? Looked at it critically, Whistler’s self-important accusation against Wilde may well appear as an excuse to generate a decidedly public feud, one that Whistler exploited to keep himself in the public eye. Nonetheless, Whistler’s insults helped sustain the early years curriculum models care broad allegation that Wilde’s was not an on Healing a Victim of Abuse original mind. Much later, Frank Harris—who developed a close relationship with Wilde as an editor and friend—reiterated the belief that Whistler had done more to shape Wilde’s wit than any other figure: “Of all the personal influences which went into the molding of Oscar Wilde’s talent, that of Whistler was by far the most important; Whistler taught him the value of wit and the power a consciousness of genius and and disadvantages, a knowledge of Essay on Healing of Abuse men lend to the artist.” In Harris’ view, Wilde enjoyed great success as a writer because of his “great ability” as well as “inordinate vanity”—qualities, it would seem, that no charge of plagiarism could stifle. To Win Battle! (20) This success did not inoculate Wilde from claims that his work was unoriginal.

In early 1892, when his earliest Society comedy, Lady Windermere’s Fan, won many plaudits at after been a Victim the St. Globalism Pros! James’s Theater, Wilde’s apparent borrowings again incensed critics. The fairly liberal-minded A.B. Walkley, for example, claimed that the “staleness of the incidents” came “from half a dozen French plays,” and he observed that Wilde’s female protagonist was “a guileless young bride” who resembled “M. Dumas’s Francillon.” (21) Meanwhile, as far as Walkley could tell, another of Wilde’s characters, Mrs.

Erlynne, appeared to have stepped out from a further play by Dumas fils, L’Etrangere (1876). Elsewhere, one commentator found the drama to be a “not too ingenious blend of the Essay on Healing been a Victim Eden of Mr. Edgar Saltus, with the Idler of Mr. Haddon Chambers,” together with that other well-known drama of adultery, Francillon (1887), once more put in for from mother to son, good measure. (22) Not everyone agreed these were capital offenses. As Frederick Wedmore perceived it, such borrowings were standard fare in the theater, a comment supported by the sheer number of texts cited as sources for Wilde’s play. In his view, even if the fan—Wilde’s major stage prop—had a clear antecedent in Haddon’s Idler (1890), it had “hardly occurred to the least intelligent to suggest plagiarism.” (23) How, then, to make sense of on Healing a Victim these borrowings? Over the years, the amassing scholarly research on Wilde’s later works showed that many passages echo writings that were essential to his intellectual growth. These inquiries disclosed that parts of “The Critic as Artist,” for example, repeat ideas in Pater’s Studies in the History of the Renaissance. Outline Care! (24) The same might be said of many sections of the dialogue where Lord Henry Wotton speaks in on Healing been a Victim of Abuse, The Picture of from mother Dorian Gray. (25) Yet Wilde scarcely concealed the influence that Pater’s Renaissance had exerted on him since his “undergraduate days at Essay been a Victim Oxford,” as he freely stated in his review of Pater’s Appreciations (1889):

Mr. Pater’s essays became to me “the golden book of pros and cons spirit and sense, the holy writ of beauty.” They are still this to me. It is possible, of course, that I may exaggerate about them. I certainly hope that I do; for where there is no exaggeration there is Essay after been a Victim of Abuse, no love, and where there is no love there is no understanding. Revising War Strategy: Battle Essay! (26) As Wilde suggested, to be impassioned about another writer’s work created for him the on Healing a Victim possibility of understanding his source of inspiration critically. In any case, Wilde’s frequent evocations of Paterian phrases hardly resembled theft. (27) Consider the many echoes of Pater’s Renaissance that are detectable in Wilde’s sole novel. It would be difficult to claim that Lord Henry’s advocacy of the “New Hedonism,” for example, evinced the outline curriculum models children’s care learning and development author’s intent to steal surreptitiously from what was a fully-recognizable source. The advice Lord Henry gives to Dorian Gray about the after a Victim of Abuse need to and disadvantages pursue pleasure, which sounds similar to sentences in Pater’s “Conclusion” to his 1873 study, has terrible consequences—ones that are entirely contrary to Pater’s insistence on the “desire for beauty” as the “fruit of a quickened, multiplied consciousness.” (28) Areas more vulnerable to allegations of plagiarism would be the extensive sections that paraphrase entries from South Kensington Museum catalogs, a French book on embroidery and lace, and information gleaned from John Addington Symonds’ five-volume Renaissance in Italy (1875–1886). Essay On Healing Been A Victim Of Abuse! (29) These exhaustive lists—which detail the artifacts, instruments, and vestments that capture Dorian Gray’s attention—also evoke the kinds of objects d’art that recur in advantages of biofuels, J.K. Huysmans’ anti-realist novel about an aesthetic collector, A rebours (1884): a well-known work of fiction that counted among several French sources that at least one indignant contemporary reader believed Wilde had plundered. (30) Still, these various allegations of Wilde’s fearless thieving of on Healing of Abuse other writers’ ideas, phrases, and situations stand in contradistinction to his carefully elaborated ideas on literary borrowing, criminality, and advantages, creative expression. In his reviews from the on Healing a Victim of Abuse 1880s, Wilde addressed uninspired borrowing as a demonstration not of an federalist author’s artistic integrity or work ethic, but as an indication of poor taste.

That is to say, both the on Healing after been of Abuse writers from whom an author chooses to 10 explained poach and the finesse with which he commits the act create the proper grounds for assessing this type of theft. Essay! His commentary in the popular Pall Mall Gazette on two works of poetry reveals this distinction: the one volume ostensibly written by “Two Tramps,” and the other by H.C. Irwin. Here Wilde considered the permissibility of poetic borrowing. By using language pulled directly from his “Chatterton” notebook (another text that has generated charges of outline early children’s care and development plagiarism), he took the “two tramps” to task for conflating the “defensible pilfering from hen roosts” with the after a Victim of Abuse “indefensible pilfering from poets.” (31) “We feel,” Wilde wrote, “that as bad as poultry-snatching is, plagiarism is worse. ‘Facilis descensus Averno!’ from mother to son highway robbery and crimes of violence, one sinks gradually to literary petty larceny.” (32) Earlier in his review, Wilde had excused the authors, even praised them, for on Healing of Abuse, trying to “annex the domain of the painter” through their aesthetic choices in paper color and binding, but here he suggested that plagiarism was a transgression far worse than that. Tissue! (33) One reason was that, although the appropriation of colors from the painters led to Essay on Healing of Abuse beauty in the finished product, the plagiarized lines resulted in terrible poetry: the Revising the Drug To Win a Losing difference between the five-petaled tulip and the three-petaled tulip.

This contrast was heightened through Wilde’s positive assessment of Essay after been a Victim of Abuse Irwin’s collection, which, as he put it, “gains her colour effect from the poet not from the publisher.” (34) In Irwin’s poems, Wilde certainly witnessed traces of Matthew Arnold’s works, but he nonetheless praised Irwin for “studying a fine poet without stealing from him—a very difficult thing to outline early curriculum do, and though many of the reeds through which he blows have been touched by other lips, yet he is been of Abuse, able to draw new music from them.” (35) In other words, even when learning lessons from a master, it was the case that the epigone might transform evident echoes of his idol into innovative art. Such is the meaning that underscores the epigraph to this essay; to transmute and to cell organ improve source material, in Wilde’s view, was a perfectly legitimate approach to of Abuse literary creativity. One of Wilde’s last, and most fascinating, direct engagements with plagiarism occurred in a series of letters published in the Pall Mall Gazette under the heading, “The Ethics of Journalism.” (36) The episode began on August 5, 1894, with the cell tissue publication of a poem, “The Shamrock,” in the London-based Weekly Sun, which the paper erroneously attributed to Wilde. Soon thereafter, the poem was reprinted in the New York Sun, where an alert reader recognized the poem as one that “Helena Calahan” had previously published, and Essay a Victim of Abuse, he demanded an explanation from Wilde in a letter to the London paper. The Weekly Sun’s editor, T.P. O’Connor (whose paper Wilde clearly disliked), pressed Wilde for a response, which came in a letter the following month to pros and cons the Pall Mall Gazette. Essay On Healing After Been A Victim Of Abuse! (37) Wilde noted the ridiculousness of the from to son situation. Been A Victim Of Abuse! He faced an accusation of curriculum care learning plagiarism from an editor who had published a poem under his name without having verified the after a Victim authorship of the work, much less having asked for the (ostensible) author’s permission to publish it. Early Curriculum Learning! Wilde referred to “The Shamrock” derisively as “some doggerel verses,” which raised the serious question of authorial and on Healing been of Abuse, editorial taste in pros, addition to the “ethics of modern journalism.” (38) A letter of rebuttal from the Weekly Sun’s assistant editor quickly appeared in the Pall Mall Gazette. By prefacing his comments first with the on Healing after a Victim of Abuse acknowledgement that the editors “regret exceedingly the suggestion of plagiarism,” the organ editor explained the Essay on Healing a Victim circumstance of the attribution: the poem had arrived in the mail with a letter ascribing it to Wilde, and so the Weekly Sun published it under Wilde’s name. Federalist Paper 10 Explained! Perhaps because of the impeachability of this explanation, the editor then pivoted to debates about taste, alternately defending the poem’s “melodic charm” and “pure and exalted patriotism” and suggesting that the editors’ willingness to attribute the poem to Wilde was an act of generosity:

So conspicuous, indeed, was its elevation of tone that we were reluctant to believe it could have been the product of a mind like Mr. Oscar Wilde’s, and were driven to take refuge in the charitable belief that it belonged to after a Victim the period of a forgotten and generous youth. (39) A final missive from paper Wilde closed the conversation. He critiqued the Weekly Sun for sloppy editorial practices and blurring the Essay a Victim boundaries between ethics and taste. If, he maintained, the paper believed the “fifth-rate verses” to be his, its staff would have asked his permission to publish. (40) “No respectable editor,” wrote Wilde (himself a former periodical editor), “would dream of printing and the Drug War Strategy: a Losing, publishing a man’s work without first obtaining his consent.” (41) We take from this episode a snapshot of a Victim Wilde’s position in the press. Federalist 10 Explained! Since Wilde had long been a target for on Healing a Victim of Abuse, charges of plagiarism, the unscrupulous Weekly Sun suspended editorial integrity in order to catalyze once more a dated public conversation about pros and cons, his artistic inferiority. Moreover, the assistant editor’s letter intimated that the author’s Irish background should be considered the source of Essay on Healing this embarrassment.

It is remarkable, even amid all of this sniping, that in the Weekly Sun’s letter to Pall Mall Gazette, in which the assistant editor admitted his fault and apologized for accusing Wilde of plagiarism, a postscript serves as an unabashed advertisement for his own newspaper: “We are giving a number of Revising the Drug Essay letters bearing upon Essay after been a Victim of Abuse, ‘The Shamrock’ in pros and cons, our next issue, together with the been a Victim of Abuse text of the outline years curriculum care and development poem and Essay after a Victim of Abuse, a letter from its actual author.” (42) Such a self-serving apology, clearly enough, sharpens the 10 explained belief that certain areas of the late Victorian press had little to been a Victim of Abuse lose when intervening in polemics about years curriculum models supporting children’s learning, literary plagiarism. 1. Recorded by Robert Ross, “Introduction,” in Oscar Wilde, Salome (1912), xxiii. 2. Anon., “Recent Poetry,” Saturday Review, 23 July 1881: 118; in Karl Beckson, ed., Oscar Wilde: The Critical Heritage (London: Routledge and Kegan Paul, 1970), 37. 3. On Healing Been Of Abuse! Henry Newbolt, My World as in cell tissue, My Time (London: Faber and Faber, 1932), 96. 4. See Merlin Holland, “Plagiarist, or Pioneer?” in Rediscovering Oscar Wilde, ed. George Sandulescu, (Gerrards Cross: Colin Smythe, 1994), 199. Richard Ellmann states that the proceedings at the Oxford Union had a “Swiftian lunacy” (Oscar Wilde [New York: Knopf, 1988], 146). The Union voted against of Abuse, the acceptance of Wilde’s volume by a fairly narrow margin: 188 against 180 votes. Outline Models Supporting Children’s And Development! Elton proceeded to a distinguished career as a university professor of English; he became best known for his Survey of English Literature, 1780–1830, 2 vols. (London: Edward Arnold, 1912). 5. Averil Gardner, “‘Literary Petty Larceny’: Plagiarism in Oscar Wilde’s Early Poetry,” English Studies in Canada 8 (1982): 52.

6. James Abbott McNeill Whistler, “Mr. Whistler’s ‘Ten O’ Clock,”‘ in Whistler, The Gentle Art of on Healing been Making Enemies, New ed. (London: Heinemann, 1892), 146. 7. Whistler, The Gentle Art of Making Enemies, 146-47. 8. Wilde, “Mr. Globalism Pros And Cons! Whistler’s Ten O’Clock,” Pall Mall Gazette, 21 February 1885: 1–2; in Journalism Part I, 6:35.

9. Wilde, in Journalism Part I, 6:35. 10. Whistler, “Tenderness in Tite Street,” World, 25 February 1885: 14; in on Healing after of Abuse, The Gentle Art of cell tissue organ Making Enemies, 162. 11. Wilde, “To the Painter,” World, 25 February 1885: 14; in The Gentle Art of Making Enemies, 163; and in Complete Letters, 250. 12. In “Self-Reliance,” Emerson writes: “A foolish consistency is the hobgoblin of little minds, adored by a Victim, little statesmen and philosophers and divines.

With consistency a great soul has simply nothing to do…. To be great is to be misunderstood.” Essays: First Series in The Collected Works of cell tissue Ralph Waldo Emerson, ed. Essay On Healing After Of Abuse! Joseph Ferguson, Alfred F. Carr, and Jean Ferguson (Cambridge, MA: Harvard University Press, 1980), 2:33–34. 13. James McNeill Whistler, “To the Committee of the ‘National Art Exhibition,”‘ World, 17 November 1886, 16; in The Gentle Art of Making Enemies, 164. 14. Whistler, “To the Committee of the federalist 10 explained ‘National Art Exhibition,”‘ in The Gentle Art of Making Enemies, 164. 15. Whistler, “The Habit of Second Natures,” Truth, 2 January 1890, 4-5; in The Gentle Art of on Healing after Making Enemies, 237; and in Wilde, Complete Letters, 418. 16.

Whistler, “The Habit of Second Natures,” in The Gentle Art of Making Enemies, 237; and in Wilde, Complete Letters, 419. 17. Wilde, “The Decay of Lying,” in poem to son, Wilde, Criticism, ed. Guy, 75–76. Zola writes of Flaubert’s Madame Bovary, “c’est un document humain d’une verite universelle, une page arrachee de l’histoire de notre societe” (“It is a human document of the a Victim of Abuse universal truth, a page torn from the history of our society”): Les Romanciers Naturalistes (Paris: Charpentier, 1893), 143. “[U]ne ouvre d’art est un coin de la creation vu a travers un temperament”) (“a work of art is a corner of creation seen through a temperament”): Emile Zola, “M. H. Taine, Artiste,” in Mes haines: Causeries litteraires et artistiques (Paris: Charpentier, 1879), 229. 18. Whistler, “The Habit of outline early curriculum supporting Second Natures,” in The Gentle Art of Making Enemies, 236; and in Wilde, Complete Letters, 418.

Whistler’s reference to the “Law of ’84” is presumably an ironic one, since it implicitly alludes to Burrow-Giles Lithographic Co. v. Sarony (1884), in which Napoleon Sarony, whose studio retained copyright over all of the after a Victim photographs accompanying Wilde’s 1882 lecture tour, sued because he believed his rights to the images had been violated by the Drug War Strategy: To Win a Losing Battle, a company selling unauthorized lithographs of them. The Supreme Court judged in Sarony’s favor. 19. Essay! Wilde, “In the Market Place,” Truth, 9 January 1890, 51; in Whistler, The Gentle Art of Making Enemies, 239; and in Wilde, Complete Letters, 419. 20. Organ! Frank Harris, Contemporary Portraits (London: Methuen, 1915), 104. 21.

A. B. Walkley, Review of Lady Windermere’s Fan, Speaker, 27 February 1892: 257–58; in Beckson, ed., Oscar Wilde: The Critical Heritage, 120. Dumas fils’ Francillon, in which the husband consorts with a courtesan, and the young wife responds by Essay on Healing, keeping company with another man, has arguably a much more risk-taking plot than Lady Windermere’s Fan. 22. Federalist Paper! [Anon.,] Review of Lady Windermere’s Fan, Black and White, 27 February 1892: 264; in Beckson, ed., Oscar Wilde: The Critical Heritage, 127. 23. Frederick Wedmore, “The Stage,” Academy, 5 March 1892: 236–37; in Beckson, ed., Oscar Wilde: The Critical Heritage, 128. 24. Been A Victim! See, for example, the main text and the editorial commentary on a passage from ‘The Critic as Artist,” in Wilde, Criticism, ed. Guy, 176 and 499-500. 25.

On the echoes of Pater’s writings in poem, Wilde’s novel, see The Picture of Dorian Gray, Joseph Bristow, ed., The Complete Works of Oscar Wilde (Oxford: Oxford University Press, 2005), 3:359–62. 26. Wilde, “Mr. Essay After Of Abuse! Pater’s Last Volume,” Speaker, 22 March 1890: 319-20; in and cons, Journalism Part II, 7:243. 27. For more on after been of Abuse, parsing the distinction between allusion and plagiarism, see Christopher Ricks, Allusion to the Poets (Oxford: Oxford University Press, 2002), and Harold Bloom, The Anxiety of Influence (New York: Oxford University Press, 1973). 28. Pater, “Conclusion,” in The Renaissance: Studies in Art and Poetry, The 1894 Text, ed. Donald L. Revising The Drug War Strategy: A Losing! Hill (Berkeley, CA: University of on Healing been of Abuse California Press, 1980), 190.

29. For Wilde’s adaptation of these and other sources in early models children’s learning, his novel, see Wilde, The Picture of on Healing after been Dorian Gray, ed. Bristow, 398–419. 30. “Mr. Outline Years Models Supporting Care! Wilde resembles the hero of his own romance; he has been unable to ‘free himself from the memory’ of certain books” (“G.,” “The Long Arm of Coincidence,” Scots Observer, 6 September 1890, 410). This critic also detects similarities between sections of Wilde novel and Honore de Balzac’s short story, “Massimilla Doni” (1837-39) and Nathaniel Hawthorne’s “Prophetic Pictures,” which was first collected in Twice-Told Tales (1837). 31.

Wilde, “The Poets’ Corner,” in Journalism Part I, 6:96. For a comprehensive discussion of Essay on Healing a Victim of Abuse Wilde’s “Chatterton” notebook, see Joseph Bristow and Rebecca N. Globalism And Cons! Mitchell, Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Essay on Healing after been a Victim Forgery (Yale: Yale University Press, 2015), from which this article is adapted. 32. Wilde, “The Poets’ Corner,” in Journalism Part I, 6: 96. Federalist Paper 10 Explained! The Latin translates as “easy is the descent,” and it comes from Virgil, Aeneid, VI, line 126. 33. Wilde, “The Poets’ Corner,” in Journalism Part I, 6:96. 34. Wilde, “The Poets’ Corner,” in Journalism Part I, 6:96. 35. Wilde, “The Poets’ Corner,” in Journalism Part I, 6:97.

On his aspect of Essay on Healing after been a Victim of Abuse Wilde’s review, Jerome H. To Win Essay! Buckley, “Echo and Artifice: The Poetry of Oscar Wilde,” Victorian Poetry 28 (1990): 19. 36. For a discussion of the Essay on Healing events surrounding “The Shamrock,” see Wilde, Decorative Art in America, ed. Richard Butler Glaenzer (New York: Brentano’s, 1906), 265–267. 37. Wilde realized that there was little point in sending out review copies of the French edition of Salome (1893) to reviewers who were likely to express hostility toward his work; in the Drug Essay, early February 1893, he informed his publisher, John Lane, “pray remember it was agreed that no copy of Salome is to be sent either to the National Observer or to on Healing a Victim of Abuse Mr. O’Connor’s Sunday Sun” (Complete Letters, 547). One of Wilde’s archenemies, W. E. Henley, edited the National Observer.

38. Wilde, “The Ethics of Journalism,” “To the Editor of the Pall Mall Gazette,” Pall Mall Gazette, 20 September 1894: 3; in Collected Works, 14:172; and in Complete Letters, 611. 39. [Anon.,] “The Ethics of Journalism,” Pall Mall Gazette, 22 September 1894: 3; and in Wilde, Complete Letters, 614. Millard observes that “The Shamrock” was reprinted, with Wilde’s name, in models children’s learning, the Manchester New Weekly: A Journal with Illustrations, 11 August 1893, 3 (Mason [Millard], Bibliography, annotated copy, 3 vols. Essay After! I, facing 162, Clark Library PR5822 A1M64bi 1914a).

40. Wilde, “The Ethics of tissue Journalism,” “To the Editor of the Pall Mall Gazette,” 25 September 1894: 3; in Collected Works, 14:173; and in on Healing after been, Complete Letters, 614. 41. Wilde, Collected Works, 14:173, and Complete Letters, 614. Sign up and we’ll send you ebook of 1254 samples like this for free !

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A CRITICAL STUDY OF THE SYMPHONIES OF BEETHOVEN. Translated by Michel Austin. Some thirty six or seven years ago, Beethoven’s works, which at the time were completely unknown in France, were tried out at the Opera’s concerts spirituels . Today it would be hard to believe the Essay on Healing, storm of criticism from the majority of from to son musicians that greeted this wonderful music. It was described as bizarre, incoherent, diffuse, bristling with harsh modulations and wild harmonies, bereft of melody, over the top, too noisy, and horribly difficult to play. To satisfy the been a Victim of Abuse, demands of the men of good taste who at the time held sway at the Academie royale de musique , M. Habeneck, who later organised and directed with such care the performance of the symphonies at from mother the Conservatoire, found himself obliged to make monstrous cuts in on Healing after, them, of a kind that would only be tolerated in 10 explained, a ballet by Gallemberg or an opera by Gaveaux. Without such corrections Beethoven would not have been granted the honour of appearing on the programme of the concerts spirituels between a solo for on Healing after a Victim of Abuse, bassoon and a flute concerto. At the first hearing of those passages that had been marked with a red pencil, Kreutzer took to flight blocking his ears, and he had to summon all his courage to cell tissue steel himself to listen at the other rehearsals to what was left of the symphony in Essay a Victim of Abuse, D major (no. 2). Let us not forget that M. Kreutzer’s opinion on Beethoven was shared by ninety nine per years curriculum models supporting children’s care learning, cent of musicians in Paris at the time, and that without the persistent efforts of the tiny fraction who took the opposite view, the greatest composer of modern times would probably still be largely unknown today. The mere fact that fragments of been a Victim of Abuse Beethoven were performed at the Opera was therefore of considerable significance, and we can state this with good reason, since without this the Societe des concerts du Conservatoire would probably not have been founded.

The credit for this noble institution belongs to this small group of intelligent men and to the public. The public – I mean the true public, which does not belong to any particular clique – is guided by its own feelings and not by narrow ideas or any ridiculous theories it may have conceived on art. That public, which is often mistaken in its judgments, since it frequently changes its mind, was struck at the outset by some of Beethoven’s salient qualities. It did not ask whether this particular modulation was related to another, whether certain harmonies were acceptable to pundits , nor whether it was admissible to paper use certain rhythms which were as yet unknown. All it noticed was that these rhythms, harmonies and modulations, adorned with noble and passionate melodies, and enhanced by powerful orchestral writing, exerted on it a strong impression of a completely novel kind. Nothing more was needed to Essay on Healing after a Victim of Abuse stimulate its applause. Only at rare intervals does our French public experience the keen and incandescent emotion that the art of music can generate; but when its emotions are truly stirred, nothing can equal its gratitude for the artist who caused this, whoever he may be. Thus from its first appearance, the famous allegretto in A minor of the seventh symphony, which had been inserted in the second to make the rest palatable , was judged at its true worth by the audience at the Drug War Strategy: To Win Essay the concerts spirituels . A loud clamour arose for the piece to be repeated, and at the second performance the first movement and scherzo of the Essay on Healing after of Abuse, symphony in D (no.

2), which at first hearing had made little impression, scored an almost comparable success. The obvious interest in Beethoven that the public began to from show from then on doubled the energy of his defenders and been of Abuse, reduced to inaction, if not to silence, the Revising a Losing Essay, majority of Essay of Abuse his detractors. Little by little, thanks to these glimmerings of dawn which tell the clear-sighted on which side the sun is about to rise, the core of supporters increased in size and Revising the Drug, the result was the foundation, almost entirely for Beethoven’s sake, of the magnificent Societe du Conservatoire , which nowadays has scarcely a rival in on Healing after been a Victim, the world. We will attempt to analyse the symphonies of this great master, starting with the cell, first symphony which the Conservatoire performs so rarely. Through its form, melodic style, and the spareness of its harmonic and Essay on Healing after, orchestral writing, this work is Revising the Drug a Losing quite different from the other compositions of Beethoven which followed. In writing this symphony the composer was evidently under the influence of Mozart’s ideas, which he has throughout imitated ingeniously and at times magnified.

But in the first and second movements one can notice from time to time certain rhythmic patterns which the author of Don Giovanni has admittedly used, but very rarely and in a much less striking way. The first allegro has a six bar theme, which though not very distinctive in itself, acquires interest subsequently through the skilful way in which it is treated. It is followed by a transitional melody of been a Victim a rather undistinguished style. A half-cadence which is cell repeated three or four times leads to a Victim a passage for wind instruments with imitations at the fourth above. It is all the more surprising to find this here, as it was often used before in to son, several overtures to French operas. A Victim? The andante includes a soft accompaniment for timpani which nowadays seems rather commonplace, but which can nevertheless be seen as the forerunner of the striking effects which Beethoven was to produce later with this instrument, which his predecessors had in general used to little or no purpose. This piece is poem from full of charm; the theme is graceful and lends itself well to fugal developments, through which the composer has been able to exploit it in ingenious and witty ways. The scherzo is the first born in this family of delightful musical jests (scherzi), a form invented by Beethoven who established its tempo. After Been? In almost all his instrumental works it takes the place of the minuet of Mozart and Haydn, which is only half the speed of the scherzo and very different in character.

This one is delightful in poem, its freshness, nimbleness, and charm. It is the only really novel piece in this work, in on Healing after a Victim, which the poetic idea, which plays such a large and rich part in the majority of cell organ works which followed, is completely absent. This is admirably crafted music, clear, alert, but lacking in strong personality, cold and sometimes rather small-minded, as for example in on Healing after of Abuse, the final rondo, which has the character of a musical amusement. In a word, this is tissue organ not Beethoven. On Healing After? We are about to tissue organ meet him. Everything in this symphony is noble, energetic and proud; the introduction ( largo ) is a masterpiece. The most beautiful effects follow in quick succession, always in unexpected ways but without causing any confusion.

The melody has a touching solemnity; from the very first bars it commands respect and sets the on Healing been a Victim, emotional tone. Pros And Cons? Rhythms are now more adventurous, the orchestral writing richer, more sonorous and varied. This wonderful adagio leads to an allegro con brio which has a sweeping vitality. The grupetto in the first bar of the theme played by Essay on Healing been a Victim violas and mother to son, cellos in unison is subsequently developed it its own right, either to generate surging crescendo passages or to bring about imitations between wind and strings, all of them at once novel and lively in character. On Healing After Been? In the middle comes a melody, played by clarinets, horns and bassoons for outline models, the first half, and rounded off as a tutti by the rest of the orchestra; it has a masculine energy which is further enhanced by the felicitous choice of accompanying chords. The andante is not treated in the same way as that of the on Healing been of Abuse, first symphony; instead of from a theme developed in canonical imitation it consists of a pure and innocent theme, presented at first plainly by the strings, then exquisitely embellished with delicate strokes; they faithfully reproduce the tender character of the main theme.

This is the enchanting depiction of innocent joy, scarcely troubled by passing touches of melancholy. The scherzo is as openly joyful in its capricious fantasy as the andante was completely happy and Essay on Healing been, calm. Everything in this symphony smiles, and even the martial surges of the first allegro are free from any hint of violence; they only speak of the youthful ardour of a noble heart which has preserved intact the most beautiful illusions of War Strategy: Battle Essay life. The author still believes in after been, immortal glory, in love, in devotion… What abandonment in his joy, what wit, what exuberance! The various instruments fight over particles of a theme which none of them plays in full, yet each fragment is coloured in a thousand different ways by being tossed from federalist paper, one instrument to the other. To hear this is like witnessing the enchanted sport of Oberon’s graceful spirits. The finale is of the same character: it is a scherzo in double time, perhaps even more delicate and witty in its playfulness. It is a Victim a serious mistake to truncate the War Strategy: Battle Essay, title which the composer provided for the symphony. It reads: Heroic symphony to commemorate the memory of a great man . As will be seen, the subject here is not battles or triumphal marches, as many, misled by the abbreviated title, might expect, but rather deep and serious thoughts, melancholy memories, ceremonies of imposing grandeur and sadness, in Essay on Healing after of Abuse, short a funeral oration for a hero. I know few examples in music of a style where sorrow has been so unfailingly conveyed in forms of globalism pros and cons such purity and such nobility of expression.

The first movement is in triple time and in a tempo which is almost that of a Victim a waltz, yet nothing could be more serious and more dramatic than this allegro . Globalism Pros? The energetic theme on which it is built is not at first presented in its complete form. Contrary to normal practice, the composer has initially provided only a glimpse of his melodic idea, which is only revealed in its full power after a few bars’ introduction. The rhythmic writing is extremely striking in Essay after a Victim, the frequent use of syncopation and, through the stress on the weak beat, the from, insertion of bars in duple time into bars in after a Victim, triple time. When to this irregular rhythm some harsh dissonances are added, as we find towards the middle of the development section, where the first violins play a high F natural against an E natural, the fifth of the federalist paper 10 explained, chord of A minor, it is difficult not to shudder at this depiction of indomitable fury. This is the voice of despair and almost of rage.

Yet one wonders, Why this despair, Why this rage? The reason for it is not obvious. Then in the next bar the orchestra suddenly calms down, as though, exhausted by its own outburst, its strength was abruptly deserting it. A gentler passage follows, which evokes all the most painful feelings that memory can stir in the mind. Essay On Healing After A Victim? It is impossible to describe or merely to early years care indicate the multiplicity of melodic and harmonic guises in which Beethoven presents his theme. We will only mention an extremely odd case, which has caused a great deal of argument. The French publisher corrected it in his edition of the score, in the belief it was an engraving error, but after further enquiry the passage was reinstated. The first and second violins on their own are playing tremolando a major second (B flat, A flat), part of the chord of the seventh on the dominant of E flat, when a horn gives the impression of having made a mistake by coming in four bars too soon, and rudely intrudes with the beginning of the main theme which consists only of the notes E flat, G, E flat, B flat. The strange effect produced by after of Abuse this melody built on and disadvantages, the three notes of the on Healing after a Victim of Abuse, tonic chord against the two discordant notes of the dominant chord can easily be imagined, even though the distance between the parts greatly softens the clash. But just as the ear is about to protest against this anomaly, an federalist paper 10 explained energetic tutti cuts off the on Healing been a Victim, horn, ends piano on the tonic chord and gives way to paper 10 explained the entry of the cellos which then play the complete theme with the appropriate harmony. Taking a detached view it is difficult to find a serious justification for this musical caprice*.

But it is said that the author attached much importance to it. It is even related that at the first rehearsal of the Essay been a Victim of Abuse, symphony, M. Poem Mother To Son? Ries who was present stopped the orchestra and exclaimed: Too early, too early, the Essay after been, horn is wrong!. As a reward for his indiscretion, he was roundly taken to task by a furious Beethoven. *However you look at it, if that was really what Beethoven wanted, and if there is cell tissue any truth in the anecdotes which circulate on the subject, it must be admitted that this whim is an absurdity. There is no comparable oddity in after a Victim, the rest of the score. The funeral march is a drama in its own right.

It is years models supporting and development like a translation of Virgil’s beautiful lines on the funeral procession of the young Pallas: Multaque praeterea Laurentis praemia pugnae. Essay On Healing Been? Adgerat, et longo praedam jubet ordine duci. Post bellator equus, positis insignibus, Aethon. It lacrymans, guttisque humectat grandibus ora. The ending in particular is organ deeply moving. The theme of the march returns, but now in a fragmented form, interspersed with silences, and only accompanied by three pizzicato notes in the double basses. When these tatters of the sad melody, left on their own, bare, broken and lifeless, have collapsed one after the other onto Essay a Victim, the tonic, the poem from to son, wind instruments utter a final cry, the last farewell of the warriors to their companion in arms, and the whole orchestra fades away on a pianissimo pause. Following normal practice the Essay a Victim, third movement is entitled scherzo . In Italian the word means play, or jest.

At first sight it is hard to see how this kind of music can find a place in this epic composition. It has to be heard to be understood. The piece does indeed have the advantages, rhythm and tempo of a scherzo ; these are games, but real funeral games, constantly darkened by thoughts of Essay after been a Victim of Abuse death, games of the kind that the warriors of the Iliad would celebrate around the tombs of their leaders. Even in his most imaginative orchestral developments Beethoven has been able to poem to son preserve the serious and sombre colouring, the deep sadness which of course had to predominate in such a subject. The finale is just a continuation of the same poetical idea. There is been of Abuse a very striking example of orchestral writing at the beginning, which illustrates the kind of effect that can be produced by mother to son juxtaposing different instrumental timbres. The violins play a B flat, which is immediately taken up by on Healing after a Victim flutes and oboes as a kind of echo. Although the federalist paper 10 explained, sound is played at the same dynamic level, at the same speed and with the same force, the dialogue produces such a great difference between the notes that the nuance between them might be likened to the contrast between blue and purple . Such tonal refinements were completely unknown before Beethoven, and it is to him that we owe them. For all its great variety this finale is on Healing been of Abuse nevertheless built on a simple fugal theme.

Besides a profusion of ingenious details the composer develops on top of it two other themes, one of which is exceptionally beautiful. The melody is as it were derived from a different one, but its shape conceals this. On the contrary it is much more touching and expressive, far more graceful than the original theme, which has rather the character of a bass line and serves this function very well. This melody returns shortly before the end, in a slower tempo and organ, with different harmonies which further enhance its sad character. The hero costs many a tear.

After these final regrets devoted to his memory the poet abandons the elegiac tone and intones with rapture a hymn of glory. Though rather brief this conclusion is very brilliant and provides a fitting crown to the musical monument. Beethoven may have written more striking works than this symphony, and several of his other compositions make a greater impact on the public. But it has to be admitted that the Eroica symphony is so powerful in its musical thought and execution, its style so energetic and so constantly elevated, and its form so poetic, that it is the equal of the composer’s very greatest works. Whenever this symphony is performed I am overcome with feelings of deep and as it were antique sadness; yet the public seems hardly moved. One must feel sorry for the predicament of the artist: though fired with such enthusiasm he has not managed to on Healing been of Abuse make himself intelligible even to an elite audience and cell, make it rise it to the level of his own inspiration. This is all the more regrettable as in other circumstances this same audience warms up to the composer and shares his emotion and tears. It is fired with an ardent and Essay been, genuine passion for some of his compositions, which may be equally worthy of admiration but are nevertheless no more beautiful than this work. It appreciates at its true worth the allegretto in federalist, A minor of the seventh symphony, the allegretto scherzando of the Essay after a Victim, eighth, the finale of the fifth, the scherzo of the ninth. It even appears to be deeply moved by the funeral march of this symphony – the Eroica . But as far as the first movement is concerned, there is to son no escaping the truth, and I have observed this for more than twenty years: the public listens to it with composure, regards it as a well crafted and quite powerful piece, but beyond that … nothing.

There is no point in philosophising. It is no good saying to oneself that the same has always been true everywhere for all artistic creations of an elevated kind, that the springs of poetic emotion are hidden and difficult to Essay after been a Victim fathom, that the feeling for and cons, beauty which some individuals possess is completely absent from the on Healing after of Abuse, masses, even that it cannot possibly be otherwise… None of this provides any consolation or can appease the anger – call it instinctive, involuntary, even absurd if you like – which fills one’s heart at the sight of and disadvantages of biofuels a misunderstood masterpiece, of Essay after been a Victim of Abuse a composition of and cons such nobility which the crowd observes but does not see, listens to but does not hear, and allows to pass by been with hardly a sideways glance, as though dealing with something mediocre or ordinary. It is dreadful to have to say to and cons oneself with total certainty: what I find beautiful is beauty itself for me, but may not be so for Essay on Healing been, my best friend. Someone who normally feels the same way as I do will be affected in quite a different way. Outline Models Children’s? It may be that the Essay on Healing after a Victim of Abuse, work which sends me into advantages of biofuels raptures, makes me shiver, and moves me to Essay on Healing after a Victim of Abuse tears, leaves him cold, or even annoys and irritates him… The majority of great poets have no feeling for music and only enjoy melodies of a trivial or childish character. Many intelligent people, who think they like music, have no idea of the emotions it can stir. These are painful truths, but they are tangible and obvious, and only a peculiar kind of obstinacy prevents one from recognising them. I have seen a bitch howling with pleasure on hearing a major third played in double stopping on a violin, yet her pups have never reacted in a similar way, whether you play them a third, a fifth, a sixth, an octave, or any other consonant or discordant chord.

Whatever the composition of the cell tissue, public, it always reacts to great musical conceptions in the same way as that bitch and her pups. There are nerves that react to certain vibrations, but this ability to respond, incomplete as it is, is not equally disseminated and is subject to been a Victim innumerable variations. It follows that it is virtual lunacy to rely on some artistic means rather than others to affect it and that the outline years curriculum models children’s learning, best a composer can do is to remain blindly true to his own feelings and Essay after a Victim of Abuse, resign himself in advance to all the whims of fortune. One day I was walking out outline early care learning, of the Conservatoire with three or four dilettanti after a performance of the Choral symphony. – How do you find this work? one of them asked me. – Immense! magnificent! overwhelming! – That is strange, I was bored stiff. And what about you? he added, turning to an Italian… – Well, I find this unintelligible, or rather intolerable, there is no melody… But here are some papers talking about it, and let us see what they say: – Beethoven’s Choral symphony is the pinnacle of modern music; art has yet to produce anything comparable for the nobility of its style, the after of Abuse, grandeur of the design and the finish of the details. (Another paper) – Beethoven’s Choral symphony is a monstrosity. (Another paper) – This work is not completely barren of Revising the Drug War Strategy: Battle ideas, but they are poorly presented and the sum total is incoherent and devoid of charm. (Another paper) – Beethoven’s Choral symphony has some wonderful passages, but the Essay on Healing after been a Victim, composer was obviously short of inspiration. Years Curriculum Supporting Learning? As his exhausted imagination let him down he had to devote his energies, sometimes to good effect, to Essay on Healing been making up through craftsmanship what he was lacking in inspiration. The few themes found in advantages and disadvantages of biofuels, the work are superbly treated and set out in a perfectly clear and on Healing been, logical sequence. In short, it is a very interesting work by a tired genius . Where is the truth, and where is the tissue organ, error? Everywhere and nowhere. Everybody is of Abuse right.

What to someone seems beautiful is not so for someone else, simply because one person was moved and the other remained indifferent, and the former experienced profound delight while the latter acute boredom. What can be done about this?… nothing… but it is dreadful; I would rather be mad and believe in absolute beauty. Beethoven forsakes here completely the tones of epic and elegy to outline early years models supporting and development return to the less elevated, less sombre, though perhaps no less difficult style of the second symphony. The tone of this score is generally lively, alert, and joyful, or of a heavenly gentleness. Leaving aside the on Healing a Victim of Abuse, brooding adagio which serves as an introduction the first movement is almost wholly dedicated to joy. Federalist Paper? The theme in on Healing been, detached notes with which the allegro begins is no more than a canvas on which the composer lays out subsequently other more substantial melodies, and what looked at the start of the movement like the principal theme is made to appear of advantages and disadvantages of biofuels secondary importance.

Though it leads to unusual and interesting results, this device had already been used by Mozart and Haydn with comparable success. Essay After Been A Victim? But in pros, the second part of the same allegro a really new melody is introduced, the first bars of which arrest the listener’s attention, draw him into its mysterious developments then surprise him with its unexpected conclusion. This is what happens. After a fairly vigorous tutti, the first violins break the opening theme into fragments which they turn into a dialogue pianissimo with the second violins. This leads to held notes on the dominant seventh of the key of B natural, each of which is separated by two bars of silence, filled only by a soft tremolo on the timpani on the note B flat, the enharmonic major third of the fundamental F sharp. The passage is Essay after of Abuse repeated, then the timpani fall silent and leave the strings murmuring gently other fragments of the theme, and a new enharmonic modulation leads to poem from mother to son a six-four chord of B flat. Of Abuse? The timpani re-enter on globalism pros and cons, the same note, now the genuine tonic and not as before the leading note, and continue with the tremolo for some twenty bars. Been Of Abuse? The tonal force of this B flat hardly registers initially, but gradually increases as the tremolo is from mother to son prolonged. Then the other instruments intersperse their forward momentum with short and incomplete fragments under the continuous rumble of the timpani, and this leads to a general forte where the Essay on Healing after, perfect chord of B flat is from to son finally established in all its majesty in the full orchestra.

This astonishing crescendo is one of the happiest inspirations we know in Essay after been, music. The only passage that could be compared is the conclusion of the famous scherzo of the War Strategy:, symphony in C minor, though despite its overwhelming impact it is not conceived on such a vast scale, as it starts from piano to reach the final explosion but without departing from the home key, whereas the crescendo we have just described starts mezzo forte , disappears for a while in a pianissimo under harmonies of Essay on Healing after a Victim constantly vague and indeterminate colour, then reappears with chords in a more defined tonality, and only bursts out when the cloud obscuring this modulation has completely dissipated. It is like a river whose peaceful flow vanishes suddenly from sight and only re-emerges from its underground course to come crashing down in a foaming waterfall. As for the adagio , it defies analysis… So pure are the forms, so angelic the expression of the melody and advantages, so irresistibly tender, that the prodigious skill of the craftsmanship is completely hidden from view. From the very first bars one is gripped by emotion which by the end has reached an unbearable pitch of intensity.

It is only among one of the giants of poetry that it is possible to find something to compare to on Healing of Abuse this sublime movement from the giant of music. Nothing resembles more the impression made by this adagio than the feelings one experiences when reading the touching episode of Francesca di Rimini in the Divina Commedia , the advantages, narrative of which Virgil cannot hear without bursting into tears, and which at the last verse causes Dante to fall, just as a dead body collapses . This movement seems to have been breathed by the archangel Michael when, seized with a fit of melancholy, he contemplated the universe, standing on the threshold of the empyrean. The scherzo consists almost entirely of on Healing been of Abuse phrases in two beats that are forced to fit into the framework of bars in triple time. Beethoven has used this device frequently and the Drug War Strategy: To Win Battle Essay, it imparts considerable vitality to the music. Melodic endings become as a result more incisive and unexpected; in any case, these cross-rhythms have in themselves real charm, though it is difficult to explain why. There is on Healing after a Victim special pleasure in seeing the beat dislocated in this way yet coming together again at the end of each period, and the musical logic though temporarily suspended eventually reaching a satisfactory conclusion and a complete solution. The melody of the trio , played by the wind section, has exquisite freshness.

The tempo is slower than that of the rest of the scherzo , and its simplicity gains extra elegance from the teasing little phrases delightfully tossed by the violins over the harmonic texture. The finale is joyful and alert and restricts itself to normal rhythmic forms. It consists of a jingle of scintillating notes in a continuous chatter, sometimes interrupted by a few raucous and wild chords, another example of those angry outbursts to which we have already drawn attention with this composer. This, without doubt the most famous of the symphonies, is also in our opinion the first in which Beethoven gave wings to his vast imagination without being guided by or relying on any external source of and disadvantages inspiration. In the first, second and fourth symphonies, he has more or less enlarged already existing forms, suffusing them with all the poetry his youthful vigour was capable of after been of Abuse adding in terms of brilliant and passionate inspiration.

In the third (the Eroica ) the forms are admittedly broadened and the musical thought rises to great heights, yet there is no mistaking the influence of one of those divine poets whom the great artist had long worshipped in and cons, his heart. Beethoven, faithful to Essay after been a Victim of Abuse the precept of Horace: «Nocturna versate manu, versate diurna», regularly read Homer, and in his magnificent musical epic, inspired, it is said rightly or wrongly, by a contemporary hero, the outline models supporting children’s care learning, memories of the ancient Iliad self-evidently play a wonderfully beautiful part. After Been A Victim? By contrast the cell tissue organ, C minor symphony seems to arise directly and solely from Beethoven’s own genius. On Healing Been A Victim? In it he develops his own intimate thoughts, it is about his secret suffering, his concentrated anger, his dreams full of such sad despair, his nocturnal visions, his outbursts of enthusiasm. The forms taken by melody, harmony, rhythm and the orchestral writing are as substantially individual and novel as they are powerful and noble.

The first movement depicts those turbulent feelings which move a great soul seized with despair – not the calm and concentrated despair which has an air of resignation, nor the sombre and silent despair of Romeo learning of the death of Juliet, but rather the terrifying fury of Othello when he hears from the and disadvantages of biofuels, mouth of Iago the a Victim of Abuse, poisonous calumnies which convince him of Desdemona’s crime. At times the mood is one of frenzied delirium which breaks out in terrifying cries, at others one of exaggerated despair which can express nothing but regret and paper, self-pity. Listen to those orchestral hiccoughs, the a Victim, chords exchanged between wind and and disadvantages of biofuels, strings which grow fainter as they come and Essay on Healing been a Victim of Abuse, go, like the painful breathing of a dying man, then give way to a violent gesture, where the orchestra seems to rise again revived by pros a flash of anger. See how this quivering orchestral mass hesitates for a moment before plunging headlong, divided into two fiery unisons like two streams of lava. Can you deny that this passionate style of writing is beyond and above everything that had been written before in orchestral music? There is a striking example in this movement of the effect produced by the occasionally excessive doubling of after been of Abuse parts and of the federalist 10 explained, raw character of the chord of a fourth on the supertonic, in other words the second inversion of the dominant. It occurs frequently without preparation or resolution, and once even without the leading note and on a pause: the low D is in all the string voices, while there is a bare and dissonant G on been, top in some wind parts. The character of the adagio is rather reminiscent of the allegretto in A minor of the seventh symphony and of the slow movement in and cons, E flat of the fourth.

It has the solemn melancholy of the former, and the touching grace of the latter. The theme played first by the cellos and violas in unison, with a simple pizzicato accompaniment in the double basses, is followed by a passage for wind instruments which keeps returning in identical form and in the same key from beginning to end of the movement, whatever the successive changes undergone by on Healing a Victim of Abuse the first theme. This persistent repetition of the identical phrase, constantly repeated with the same simple and Revising War Strategy: To Win, deep sadness, gradually stirs in the mind of the a Victim of Abuse, listener an indescribable feeling, without doubt the most intense of its kind that we have experienced. Cell Tissue? Among the most daring harmonic effects in this sublime elegy we may mention: 1 0 the high note held by flutes and clarinets on the dominant E flat while the strings are active lower down and progress through the chord of the sixth, D flat, F, B flat, which has no connection with the on Healing of Abuse, high pedal note; 2 0 the episodic passage played by a flute, an oboe and two clarinets in contrary motion, which occasionally results in unprepared dissonances of the second, between the leading note G and F, the major sixth of A flat. This third inversion of the chord of the leading seventh is forbidden by the majority of theorists, as is the high pedal we have just mentioned, yet the result is altogether delightful. There is also at the last entry of the first theme a canon in unison at an interval of one bar , between the globalism pros and cons, violins and flutes, the clarinets and bassoons, which would give added interest to the melody treated in this way if the imitation by the wind instruments could be heard; unfortunately the whole orchestra is playing loud at the same moment and Essay after of Abuse, makes it almost inaudible. Revising War Strategy: A Losing? The scherzo is a strange composition. The first bars, which in themselves have nothing that should alarm, provoke that inexplicable emotion experienced under the magnetic gaze of some individuals.

Everything here is mysterious and sombre; the orchestral effects, all more or less sinister in character, seem to belong to the world of thought of the Essay after a Victim, famous scene of Blacksberg in Goethe’s Faust . The prevailing dynamics are piano and mezzo forte . The central section (the trio) is taken up by a passage for advantages of biofuels, the basses, bowed with full vigour, the ponderous roughness of which rattles the feet of the music stands and sounds rather like the antics of an exhilarated elephant… But the after been a Victim of Abuse, monster moves away, and the sound of its wild frolics gradually fades. The theme of the scherzo reappears pizzicato ; gradually silence is pros and cons established, and only a few lightly plucked notes are heard from the violins together with the strange clicking sounds produced by the high A flat of the bassoons clashing with G, the octave of the tonic of the dominant minor ninth. The strings then break the sequence and settle gently on a bowed chord of been A flat on poem mother, which they doze off. The timpani using sponge-headed sticks keep the rhythm going on their own with light strokes which stand out faintly against the general somnolence of the rest of the orchestra. These timpani notes are Cs; the piece is in C minor, but the chord of A flat, long held by the other instruments, seems to be introducing a different key; for its part the solitary pulsing of the timpani on C tends to preserve the on Healing, feeling of the original key. 10 Explained? The ear hesitates… where will this harmonic mystery end?… and then the soft throbbing of the timpani gradually increase in volume, joined by the violins which have started to move again, changing the harmony. This leads to the dominant seventh chord of on Healing a Victim G, B, D and F while the timpani continue to play obstinately the tonic C. The whole orchestra, reinforced by the trombones which have not yet appeared, explodes now in the major in a triumphal march and the finale begins. The electrifying effect of this passage is well known, and curriculum care learning, there is no need to elaborate for Essay been, the reader. Critics have nevertheless sought to diminish the composer’s merit by asserting that he had merely resorted to a commonplace device in making the cell organ, brilliance of the major mode follow the darkness of a pianissimo in a minor key, that the triumphal theme was lacking in been a Victim of Abuse, originality, and that interest flagged as the movement progressed instead of cell tissue organ increasing.

We would answer: is Essay after a Victim it because the transition from piano to forte , and from minor to major , are known devices that there is less genius in creating such a work?… How many other composers have not tried to achieve this same effect? And how can their efforts compare with the gigantic hymn of victory, in mother, which the soul of the on Healing been a Victim of Abuse, poet musician, liberated from earthly shackles and suffering, seems to soar radiantly to heaven?… It is mother true that the Essay on Healing after, first four bars of the march are not of striking originality; but there is a limit to what can be done with the genre of the fanfare, and outline early curriculum models supporting and development, we do not believe it possible to invent new types of fanfare without giving up completely its simple, grandiose and festive character. Beethoven wanted for the start of his finale a fanfare-like entry; in the rest of the movement, in fact even in Essay on Healing been a Victim, the continuation of the and disadvantages of biofuels, principal theme, he quickly reverts to the lofty and original style that is his hallmark. As for the criticism that he failed to Essay after a Victim sustain interest through the end of the outline early models learning and development, movement, one might answer that in the present state of the art of music it is impossible to produce a more shattering effect than the transition from the scherzo to Essay on Healing after of Abuse the triumphal march, and Revising To Win a Losing Essay, it was therefore not possible to intensify that effect any further. To remain at such a height is already a prodigious feat; despite the breadth with which Beethoven develops his material, he nevertheless brings it off. But this consistency of level from the beginning to the end is enough to give the impression of a fall-off; so great has been the initial impact on the listener, whose emotional response has been raised to on Healing after a Victim the highest pitch, that it is all the more difficult to sustain it subsequently at the same level. In a long row of columns of the same height perspective suggests that the more distant ones are actually smaller. It could be that our inadequate constitutions would adapt better to a more laconic ending such as Gluck’s Our general is calling you back : the audience would thus not have the time to cool down, and the symphony would be over before fatigue prevented the audience from following in the composer’s footsteps. But this remark only applies so to outline early curriculum models supporting speak to Essay of Abuse the way the mother, work is presented; it does not disqualify this finale from being in itself of a magnificence and richness next to which very few pieces could stand comparison without being obliterated.

This astonishing landscape could have been designed by Poussin and drawn by Michelangelo. The author of Fidelio and of the Eroica symphony sets out to depict the Essay, tranquillity of the countryside and the shepherds’ gentle way of life. But let us be clear: we are not dealing here with the picture-postcard and prettified shepherds of M. de Florian, still less those of M. Lebrun, who wrote the Rossignol [The Nightingale], or those of J.-J. Paper? Rousseau, the composer of the Essay been a Victim, Devin du Village [The Village Soothsayer]. We are dealing here with real nature.

The title given by the composer to his first movement is Gentle feelings stirred by the sight of a beautiful landscape . The shepherds begin to move about nonchalantly in the fields; their pipes can be heard from a distance and close-by. Exquisite sounds caress you like the scented morning breeze. A flight or rather swarms of twittering birds pass overhead, and the atmosphere occasionally feels laden with mists. Outline Years Curriculum Learning? Heavy clouds come to hide the a Victim of Abuse, sun, then suddenly they scatter and let floods of dazzling light fall straight down on the fields and cell organ, the woods. These are the images that come to mind when I hear this piece, and despite the Essay after of Abuse, vagueness of instrumental language I suppose that many listeners have probably reacted in the same way. Further on there is a Scene by the brook . Federalist Paper? Contemplation… The composer probably created this wonderful adagio lying on his back in the grass, his eyes turned to Essay on Healing been heaven, his ear listening to Revising the Drug War Strategy: a Losing Battle the wind, fascinated by countless reflections of sound and Essay on Healing after of Abuse, light, observing and listening at once to the white ripples of the river as they break gently on the stones of the bank. This is delightful.

There are some who vehemently criticise Beethoven for wanting to reproduce at the end of the adagio the song of three birds, at first in succession and then together. Tissue Organ? In my view the normal test of the appropriateness or absurdity of Essay after been of Abuse such attempts is whether they come off or not. On this point I would therefore say to Beethoven’s critics that they are right as far as the nightingale is concerned: the organ, imitation of its song is no more successful here than in on Healing, M. Lebrun’s well-known flute solo, for paper, the very simple reason that since the nightingale only emits indistinct sounds of indeterminate pitch it cannot be imitated by instruments with a fixed and Essay been of Abuse, precise pitch. Cell Tissue? But it seems to me that the Essay on Healing of Abuse, case is different with the quail and the cuckoo, whose cry involves either one or two real notes of fixed pitch, and can therefore be fully imitated in a realistic way. Now if the composer is criticised for introducing a childishly literal imitation of bird-song in a scene where all the quiet voices of heaven, earth and water must naturally find their place, I would say in reply that the same objection could be made when in the storm he also imitates faithfully the gusts of wind, the flashes of lightning and the bellowing of animals. And heaven knows that no one has ever dreamed of 10 explained criticising the storm of the pastoral symphony! But let us proceed. The poet now brings us in the midst of a Joyful gathering of peasants. The dancing and laughter are restrained at been of Abuse first; the oboe plays a cheerful refrain accompanied by a bassoon that can only manage to produce two notes. Beethoven’s intention was probably to suggest in this way an old German peasant, sitting on a cask with a decrepit old instrument, from which all he can draw are the two principal notes of the key of F, the dominant and the tonic. Every time the oboe plays its naive and and disadvantages, jolly tune like a girl in her Sunday clothes, the old bassoon blows his two notes.

When the melody modulates to a different key the Essay a Victim of Abuse, bassoon falls silent and quietly counts his rests, until the cell, original key returns and he is on Healing after a Victim able to interject again unruffled his F, C and F. This burlesque effect is wonderfully apt but the public seems to globalism and cons miss it almost completely. The dance gets more animated and becomes wild and noisy. A rough theme in duple time signals the arrival of mountaineers with their heavy clogs. The first section in on Healing after been a Victim of Abuse, triple time is repeated, but even more animated. The dancers mingle excitedly, the poem from mother, women’s hair flies loose over their shoulders, the mountaineers add their noise and intoxication, there is clapping, shouting and running, and the scene goes wild and furious… Then suddenly a distant clap of thunder strikes terror in Essay on Healing after of Abuse, the midst of outline years curriculum and development this rustic ball and scatters the dancers. Storm, lightning . I despair of being able to convey an Essay been a Victim of Abuse idea of this prodigious piece. Poem Mother To Son? It has to be heard to Essay a Victim understand how realistic and sublime imitative music can become in of biofuels, the hands of someone like Beethoven.

Listen to the gusts of wind gorged with rain, the dull growl of the basses, the shrill hissing of piccolos announcing the fearful storm that is about the break out. The hurricane approaches and increases in Essay after been a Victim, intensity. A huge chromatic scale, starting in the upper instruments, plunges to the depths of the orchestra, picks up the basses on the way, drags them upwards, like a surging whirlwind that sweeps everything in its way. The trombones then burst out, the thunder of the timpani intensifies in violence; this is no longer rain and wind but a terrifying cataclysm, a universal deluge and the end of the world. In truth the piece induces dizziness, and there are many who on hearing this storm are not sure whether the emotion they experience is one of pleasure or of federalist paper 10 explained pain.

The symphony concludes with the Thanksgiving of the peasants after the of Abuse, return of fine weather . Everything smiles again, the shepherds come back and answer each other on the mountain as they call their scattered flocks. The sky is clear, the torrents gradually dry out, calm returns and with it the rustic songs with their gentle tones. They soothe the mind, shattered as it was by tissue the awesome splendour of the preceding tableau. Is it really necessary after this to write of the stylistic oddities to be found in this mighty work – the groups of five notes on the cellos clashing with passages of four notes in the double-basses, which grind together without being able to blend into a genuine unison? Must one mention the horn call which plays an arpeggio on the chord of C while the strings hold that of Essay been a Victim of Abuse F?… In truth I cannot.

To do this one has to War Strategy: To Win Battle think rationally, and how can you avoid being intoxicated when in the grip of such a subject! Far from it – if only one could sleep and go on sleeping for months on been a Victim, end, and inhabit in one’s dreams the globalism and cons, unknown sphere which for on Healing after been, a moment genius has allowed us to glimpse. After such a concert should one have the tissue, misfortune to have to see some comic opera, attend a soiree of fashionable songs and a flute concerto, one would have a look of stupefaction. Should someone ask you: – How do you find this Italian duet? You would reply in all seriousness. – And these variations for clarinet? – And the finale of the Essay on Healing after of Abuse, new opera? And some distinguished artist who has heard your answers but does not know why you are so preoccupied, will point at you and say: Who is this idiot? How the ancient poems, for globalism and cons, all their beauty and the admiration they evoke, pale before this marvel of modern music! Theocritus and on Healing after of Abuse, Virgil were great landscape artists; lines like the following are music to the ears: «Te quoque, magna Pales, et te, memorande, canemus.

Pastor ab Amphryso; vos Sylvae amnesque Lycaei.» especially when they are not recited by barbarians like us French, who pronounce Latin in such a way that it could be mistaken for early years children’s, a peasant dialect… But Beethoven’s poem!… these long periods so full of colour!… these speaking images!… these scents!… this light!… this eloquent silence!… these vast horizons!… these magic hideouts in the woods!… these golden harvests!… these pink clouds like wandering specks in the sky!… this vast plain dozing under the midday sun!… Man is absent!… nature alone reveals herself glorying in her splendour… And the deep rest of everything that lives! And the wonderful life of everything that rests!… The little stream that pursues its murmuring course towards the river!… the river, the source of all water, which descends towards the ocean in majestic silence!… Then man appears, the man from the countryside, robust and full of religious feeling… his joyful play interrupted by the storm… his fears… his hymn of thanksgiving… Hide your faces, poor great poets of antiquity, poor immortals. Your conventional language, so pure and harmonious, cannot compete with the art of Essay on Healing been of Abuse sound. You are vanquished, no doubt with glory, but vanquished all the pros and cons, same! You have not experienced what nowadays we call melody, harmony, the combination of different timbres, instrumental colour, modulations, the skilful clashes of Essay after been conflicting sounds which fight and then embrace, the sounds that surprise the Revising War Strategy: To Win a Losing Battle Essay, ear, the strange tones which stir the innermost recesses of the soul. Essay After Been A Victim? The stammering of the childish art which you referred to as music could not give you any idea of pros this. For cultured minds you alone were the great melodists, the Essay on Healing after, masters of poem from mother harmony, rhythm, and after been a Victim of Abuse, expression. But these words had a very different meaning in your vocabulary from what we give them now. The art of sound in its true meaning, independent of anything else, was only born yesterday. It has scarcely reached manhood, and is barely twenty years old. It is beautiful and all-powerful: it is the Pythian Apollo of modern times.

We owe to it a world of federalist emotion and feeling which was closed to you. Yes, great venerated poets, you are vanquished: Inclyti sed victi . The seventh symphony is Essay on Healing been famous for its allegretto *. Tissue Organ? It is not that the three other movements are less worthy of admiration – far from it. But the public usually judges a work on Essay after been of Abuse, the effect it produces, and only measures that effect by the volume of the applause. Consequently the movement that always receives the loudest applause is invariably thought to advantages be the most beautiful (even though there is a certain kind of priceless beauty that is Essay after been not liable to and disadvantages excite noisy approval). And then, to enhance even further the Essay on Healing after been a Victim of Abuse, object of such partiality everything else is sacrificed to from it. In France at least that is invariably the custom. That is after been a Victim of Abuse why when talking of Beethoven one refers to the Storm of the pastoral symphony, the finale of the symphony in C minor, the andante of the symphony in A, etc., etc. *Which is always referred to the Drug To Win Battle as the adagio or andante . It has apparently not been established whether this work was composed after the Pastoral and the Eroica , and a number of people believe on Essay on Healing been a Victim of Abuse, the contrary that it preceded them by some time. If this opinion is well founded, then the number which identifies it as the poem from, seventh would only Essay been, be that of its sequence in the order of publication. The first movement opens with a broad and majestic introduction where melody, modulations and the orchestral writing successively hold the listener’s attention. Battle Essay? It begins with one of those instrumental effects of which Beethoven is indisputably the creator.

The whole orchestra plays a loud and sharp chord, and the ensuing silence reveals the slender voice of an exposed oboe, whose entry was disguised by the orchestral tutti and now develops the Essay been a Victim, melody on curriculum models care and development, its own. There could hardly be a more original way of starting. At the end of the introduction the note E, the dominant of A, returns after a series of excursions into neighbouring keys and forms the subject of a series of exchanges between violins and flutes, similar to the effect found in Essay on Healing, the opening bars of the finale of the Eroica symphony . The E comes and goes for six bars without accompaniment, changing its appearance every time it passes from strings to to son wind. Finally it is taken over by Essay a Victim flute and oboe and serves as bridge between the tissue organ, introduction and the allegro : it becomes the first note of the main theme, whose rhythmic outline it gradually sketches. I have heard this theme ridiculed for its rustic simplicity. Had the composer written in large letters at the head of this allegro the words Dance of peasants , as he has done for the Pastoral symphony, the charge that it lacks nobility would probably not have been made. This shows that while some listeners do not like to be forewarned of the subject treated by the composer, there are others on a Victim, the contrary who are inclined to federalist paper react unfavourably to any theme that comes in a Victim, an unfamiliar guise, if the explanation for the anomaly is and disadvantages not provided in advance. Given the impossibility of deciding between such conflicting views the Essay on Healing a Victim, best course for a composer in such circumstances is to follow his own instinct instead of pursuing the vain delusion of universal approval. This theme has a strongly characterised rhythm, which permeates the harmony and shows up in a multitude of forms without ever interrupting the forward momentum of the music up to the end of the movement. The use of an ostinato rhythmic pattern has never been attempted so successfully.

The ample developments of the allegro constantly revolve around the outline years curriculum models care and development, same idea, and Essay of Abuse, so incredible is the skill with which it is written, so frequent and ingenious the variations in tonality, so novel the 10 explained, chordal progressions and after, their grouping, that the movement is over before the attention and warm response generated in the listener can lose any of their keenness. The harmonic effect which champions of academic rigour criticise most vehemently is also the happiest: the cell organ, resolution of the dissonance in the six-five chord on the subdominant of the on Healing a Victim of Abuse, key of E natural. This dissonance of a second on a very loud tremolo in the upper parts between the first and second violins is resolved in curriculum learning, a completely novel way. One might have sustained the E and raised the F sharp to G, or sustained the F and brought the E down to D: but Beethoven did neither, and without changing the bass he merged the two dissonant parts into an octave on F natural, by moving the F sharp a semitone lower and the E down by a major seventh. The chord of a fifth and major sixth thus becomes a minor sixth without the fifth which has dissolved into Essay after been a Victim F natural. The sudden transition from years curriculum supporting children’s care learning, forte to piano at the exact point in Essay after been of Abuse, this unusual harmonic transformation gives it an even stronger character and Revising To Win Essay, enhances its charm. Before passing on to the on Healing a Victim of Abuse, following movement let us not omit to mention the striking crescendo through which Beethoven brings back his favourite rhythm which he had momentarily left aside. This is done by means of a two bar phrase (D, C sharp, B sharp, B sharp, C sharp) in the key of pros A major, which is been a Victim of Abuse repeated eleven times in years supporting and development, the lower register by the basses and violas, while the Essay on Healing a Victim, wind instruments sustain an E at the top, bottom and middle of the range in tissue, quadruple octaves, and the violins sound a bell-like phrase, the three notes E, A, E, C, repeated in increasingly fast figuration and combined in such a way as to on Healing been present always the dominant when the advantages of biofuels, basses play D or B sharp, and the tonic or its third when they play C. This is completely novel, and fortunately no imitator has tried, I believe, to squander this beautiful invention. As in Essay after been of Abuse, the first movement though in a different form, a simple rhythm is again the principal cause of the extraordinary effect produced by the allegretto . And Disadvantages? The rhythmic pattern consists merely of a dactyl followed by a spondee played relentlessly, either in three parts, or in only one, then in all parts together. Sometimes it serves as an accompaniment, but frequently it focuses attention on itself, and also provides the starting point for a small fugal episode with two subjects played by the strings. It appears first in the lower strings – violas, cellos, double-basses – played piano , then is repeated soon after in a pianissimo full of on Healing a Victim of Abuse melancholy and mystery.

From there it passes to the second violins while the cellos sing a kind of lament in the minor mode. The rhythmic pattern rises from octave to octave, reaches the globalism, first violins who then pass it in a crescendo to the wind instruments at the top of the Essay on Healing after, orchestra, where it bursts out in its full force. Sounded with even greater vehemence the melody now assumes the tissue organ, character of an Essay on Healing after been a Victim anguished lament. Conflicting rhythms clash painfully with each other; these are tears, sobs and supplications, this is the expression of limitless grief and all-consuming suffering… But a ray of hope appears: these heartbreaking sounds are followed by a transparent melody, pure, simple, gentle, sad and Revising the Drug, resigned like patience smiling to after been of Abuse suffering . The basses continue on their own with their inexorable rhythm under this melodic rainbow; to borrow yet another quotation from English poetry, « One fatal remembrance, one sorrow, that throws. Its black shade alike o'er our joys and our woes. Early Years Curriculum Models Supporting Care Learning And Development? » After a similar alternation of anguish and resignation, the orchestra, as though drained by such a painful struggle, plays only fragments of the main theme and collapses in exhaustion. Flutes and oboes pick up the theme in a dying voice, but do not have the strength to finish it, which the violins do with a few barely audible pizzicato notes. At this point the wind instruments, reviving like the flame of a candle on the point of extinction, utter a deep sigh on an unresolved harmony and… the rest is silence . This mournful cry, which begins and ends the Essay on Healing been a Victim of Abuse, andante , is produced by a six-four chord, which always tends to resolve itself onto another one.

Ending on an unresolved harmony is the only way to conclude, by War Strategy: To Win Battle Essay leaving the listener in Essay on Healing after, suspense and thereby increasing the impression of dreamy sadness into which everything that came before must have plunged him. The theme of the advantages, scherzo modulates in a very novel way. Been? It is in F major, and instead of concluding at the end of the from mother to son, first phrase in C, B flat, D minor, A minor, A flat, or D flat, like the majority of pieces of this kind, the modulation reaches the key of A major, a major third above the tonic. The scherzo of the Pastoral symphony , also in F, modulates to D major, a third below. There is some similarity of colour in these key sequences; but other resemblances can also be observed between the two works. On Healing A Victim? The trio of the seventh symphony ( presto meno assai ), in which the violins hold the globalism and cons, dominant almost continuously, while oboes and clarinets play underneath a bright rustic melody, is very much in the spirit of landscape painting and the idyll. Yet another new type of crescendo can be found there, played in the lower register by the second horn, who repeats softly the notes A and G sharp in on Healing after been, duple time, though the main beat is in triple time, with emphasis on the G sharp though A is the real note. The public always seems taken by surprise on hearing this passage.

The finale is at least as rich as the preceding movements in new combinations, incisive modulations and delightful flights of fantasy. The theme has some similarities with that from Gluck's overture to Armide , though only in the disposition of the opening notes, and these are more obvious to the eye than to the ear: in Revising the Drug a Losing Essay, performance the two themes could hardly be more different. The freshness and elegance of Beethoven’s theme, very different from the chivalrous dash of that of Gluck, would make a greater impression if the chords played in the high register by the wind instruments did not cover so much the first violins playing in the middle range, while second violins and violas underneath accompany the melody with a tremolo in double-stopping. Throughout this finale Beethoven has achieved effects as graceful as they are unexpected with the sudden transition from the key of C sharp minor to that of D major. Among his most daring and felicitous harmonic inventions is without doubt the long pedal on on Healing of Abuse, the dominant E, decorated with a D sharp of equal value as the main note. The chord of the seventh is sometimes brought about in the upper part, with the result that the D natural of the upper parts coincides precisely with the D sharp of the basses. One might imagine that the result would be a dreadful dissonance, or at least a lack of harmonic clarity; yet this is not the case, and the tonal thrust of this dominant is such that the D sharp does not disfigure it in any way, and that only the buzzing E registers. Beethoven did not write music for the eyes . The coda, launched by federalist paper this threatening pedal, has extraordinary brilliance, and is fully worthy of on Healing been bringing this work to its conclusion – a masterpiece of technical skill, taste, imagination, craftsmanship and inspiration. This symphony is also in F, like the Pastoral , though it is designed on a more modest scale than the preceding symphonies. Yet though it hardly exceeds the first symphony (in C major) in the breadth of its forms, it is at least far superior to globalism it in three respects – instrumental writing, rhythm and melodic style. The first movement has two themes, both of them gentle and peaceful in character.

The second and in our view the more striking of the two always seems to avoid the perfect cadence, by modulating first in a completely unexpected way (the phrase begins in D major and ends in C major), and Essay after been a Victim of Abuse, then dissipating itself inconclusively on the diminished seventh chord of the subdominant. This capricious turn in the melody gives the listener the feeling that the composer, inclined at first towards gentle feelings, has suddenly been distracted by a sad thought which interrupts his joyful song. The andante scherzando is one of those creations for which there is neither model nor counterpart: it drops from heaven complete into the composer’s imagination; he writes it at a single stretch and we are amazed to hear it. The role of the wind instruments is here the opposite of their normal one: they accompany with repeated chords, played pianissimo eight times in every bar, the airy dialogue a punta d’arco between violins and poem mother to son, basses. This has a gentle innocence which is delightful in its nonchalant manner, like the song of two children picking flowers in a field on on Healing been a Victim, a fine spring morning. The main theme consists of outline early learning and development two sections of a Victim three bars each, the symmetry of 10 explained which is broken by the silence which follows the basses’ reply; as a result the first section ends on the weak beat and after been of Abuse, the second on the strong. The harmonic ticking of the oboes, clarinets, horns and bassoons so captivates the early curriculum supporting children’s learning and development, listener that he does not notice the lack of symmetry in the strings’ melody which results from the additional silent bar. The function of this bar is evidently to leave exposed for on Healing after, longer the delightful chord over which the lively melody flutters. This example shows once more that the law of symmetry can sometimes be broken to good effect.

But it is poem mother to son hard to believe that this exquisite idyll should end with the on Healing after been a Victim of Abuse, commonplace which Beethoven disliked most, namely the Italian cadence. At the moment when the instrumental dialogue of the two small orchestras of wind and strings is at its most enchanting, the composer, as though suddenly obliged to stop, makes the violins play tremolo the tissue, four notes G, F, A, B flat (sixth, dominant, leading note, tonic), repeat them several times in a hurry, exactly as when the Italians sing Felicita , and then come to an abrupt halt. I have never been able to make sense of this musical joke. At this point a minuet, similar in design and tempo to those of Haydn, takes the place of the scherzo in triple time which Beethoven invented and which he has used in all his other symphonic works in such an ingenious and Essay after of Abuse, striking way. In truth this is a rather ordinary piece, and the old-fashioned form seems to have stifled musical thought. The finale by contrast sparkles with wit; the musical material is brilliantly original and richly developed. Tissue Organ? It has diatonic progressions in two parts and in contrary motion, through which the composer achieves a crescendo of huge dimension which brings the work to a most effective conclusion. The harmonic writing does however contain a few rough edges caused by passing notes which are not resolved quickly enough on the right notes and which sometimes even pause on a silence. At the cost of on Healing after of Abuse some violence to the letter of musical theory it is easy to explain away these passing dissonances, but in performance they always grate on the ear to a greater or lesser degree. But consider the high pedal held by the flutes and oboes on F, while the timpani underneath repeat the same note in octaves at the return of the theme, and globalism pros, the violins play the notes C, G and B flat from the dominant seventh chord, preceded by the third F, A from the tonic chord.

This sustained high note may not be allowed by theory, since it does not always fit into the harmony, but it does not cause any offence. On Healing? On the contrary, thanks to the skilful layout of the organ, instruments and the character of the musical phrase, the Essay on Healing after a Victim, result of this bunching of sounds is excellent and remarkably smooth. Before concluding we cannot omit mentioning an orchestral effect which perhaps more than any other takes the listener by surprise when this finale is performed: the note C sharp played very loud by the mass of the orchestra in outline years curriculum supporting children’s, unison and in octaves after a diminuendo which has faded out in the key of C major. Essay On Healing After A Victim? The first two times this rasp is pros immediately followed by the return of the theme in F, and it becomes clear that the C sharp was simply an enharmonic D flat, the Essay on Healing after, flattened sixth of the main key. But the third appearance of this strange entry has a very different character.

The orchestra, after modulating to C as before now plays a real D flat followed by a fragment of the theme in D flat, then a real C sharp, followed by another fragment of the theme in C sharp minor, and finally repeats this C sharp three times over with increased force, and the whole theme now returns in F sharp minor . The note which initially played the role of a minor sixth becomes on its last appearance successively the flattened major third , the sharpened minor third , and finally the dominant . This is very striking. To analyse such a work is difficult and daunting task which we have long hesitated to undertake. The excuse for globalism pros, such a foolhardy venture can only Essay after a Victim, lie in our persistent efforts to see the work through the composer’s eyes, to penetrate its intimate meaning, to experience its impact, and to study the impressions it has made so far on a few who are gifted with exceptional sensitivity, as well as on the general public. Among the many diverse views that have been expressed on early curriculum models supporting children’s care, this score there can hardly be two that are in agreement. Some critics regard it as a monstrous insanity ; others can only see in Essay on Healing after been a Victim of Abuse, it the fading glimmers of a dying genius ; more cautiously a few declare they find it at poem from mother the moment completely unintelligible, but do not despair of achieving at least an approximate understanding of it later; the majority of artistically minded people regard it as an extraordinary conception, though some of after been a Victim its parts nevertheless remain unexplained or without apparent purpose. A small number of federalist paper musicians who are temperamentally inclined to examine carefully anything that might enlarge the realm of a Victim art, and who have thought deeply about the general layout of the Choral symphony after studying the score and from, listening to it attentively on several occasions, assert that this work seems to them the most magnificent expression of Essay after been of Abuse Beethoven’s genius: we believe we have said at some earlier point that this is the advantages, opinion we share. Without enquiring what purely personal ideas the composer might have wanted to on Healing been a Victim express in this vast musical poem – a subject wide open to individual conjecture – let us see whether the novelty of the form is not justified in this case by an intention that is quite independent of any philosophical or religious thought, which might seem equally reasonable and beautiful to anyone, be he a fervent Christian, a pantheist or an atheist, in short by an intention of poem from a purely musical and poetic kind. Beethoven had already written eight symphonies before this one. To progress beyond the on Healing after, point he had already reached solely with the globalism pros, resources of orchestral instruments, what further means were available? The answer is the Essay after a Victim, addition of outline years curriculum models care learning and development voices to instruments.

But in order to observe the law of crescendo , and enhance in the work itself the power of the Essay a Victim, additional resource he wanted to provide to the orchestra, it was surely necessary to allow the instruments to advantages figure on their own in the first section of the musical canvas he intended to on Healing after been display… Granted this premise, it is advantages and disadvantages easy to see that he must have been led to search for a mixed musical genre to serve as link between the two major articulations of the symphony. The instrumental recitative was the a Victim, bridge he had the audacity to throw between the chorus and the orchestra, over which the instruments crossed to go and join the voices. The transition once established the composer must have wanted to announce and early curriculum models supporting children’s care, motivate the fusion that was about to take place. That is the point where speaking through the chorus leader, he exclaimed, to the sound of the instrumental recitative he had just introduced: Friends! No more sounds like these, but let us intone more pleasant songs, more filled with joy! That is, so to speak, the treaty of alliance concluded between chorus and Essay on Healing been, orchestra; the cell tissue organ, same theme of the recitative, used by both orchestra and chorus, seems to constitute the oath formula.

Thereafter it was up to the composer to select the text for after been of Abuse, his choral composition: for this Beethoven turned to Schiller and took over the Ode to Joy . He coloured it with countless nuances which poetry on its own could never have conveyed, and it progresses to the end acquiring ever more splendour, grandeur and brilliance. Such is the rationale, it may be suggested more or less plausibly, for the general scheme of paper this immense work; let us now study its individual parts in on Healing been a Victim of Abuse, detail. A Losing Battle Essay? The first movement has a sombre majesty and is like no other piece written by Beethoven before. The harmony is at times excessively daring: the most original patterns, the most expressive gestures crowd in and criss-cross in every direction, but without causing any obscurity or congestion. On the contrary the result has perfect clarity, and the numerous orchestral voices that plead or threaten, each in its own way and its own special style, seem to form a single voice, such is the emotional charge that drives them. This allegro maestoso , written in D minor, begins nevertheless on the chord of A without the third, in other words on after been, the notes A and E sustained as a fifth, and played as an federalist 10 explained arpeggio above and below by the first violins, violas and double-basses. The listener is therefore not sure whether he is hearing the chord of A minor, or of A major, or that of the dominant of D. This prolonged tonal ambiguity gives great power and character to Essay the entry of the full orchestra on the chord of D minor. At the end of the movement there are moments that move the advantages and disadvantages of biofuels, soul to its depths. It would be hard to Essay after of Abuse hear anything more profoundly tragic than the song of the wind instruments beneath which a chromatic phrase played tremolo by the strings swells and rises gradually, like the roar of the Revising the Drug War Strategy: To Win, sea before an approaching storm. This is a passage of on Healing after a Victim of Abuse magnificent inspiration.

On several occasions in this work we will be drawing attention to clusters of notes which cannot possibly be described as chords, and we will be forced to admit that the reason for globalism pros and cons, these anomalies escapes us completely. For example on page 17 of the Essay on Healing after been, wonderful movement we have been describing there is a melodic passage for organ, clarinets and Essay after a Victim, bassoons, which is accompanied as follows in the key of C minor: the bass plays first an a Losing Battle Essay F sharp supporting a diminished seventh, then an on Healing been a Victim of Abuse A flat supporting a third, fourth and augmented sixth, and finally G over which flutes and oboes play the notes E flat, G, C which gives a six-four chord. This would be an excellent resolution of the previous chord if the second violins and violas did not add to pros the harmony the two notes F natural and A flat which disfigure it and cause a most unpleasant confusion which fortunately is of short duration. This passage is lightly scored and completely free from any roughness; I cannot therefore understand this quadruple dissonance which is so strangely introduced and Essay been a Victim, completely unmotivated. Outline Models Supporting Learning? One might suppose there is an engraving error, but a careful inspection of these two bars and those that precede dispels all doubts and one remains convinced that this is really what the composer intended.

The scherzo vivace which follows contains nothing of the same kind. Admittedly there are a number of pedal notes on the tonic in the upper and on Healing been a Victim of Abuse, middle voices which are sustained through the dominant chord. But I have already stated my position on these pedal notes that are foreign to the harmony, and this new example is not needed to demonstrate the excellent use they can be put to when they arise naturally from the musical logic. It is particularly through the use of rhythm that Beethoven has managed to make this delightful banter so interesting. The theme with its fugal response four bars later is poem from to son full of vitality, and sparkles with wit when the response then comes a bar earlier and follows a ternary instead of the initial binary rhythm. On Healing Of Abuse? The central part of the scherzo is paper 10 explained taken up with a presto in duple time full of rustic joy.

The theme is deployed over an intermediary pedal note which is either the tonic or the dominant, accompanied by a counter-subject which harmonises equally well with either of the held notes, the dominant and Essay after a Victim, the tonic . From Mother? The melody is finally brought back by a phrase of delightful freshness in the oboe; after staying poised for a moment over the dominant major chord of D it finally blossoms in the key of been F natural in War Strategy: To Win Battle Essay, a way that is as graceful as it is unexpected. This is another echo of the gentle impressions that Beethoven loved so much, impressions that are aroused by the sight of after of Abuse a radiant and peaceful landscape, pure air and the first rays of from mother to son dawn in spring. Essay After Been? In the adagio cantabile the principle of unity is so little observed that one might think of it as two separate movements rather than one. The first melody in B flat in quadruple time is followed by a completely different melody in D major in triple time. The first theme, slightly altered and early supporting learning, varied by the first violins, appears for the second time in the original key and leads to the return of the melody in on Healing after been a Victim, triple time, unchanged and federalist paper 10 explained, without embellishments but in the key of been a Victim G major. Cell Organ? After this the after been of Abuse, first theme finally establishes itself and no longer allows the rival theme to compete for the listener’s attention.

Repeated hearings of this wonderful adagio are needed to get completely used to such a peculiar design. As for the Drug War Strategy: To Win a Losing Essay, the beauty of all these melodies, the infinite grace of the after been a Victim, ornaments which decorate them, the and disadvantages of biofuels, feelings of sad tenderness, passionate despair and religious reverie they express, if only my words could give even an approximate idea of them, then music would have found in the written word a rival which even the greatest of poets will never be able to oppose to it. Essay? It is an immense movement, and from, once the listener has succumbed to its powerful charm, the only answer to the criticism that the composer has violated here the law of unity has to be: so much the worse for the law! We are now close to on Healing a Victim the moment when the voices are about to join the outline years models children’s, orchestra. Cellos and double-basses intone the recitative we mentioned above, after a passage for the wind instruments as harsh and violent as a cry of anger. The chord of the major sixth, F, A and D, with which this presto begins, is altered by an appogiatura on B flat, played simultaneously by flutes, oboes and clarinets; the sixth of the key of D minor grinds dreadfully against the dominant and produces an excessively harsh effect. This does indeed express fury and rage, but here again I cannot see what motivates such feelings, unless the composer, before making the Essay a Victim of Abuse, chorus leader sing the words: Let us intone more pleasant songs , had wanted in a strangely capricious way to globalism and cons vilify the orchestral harmony. Essay After? Yet he seems to regret it, since in between each phrase of the recitative of the basses, he repeats, like so many memories that are dear to his heart, fragments of the three preceding movements. What is early models supporting children’s care more, after this first recitative, he puts in the orchestra, in the midst of exquisitely chosen chords, the beautiful theme which is about to be sung by Essay after a Victim of Abuse all the voices on Schiller’s ode.

This theme, gentle and calm in character, becomes increasingly animated and brilliant as it moves from the basses which play it first to the violins and the wind instruments. After a sudden interruption, the whole orchestra plays again the To Win a Losing Battle Essay, furious ritornello mentioned above which now introduces the vocal recitative. The first chord is again built on an F which is supposed to carry the third and the sixth and does indeed do so, but this time the composer not content with the Essay a Victim of Abuse, appogiatura of B flat adds those of G, E and C sharp, with the result that ALL THE NOTES OF THE MINOR DIATONIC SCALE are played at once and produce the hideous assembly of notes: F, A, C sharp, E, G, B flat, D. Forty years ago, the French composer Martin, known as Martini, wanted to produce in his opera Sapho a similar howl for the orchestra, and did so by using at once all the diatonic, chromatic and enharmonic intervals of the scale at the moment when Phaon’s mistress hurls herself into the sea – but he did not ask himself whether his attempt was appropriate and poem from mother, whether it enhanced or assaulted the dignity of art, though admittedly there could be no mistaking his intentions. But in Essay on Healing, this case my efforts at 10 explained discovering Beethoven’s purpose are completely in Essay on Healing after been, vain. I can see a formal intention, a deliberate and calculated attempt to produce a double discordance, both at the point which precede the appearance of the Revising To Win Essay, recitative, instrumental at first and later vocal. I have searched hard for on Healing after a Victim of Abuse, the reason for this idea, and I have to admit that it is unknown to me.

The chorus leader, after singing his recitative on words by Beethoven himself, as we have mentioned, introduces on his own the theme of the Ode to Joy , with a light accompaniment of two wind instruments and Revising To Win, the strings playing pizzicato . This theme recurs to the end of the symphony and is always recognisable, though its appearance keeps changing. A study of these diverse transformations is all the more absorbing as each of them brings out a new and Essay on Healing been, distinctive nuance in the expression of a single feeling, that of joy. At first this joy is full of gentleness and peace; it becomes somewhat livelier when the voice of women is heard. The beat changes; the theme, sung initially in quadruple time, returns in 6/8 time in syncopated style and now takes on a more robust and agile character that has a martial quality. This is the song of a departing hero who is confident of victory; you can almost imagine his shining armour and poem, hear the rhythmic tread of his step. After Been? A fugal theme in which the original melody can be recognised, serves for a while as subject for from, a lively orchestral development, which recalls the bustling activity of a crowd full of ardour… But the chorus soon re-enters and after a Victim of Abuse, sings energetically the joyful hymn in its original simplicity, supported by chords of the wind instruments which shadow the melody, and criss-crossed by a diatonic passage played by the whole mass of strings in unison and octaves.

The andante maestoso which follows is a kind of chorale intoned first by the tenors and basses of the chorus, in unison with a trombone, the cellos and to son, double-basses. Joy here assumes a religious dimension and becomes solemn and immense. The chorus falls briefly silent then resumes less emphatically its spacious chords, after a passage of great beauty for been of Abuse, orchestra alone which has an organ-like quality. The imitation of the majestic instrument of Christian churches is produced by flutes in the lower register, clarinets in the chalumeau register, the mother to son, lower notes of the bassoons, the violas divided into two parts, upper and lower, and the cellos playing on their open strings G and D, or the low C (open string) and the C in the middle range, always in double-stopping. This piece starts in G, moves to C, then to F, and ends on a pause on the dominant seventh of D. There follows a great allegro in 6/4 where from the start are combined the beginning of the first theme, already used frequently with such variety, and the chorale of the Essay on Healing after been of Abuse, preceding andante . The contrast between these two ideas is globalism pros made even more striking by a fast variation of the joyful theme, on top of the Essay on Healing been a Victim of Abuse, long notes of the chorale, played not only by the first violins but also by the double-basses. Now it is Revising War Strategy: To Win Battle Essay impossible for double-basses to perform a succession of notes at that speed, and after a Victim, once again it is hard to understand how a composer as familiar as Beethoven with the art of orchestration could have committed such a lapse in writing a passage like this for this unwieldy instrument. There is less fire and grandeur, and greater lightness in the style of the following piece: its keynote is that of War Strategy: To Win a Losing Battle Essay innocent joy, expressed first by four solo voices and Essay on Healing after been, then given greater warmth through the addition of the chorus. Moments of tenderness and religious feeling alternate twice with the joyful melody, then the tempo becomes increasingly precipitate. The whole orchestra bursts out, the percussion instruments – timpani, cymbals, triangle, bass drum – strike emphatically the strong beats of the bar. Joy resumes her sway, a popular and tumultuous joy which might look like an orgy if at federalist 10 explained the end the voices did not pause once more on a solemn rhythm to send, in an ecstatic cry, their final greeting of love and respect for Essay, religious joy.

The orchestra ends on its own, but not without interspersing its headlong rush with fragments of the first theme which the listener cannot get tired of. A translation as accurate as possible of the German poem set by Beethoven will convey to the reader the stimulus for this profusion of globalism and cons musical combinations, masterly supports of unceasing inspiration and obedient tools of a powerful and tireless genius * . « Joy! Fair spark of the gods, daughter of Elysium, we enter your sanctuary intoxicated with your fire! Your magic power unites again those whom earthly customs have forcibly separated. Essay On Healing A Victim Of Abuse? All men will be brothers again under your gentle wing. To Win A Losing? « Who has had the good fortune to be the friend of a friend, who has won a noble wife, let him mingle his joy with ours! Yes, any who can call even one soul on earth his own. But who cannot, let him steal away in tears from this gathering. Essay On Healing After Been A Victim? « All beings drink joy on the breast of nature; all good and all evil men follow a path strewn with roses. She gave us kisses and vintage, a friend who is true unto death. The worm receives the joy of life and the cherub stands before God! « Glad like the suns that fly through the glorious fields of heaven, hurry, brothers, on your way, joyful like a hero hastening to victory. « Millions, be embraced! This kiss to the whole world! Brothers, above the starry heaven, a dear father must have his dwelling. « You fall prostrate, o you millions?

World, do you sense the creator? Seek him above the starry heaven! He must dwell over the stars! « Joy! Fair spark of the gods, daughter of Elysium, we enter your sanctuary intoxicated with your fire! « Daughter of Elysium, joy, fair spark of the gods!! » Of all the composer’s symphonies this is the most difficult to perform; it requires patient and repeated study, and in particular a good conductor. It also requires a body of singers all the larger since evidently the chorus must cover the orchestra in poem, many places. In addition, the way the music is written for the words and the excessive height of some of the choral parts make voice production very difficult and reduce considerably the volume and power of the sound.

Be that as it may, when Beethoven had finished his work and could contemplate the majestic dimensions of the monument he had just built, he must have said to himself: «Death may come now, but my task is accomplished.» * Note: the following is our own translation of Schiller's German text. On Healing Been A Victim? The Hector Berlioz Website was created by Michel Austin and Monir Tayeb on 18 July 1997;

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clinical resume for Interventional and Observational Studies. This document describes the definitions for protocol registration data elements submitted to ClinicalTrials.gov for interventional studies (clinical trials) and observational studies. These definitions are mostly adapted from 42 CFR Part 11. Data element entries are annotated with symbols to indicate generally what information is on Healing after a Victim required to be submitted (and under which circumstances). The responsible party must ensure that the information provided complies with any applicable laws, regulations, or policies. For more information about and cons various requirements and Essay been definitions of regulatory terms under 42 CFR Part 11, see Support Materials. Note : The term clinical study is used to federalist paper 10 explained refer to after a Victim of Abuse both interventional and observational studies. The term participant is used to refer to human subjects. Definition: Any unique identifier assigned to cell tissue the protocol by the sponsor.

Limit: 30 characters. Definition: A short title of the clinical study written in language intended for the lay public. The title should include, where possible, information on the participants, condition being evaluated, and on Healing after been of Abuse intervention(s) studied. Limit: 300 characters. Definition: An acronym or abbreviation used publicly to identify the clinical study, if any. Limit: 14 characters. Definition: The title of the clinical study, corresponding to the title of the protocol. Limit: 600 characters. Definition: An identifier(s) (ID), if any, other than the organization's Unique Protocol Identification Number or the NCT number that is outline models supporting children’s and development assigned to Essay on Healing been of Abuse the clinical study.

This includes any unique clinical study identifiers assigned by other publicly available clinical trial registries. If the the Drug War Strategy: To Win a Losing clinical study is funded in whole or in part by a Victim a U.S. Tissue? Federal Government agency, the complete grant or contract number must be submitted as a Secondary ID. Limit: 30 characters. If there is a Secondary ID, then the following information must be provided: Definition: A description of the type of Secondary ID. Select one.

U.S. National Institutes of after been, Health (NIH) Grant/Contract Award Number: In the advantages and disadvantages Secondary ID field, include activity code, institute code, and 6-digit serial number. Other components of the full award number (type code, support year, and suffix) are optional. Other Grant/Funding Number: Identifier assigned by a funding organization other than the after of Abuse U.S. NIH; also required to enter the name of the funding organization. Registry Identifier: Number assigned by early years learning a clinical trial registry (for example, a registry that is part of the World Health Organization [WHO] Registry Network); also required to after been enter the name of the clinical trial registry. EudraCT Number: Identifier assigned by the European Medicines Agency Clinical Trials Database (EudraCT). The Drug A Losing Essay? Other Identifier: Also required to enter a brief description of the Essay been a Victim of Abuse identifier (for example, the federalist paper name of organization that issued the identifier).

Definition: If a Secondary ID Type of Essay after a Victim, Other Grant/Funding Number, Registry Identifier, or Other Identifier is federalist selected, provide the Essay on Healing after a Victim name of the funding organization, clinical trial registry, or organization that issued the identifier. Limit: 119 characters. Definition: The nature of the federalist investigation or investigational use for which clinical study information is being submitted. Select one. Interventional (clinical trial): Participants are assigned prospectively to an intervention or interventions according to after a protocol to evaluate the effect of the intervention(s) on biomedical or other health related outcomes. Patient Registry: An observational study that is also considered to be a Patient Registry. This type of study should only be registered once in the Protocol Registration and poem mother to son Results System (PRS), by the sponsor responsible for the primary data collection and analysis. Expanded Access: An investigational drug product (including biological product) available through expanded access for on Healing been of Abuse patients who do not qualify for globalism enrollment in a clinical trial. Expanded Access includes all expanded access types under section 561 of the Essay on Healing been a Victim Federal Food, Drug, and Cosmetic Act: (1) for individual patients, including emergency use; (2) for intermediate-size patient populations; and (3) under a treatment IND or treatment protocol. (For more information on data requirements for this Study Type, see Expanded Access Data Element Definitions). Definition: The date on which the responsible party last verified the early clinical study information in the entire ClinicalTrials.gov record for the clinical study, even if no additional or updated information is being submitted.

Definition: The recruitment status for the clinical study as a whole, based upon the status of the Essay been a Victim individual sites. Advantages? If at least one facility in on Healing after been, a multi-site clinical study has an Individual Site Status of Recruiting, then the Overall Recruitment Status for outline early curriculum models learning the study must be Recruiting. Select one. Not yet recruiting: Participants are not yet being recruited Recruiting: Participants are currently being recruited, whether or not any participants have yet been enrolled Enrolling by on Healing after been a Victim invitation: Participants are being (or will be) selected from Revising To Win a Losing a predetermined population Active, not recruiting: Study is on Healing been a Victim of Abuse continuing, meaning participants are receiving an cell tissue organ, intervention or being examined, but new participants are not currently being recruited or enrolled Completed: The study has concluded normally; participants are no longer receiving an intervention or being examined (that is, last participant’s last visit has occurred) Suspended: Study halted prematurely but potentially will resume Terminated: Study halted prematurely and will not resume; participants are no longer being examined or receiving intervention Withdrawn: Study halted prematurely, prior to enrollment of first participant. Limit: 160 characters. Definition: A brief explanation of the reason(s) why such clinical study was stopped (for a clinical study that is Suspended, Terminated, or Withdrawn prior to its planned completion as anticipated by the protocol). Definition: The estimated date on which the clinical study will be open for recruitment of participants, or the actual date on Essay after a Victim, which the globalism pros and cons first participant was enrolled. Note : Enrolled means a participant's, or their legally authorized representative’s, agreement to participate in after been of Abuse, a clinical study following completion of the informed consent process. Potential participants who are screened for the purpose of determining eligibility for the study, but do not participate in advantages and disadvantages of biofuels, the study, are not considered enrolled, unless otherwise specified by Essay on Healing been a Victim of Abuse the protocol. Definition: The date that the final participant was examined or received an intervention for the purposes of final collection of data for years models children’s and development the primary outcome, whether the clinical study concluded according to after been a Victim the pre-specified protocol or was terminated.

In the pros and cons case of clinical studies with more than one primary outcome measure with different completion dates, this term refers to the date on which data collection is completed for all of the primary outcomes. Once the clinical study has reached the primary completion date, the after a Victim of Abuse responsible party must update the Primary Completion Date to reflect the actual primary completion date. Definition: The date the globalism pros and cons final participant was examined or received an intervention for on Healing been a Victim purposes of final collection of data for the primary and secondary outcome measures and adverse events (for example, last participant’s last visit), whether the War Strategy: Battle clinical study concluded according to the pre-specified protocol or was terminated. Once the clinical study has reached the study completion date, the Responsible Party must update the Essay after been a Victim Study Completion Date to reflect the actual study completion date. Definition: An indication of whether the responsible party is the sponsor, the cell tissue organ sponsor-investigator, or a principal investigator designated by the sponsor to be the responsible party. After Been A Victim Of Abuse? Select one. Sponsor: The entity (for example, corporation or agency) that initiates the study Principal Investigator: The individual designated as responsible party by the sponsor (see Note) Sponsor-Investigator: The individual who both initiates and conducts the study. Note : The sponsor may designate a principal investigator as the responsible party if such principal investigator meets all of the following requirements: is Revising the Drug responsible for conducting the Essay after been study; has access to advantages and disadvantages and control over the data from the study; has the Essay a Victim right to publish the results of the study; and has the ability to meet all of the requirements for submitting and outline years supporting children’s care and development updating clinical study information. If the Responsible Party, by Essay on Healing after of Abuse Official Title is either Principal Investigator or Sponsor-Investigator, the following is required: Investigator Name : Name of the investigator, including first and Revising the Drug To Win last name. Investigator Official Title : The official title of the investigator at the primary organizational affiliation. Limit: 254 characters.

Investigator Affiliation : Primary organizational affiliation of the individual; Definition: The name of the a Victim of Abuse entity or the poem individual who is the Essay after of Abuse sponsor of the clinical study. Limit: 160 characters. Note : When a clinical study is advantages conducted under an investigational new drug application (IND) or investigational device exemption (IDE), the IND or IDE holder is considered the sponsor. Essay Of Abuse? When a clinical study is not conducted under an IND or IDE, the single person or entity who initiates the study, by globalism pros and cons preparing and/or planning the Essay study, and who has authority and control over the study, is considered the children’s learning sponsor. Definition: Other organizations (if any) providing support. Support may include funding, design, implementation, data analysis or reporting. The responsible party is responsible for Essay after been a Victim confirming all collaborators before listing them. Limit: 160 characters. Definition: Indication that a clinical study is studying a drug product (including a biological product) subject to section 505 of the Federal Food, Drug, and Revising War Strategy: To Win a Losing Battle Essay Cosmetic Act or to section 351 of the Public Health Service Act.

Select Yes/No. Definition: Indication that a clinical study is studying a device product subject to section 510(k), 515, or 520(m) of the been Federal Food, Drug, and years children’s and development Cosmetic Act. Select Yes/No. Definition: Indication that at on Healing been least one device product studied in outline years supporting and development, the clinical study has not been previously approved or cleared by the U.S. Food and Drug Administration (FDA) for one or more uses. Select one. Yes: At least one studied FDA-regulated device product has not been previously approved or cleared by FDA No: All studied FDA-regulated device products have been previously approved or cleared by Essay on Healing after of Abuse FDA. Note : Full posting of registration information will be delayed if Yes is selected and cell tissue the study is an Essay on Healing after been of Abuse, applicable clinical trial that is required to be registered under 42 CFR 11.22. However, the responsible party may authorize NIH to post the information using the Post Prior to U.S. FDA Approval or Clearance data element. Definition: Authorize NIH to post publicly clinical trial registration information for a clinical study of a device product that has not been previously approved or cleared (that would otherwise be subject to delayed posting).

Select Yes/No. Definition: Indication that a clinical study that includes a U.S. FDA-regulated device product is a pediatric postmarket surveillance of a device product ordered under section 522 of the cell organ Federal Food, Drug, and Cosmetic Act. After Of Abuse? Select Yes/No. Definition: Complete the following information regarding an IND or IDE for the clinical study as defined under U.S. Food and pros Drug Administration (FDA) regulations in 21 CFR 312.3 or 21 CFR 812, respectively. Definition: Indicate whether the clinical study is been being conducted under an IND or IDE application filed with the FDA.

Select one. ( Will not be made public - for administrative purposes only ) Yes: Clinical study is conducted under an IND or IDE filed with the FDA. No: Clinical study is not conducted under an IND or IDE filed with the FDA. The Drug To Win A Losing? Includes a clinical study that is Essay on Healing after been of Abuse “IND exempt” under FDA regulations in 21 CFR 312.2(b), or is for a nonsignificant risk device subject to FDA-abbreviated IDE requirements in 21 CFR 812.2(b), or is globalism pros exempt from the IDE filing requirements in 21 CFR 812. If there is an IND or IDE filed with the FDA for Essay on Healing after a Victim of Abuse the clinical study, the following are required: Definition: The name or abbreviation of the FDA Center with which the IND or IDE is filed. Select one. ( Will not be made public - for tissue administrative purposes only. ) CDER: Center for Drug Evaluation and Research CBER: Center for Biologics Evaluation and Research CDRH: Center for Devices and Radiological Health. Definition: IND or IDE number assigned by the FDA Center. ( Will not be made public - for Essay on Healing been administrative purposes only. ) Definition: For an IND, the IND serial number, as defined in 21 CFR 312.23(e), if any, assigned to the clinical study. ( Will not be made public - for administrative purposes only. ) Definition: Whether there is expanded access to the investigational product for Revising the Drug patients who do not qualify for been a Victim enrollment in a clinical trial. From To Son? Expanded Access for investigational drug products (including biological products) includes all expanded access types under section 561 of the Federal Food, Drug, and Essay on Healing Cosmetic Act: (1) for individual participants, including emergency use; (2) for intermediate-size participant populations; and (3) under a treatment IND or treatment protocol. Select one.

Yes: Investigational product is available through expanded access No: Investigational product is not available through expanded access Unknown: If the responsible party is not the sponsor of the and cons clinical trial and manufacturer of the investigational product. Definition: If expanded access is available, the Essay on Healing been a Victim of Abuse NCT number of the expanded access record. If there is globalism pros no existing expanded access record, the responsible party who is a Victim of Abuse both the manufacturer of the investigational drug product (including a biological product) and the sponsor of the ACT is globalism pros required to create an expanded access record. (For more information on data requirements for Essay on Healing after been a Victim this Study Type, see Expanded Access Data Element Definitions). Definition: Whether any drug product (including a biological product) or device product studied in the clinical study is manufactured in the United States or one of its territories and exported for study in a clinical study in another country. Paper? Required if U.S. FDA-regulated Drug and/or U.S. FDA-regulated Device is Yes, U.S. FDA IND or IDE is No, and Facility Information does not include at least one U.S. location. Select Yes/No. Definition: Studies must have approval (or be exempt, as appropriate) from on Healing after a Victim a Human Subjects Protection Review Board prior to the enrollment of the first participant to be eligible for registration.

A study may be submitted for registration prior to approval by the review board so long as the study is not yet recruiting participants. Definition: Indicate whether a clinical study has been reviewed and poem from approved by at least one human subjects protection review board or such review is not required per Essay of Abuse, applicable law (for example, 21 CFR Part 56, 45 CFR Part 46, or other applicable regulation). From To Son? Select one. Request not yet submitted: Review board approval is required but has not yet been requested Submitted, pending: Review board approval has been requested but not yet granted Submitted, approved: Review board approval has been requested and obtained Exempt: An exemption in accord with applicable law and regulation has been granted Submitted, denied: Review board has denied the approval request Submission not required: Review board approval is not required because the study is not subject to on Healing after of Abuse laws, regulations, or applicable institutional policies requiring human subjects review. If the study is not an applicable clinical trial that is War Strategy: To Win a Losing Battle required to be registered under 42 CFR Part 11, is not funded in whole or in part by the U.S. Government, and is not conducted under an IND or IDE, then the following information is required: Definition: Number assigned by the human subjects review board upon on Healing after approval of the protocol.

May be omitted if status is anything other than approved. ( Will not be made public - for administrative purposes only. ) Definition: Full name of the approving human subjects review board. ( Will not be made public - for administrative purposes only. ) Definition: Official name of organizational affiliation of the approving human subjects review board. ( Will not be made public - for administrative purposes only. ) Limit: 255 characters. Definition: Contact information for the human subjects review board. ( Will not be made public - for paper 10 explained administrative purposes only. ) Phone (or Email required): Phone number Extension : Phone extension, if needed Email (or Phone required): Electronic mail address. After A Victim? Address : Mailing address for the board, including street address, city, State or province, postal code, and from to son country. Definition: Indicate whether a data monitoring committee has been appointed for Essay on Healing been of Abuse this study. The data monitoring committee (board) is a group of independent scientists who are appointed to monitor the safety and scientific integrity of a human research intervention, and to make recommendations to the sponsor regarding the stopping of the trial for efficacy, for harms or for futility. The composition of the committee is poem from dependent upon the scientific skills and knowledge required for monitoring the particular study. Select Yes/No. Definition: Indicate whether this study includes an intervention subject to U.S. A Victim? Food and Drug Administration regulation under section 351 of the Public Health Service Act or any of the following sections of the Federal Food, Drug, and Cosmetic Act: 505, 510(k), 515, 520(m), and 522.

Select Yes/No. Definition: If this study includes an globalism pros and cons, FDA regulated intervention, indicate whether this is an after, applicable clinical trial as defined in U.S. Public Law 110-85, Title VIII, Section 801. Select Yes/No. Definition: A short description of the clinical study, including a brief statement of the federalist clinical study's hypothesis, written in language intended for the lay public. Limit: 5000 characters. Definition: Extended description of the protocol, including more technical information (as compared to on Healing after a Victim of Abuse the Brief Summary), if desired. Do not include the entire protocol; do not duplicate information recorded in other data elements, such as Eligibility Criteria or outcome measures. Limit: 32,000 characters. Quality assurance plan that addresses data validation and registry procedures, including any plans for federalist paper 10 explained site monitoring and auditing.

Data checks to compare data entered into the registry against on Healing a Victim of Abuse, predefined rules for range or consistency with other data fields in cell tissue organ, the registry. Source data verification to assess the on Healing after been of Abuse accuracy, completeness, or representativeness of registry data by Essay comparing the data to external data sources (for example, medical records, paper or electronic case report forms, or interactive voice response systems). Data dictionary that contains detailed descriptions of each variable used by the registry, including the source of the variable, coding information if used (for example, World Health Organization Drug Dictionary, MedDRA), and normal ranges if relevant. Standard Operating Procedures to address registry operations and analysis activities, such as patient recruitment, data collection, data management, data analysis, reporting for adverse events, and change management. Sample size assessment to specify the number of participants or participant years necessary to Essay on Healing demonstrate an effect. Plan for missing data to address situations where variables are reported as missing, unavailable, non-reported, uninterpretable, or considered missing because of data inconsistency or out-of-range results. Outline Supporting Children’s And Development? Statistical analysis plan describing the analytical principles and statistical techniques to be employed in order to address the primary and secondary objectives, as specified in on Healing of Abuse, the study protocol or plan. Definition: The name(s) of the disease(s) or condition(s) studied in the clinical study, or the focus of the clinical study. Use, if available, appropriate descriptors from NLM's Medical Subject Headings (MeSH)-controlled vocabulary thesaurus or terms from another vocabulary, such as the Systematized Nomenclature of Medicine—Clinical Terms (SNOMED CT), that has been mapped to MeSH within the Unified Medical Language System (UMLS) Metathesaurus. Definition: Words or phrases that best describe the protocol. Keywords help users find studies in the database.

Use NLM's Medical Subject Heading (MeSH)-controlled vocabulary terms where appropriate. Be as specific and precise as possible. Avoid acronyms and abbreviations. Definition: A description of the manner in which the clinical trial will be conducted, including the federalist paper following information: Definition: The main objective of the intervention(s) being evaluated by after been a Victim the clinical trial. The Drug War Strategy: A Losing Battle? Select one.

Treatment: One or more interventions are being evaluated for treating a disease, syndrome, or condition. Prevention: One or more interventions are being assessed for preventing the after of Abuse development of a specific disease or health condition. Diagnostic: One or more interventions are being evaluated for Revising War Strategy: a Losing Essay identifying a disease or health condition. Supportive Care: One or more interventions are evaluated for maximizing comfort, minimizing side effects, or mitigating against a decline in the participant's health or function. After? Screening: One or more interventions are assessed or examined for identifying a condition, or risk factors for a condition, in people who are not yet known to have the condition or risk factor. Pros? Health Services Research: One or more interventions for evaluating the delivery, processes, management, organization, or financing of healthcare. Basic Science: One or more interventions for examining the basic mechanism of action (for example, physiology or biomechanics of an intervention).

Device Feasibility: An intervention of a device product is being evaluated in a small clinical trial (generally fewer than 10 participants) to determine the feasibility of the product; or a clinical trial to test a prototype device for feasibility and after been of Abuse not health outcomes. Such studies are conducted to confirm the design and operating specifications of globalism pros, a device before beginning a full clinical trial. Other: None of the other options applies. Definition: For a clinical trial of after been, a drug product (including a biological product), the numerical phase of such clinical trial, consistent with terminology in 21 CFR 312.21 and in 21 CFR 312.85 for phase 4 studies. Select only one. N/A: Trials without phases (for example, studies of devices or behavioral interventions). Early Phase 1 (Formerly listed as Phase 0): Exploratory trials, involving very limited human exposure, with no therapeutic or diagnostic intent (e.g., screening studies, microdose studies). See FDA guidance on exploratory IND studies for more information. Phase 1: Includes initial studies to determine the metabolism and pharmacologic actions of outline early years curriculum supporting children’s learning and development, drugs in humans, the side effects associated with increasing doses, and to Essay on Healing after been of Abuse gain early evidence of effectiveness; may include healthy participants and/or patients.

Phase 1/Phase 2: Trials that are a combination of phases 1 and 2. Phase 2: Includes controlled clinical studies conducted to evaluate the years curriculum care learning effectiveness of the been a Victim of Abuse drug for a particular indication or indications in participants with the disease or condition under study and to determine the common short-term side effects and outline children’s care learning risks. Essay On Healing After Been A Victim Of Abuse? Phase 2/Phase 3: Trials that are a combination of federalist paper 10 explained, phases 2 and 3. Phase 3: Includes trials conducted after preliminary evidence suggesting effectiveness of the Essay a Victim of Abuse drug has been obtained, and are intended to gather additional information to paper evaluate the overall benefit-risk relationship of the drug. Phase 4: Studies of FDA-approved drugs to delineate additional information including the drug's risks, benefits, and optimal use. Definition: The strategy for Essay after been a Victim of Abuse assigning interventions to participants. Single Group: Clinical trials with a single arm Parallel: Participants are assigned to one of two or more groups in parallel for federalist paper the duration of the study Crossover: Participants receive one of two (or more) alternative interventions during the on Healing of Abuse initial phase of the organ study and receive the on Healing after a Victim other intervention during the second phase of the study Factorial: Two or more interventions, each alone and in combination, are evaluated in parallel against outline early years curriculum models care, a control group Sequential: Groups of participants are assigned to receive interventions based on Essay, prior milestones being reached in the study, such as in some dose escalation and adaptive design studies. Definition: Provide details about the Interventional Study Model.

Limit: 1000 characters. Definition: The number of arms in poem mother to son, the clinical trial. For a trial with multiple periods or phases that have different numbers of arms, the maximum number of arms during all periods or phases. Note : Arm means a pre-specified group or subgroup of Essay after of Abuse, participant(s) in a clinical trial assigned to receive specific intervention(s) (or no intervention) according to a protocol. Definition: The party or parties involved in globalism pros and cons, the clinical trial who are prevented from Essay on Healing a Victim of Abuse having knowledge of the interventions assigned to individual participants.

Select all that apply. Roles, if Masking: Participant Care Provider Investigator Outcomes Assessor: The individual who evaluates the outcome(s) of advantages and disadvantages of biofuels, interest No Masking. Definition: Provide information about other parties who may be masked in Essay on Healing been a Victim, the clinical trial, if any. Limit: 1000 characters. Definition: The method by which participants are assigned to arms in a clinical trial. N/A (not applicable): For a single-arm trial Randomized: Participants are assigned to intervention groups by chance Nonrandomized: Participants are expressly assigned to globalism pros and cons intervention groups through a non-random method, such as physician choice. Definition: The estimated total number of after been, participants to be enrolled (target number) or the actual total number of participants that are enrolled in the clinical study.

Note : Enrolled means a participant’s, or their legally authorized representative’s, agreement to participate in cell tissue organ, a clinical study following completion of the informed consent process. Potential participants who are screened for the purpose of determining eligibility for on Healing after a Victim a study, but do not participate in the study, are not considered enrolled, unless otherwise specified by the protocol. Definition: Primary strategy for the Drug War Strategy: Battle Essay participant identification and after follow-up. Select one. Cohort: Group of individuals, initially defined and composed, with common characteristics (for example, condition, birth year), who are examined or traced over a given time period.

Case-Control: Group of individuals with specific characteristics (for example, conditions or exposures) compared to group(s) with different characteristics, but otherwise similar. Case-Only: Single group of individuals with specific characteristics. Case-Crossover: Characteristics of case immediately prior to disease onset (sometimes called the hazard period) compared to characteristics of outline early years supporting children’s care and development, same case at a prior time (that is, control period). Ecologic or Community Studies: Geographically defined populations, such as countries or regions within a country, compared on a variety of environmental (for example, air pollution intensity, hours of sunlight) and/or global measures not reducible to individual level characteristics (for example, healthcare system, laws or policies median income, average fat intake, disease rate). A Victim? Family-Based: Studies conducted among family members, such as genetic studies within families or twin studies and and cons studies of family environment. Other: Explain in Essay after of Abuse, Detailed Description. Definition: Temporal relationship of observation period to time of participant enrollment. Select one.

Retrospective: Look back using observations collected predominantly prior to subject selection and enrollment Prospective: Look forward using periodic observations collected predominantly following subject enrollment Cross-sectional: Observations or measurements made at a single point in time, usually at subject enrollment Other: Explain in Detailed Description. Definition: Indicate whether samples of material from research participants are retained in a biorepository. Select one. None Retained: No samples retained Samples With DNA: Samples retained, with potential for extraction of a Losing, DNA from at least one of the types of samples retained (e.g., frozen tissue, whole blood) Samples Without DNA: Samples retained, with no potential for DNA extraction from any retained samples (e.g., fixed tissue, plasma) Definition: Specify all types of biospecimens to be retained (e.g., whole blood, serum, white cells, urine, tissue).

Limit: 1000 characters. Definition: The estimated total number of participants to Essay on Healing be enrolled (target number) or the Revising the Drug To Win a Losing actual total number of participants that are enrolled in the clinical study. Note : Enrolled means a participant’s, or their legally authorized representative’s, agreement to on Healing been a Victim of Abuse participate in a clinical study following completion of the informed consent process. Globalism? Potential participants who are screened for the purpose of determining eligibility for a study, but do not participate in the study, are not considered enrolled, unless otherwise specified by Essay on Healing after a Victim of Abuse the protocol. Definition: For Patient Registries, the anticipated time period over which each participant is to be followed. Provide a number and select a Unit of Time (years, months, weeks, days). Definition: Number of study groups/cohorts. Enter 1 for a single-group study. Many observational studies have one group/cohort; case control studies typically have two.

Arm Information * ( For interventional studies only ) Definition: A description of each arm of the clinical trial that indicates its role in the clinical trial; provides an informative title; and, if necessary, additional descriptive information (including which interventions are administered in each arm) to differentiate each arm from other arms in globalism and cons, the clinical trial. Definition: The short name used to identify the arm. Limit: 62 characters. Definition: The role of each arm in Essay on Healing after been, the clinical trial. Experimental Active Comparator Placebo Comparator Sham Comparator No Intervention Other. Definition: If needed, additional descriptive information (including which interventions are administered in each arm) to differentiate each arm from other arms in federalist, the clinical trial. Limit: 999 characters. Group/Cohort Information ( For observational studies only on Healing after of Abuse, ) Definition: Specify the predefined participant groups (cohorts) to pros be studied, corresponding to on Healing of Abuse Number of and cons, Groups specified under Study Design (for single-group studies, the following data elements are optional). Do not use this section to Essay on Healing been a Victim of Abuse specify strata (Detailed Description can be used for Revising the Drug War Strategy: To Win Battle that purpose, if desired). Limit: 62 characters.

Definition: The short name used to identify the group. Definition: Explanation of the nature of the study group (for example, those with a condition and those without a condition; those with an Essay on Healing been a Victim of Abuse, exposure and those without an exposure). Limit: 1000 characters. Note : The overall study population should be described under Eligibility. Definition: Specify the and cons intervention(s) associated with each arm or group; at least one intervention must be specified for interventional studies. For observational studies, specify the intervention(s)/exposure(s) of interest, if any. If the Essay on Healing been a Victim same intervention is associated with more than one arm or group, provide the information once and use the cell tissue organ Arm or Group/Intervention Cross-Reference to associate it with more than one arm or group. Definition: For each intervention studied in on Healing after, the clinical study, the To Win a Losing Battle Essay general type of intervention. On Healing Been? Select one.

Drug: Including placebo Device: Including sham Biological/Vaccine Procedure/Surgery Radiation Behavioral: For example, psychotherapy, lifestyle counseling Genetic: Including gene transfer, stem cell and recombinant DNA Dietary Supplement: For example, vitamins, minerals Combination Product: Combining a drug and device, a biological product and device; a drug and biological product; or a drug, biological product, and device Diagnostic Test: For example, imaging, in-vitro Other. Definition: A brief descriptive name used to refer to the intervention(s) studied in pros and cons, each arm of the clinical study. A non-proprietary name of the intervention must be used, if available. On Healing After Been Of Abuse? If a non-proprietary name is not available, a brief descriptive name or identifier must be used. Limit: 200 characters. Definition: Other current and former name(s) or alias(es), if any, different from the Intervention Name(s), that the sponsor has used publicly to identify the intervention(s), including, but not limited to, past or present names such as brand name(s), or serial numbers. Limit: 200 characters.

Definition: Details that can be made public about the intervention, other than the Intervention Name(s) and Other Intervention Name(s), sufficient to distinguish the intervention from paper 10 explained other, similar interventions studied in the same or another clinical study. For example, interventions involving drugs may include dosage form, dosage, frequency, and duration. Limit: 1000 characters. Definition: If multiple Arms or Groups have been specified, indicate which Interventions (or exposures) are in each Arm or Group of the study, using the on Healing been a Victim Cross-Reference check boxes. Definition: A description of each primary outcome measure (or for Revising a Losing observational studies, specific key measurement[s] or observation[s] used to describe patterns of diseases or traits or associations with exposures, risk factors or treatment). Note : Primary outcome measure means the outcome measure(s) of Essay after a Victim, greatest importance specified in the protocol, usually the advantages one(s) used in the power calculation. Most clinical studies have one primary outcome measure, but a clinical study may have more than one.

For each primary outcome measure, include the following information: Title : * Name of the specific primary outcome measure. Limit: 254 characters. Essay On Healing Been Of Abuse? Description : Description of the metric used to characterize the specific primary outcome measure, if not included in the primary outcome measure title. Limit: 999 characters. Time Frame : * Time point(s) at which the measurement is War Strategy: a Losing Battle Essay assessed for the specific metric used. The description of the time point(s) of assessment must be specific to the outcome measure and is generally the specific duration of time over which each participant is assessed (not the overall duration of the study).

Definition: A description of Essay on Healing after of Abuse, each secondary outcome measure (or for observational studies, specific secondary measurement[s] or observation[s] used to describe patterns of diseases or traits or associations with exposures, risk factors or treatment). Note : Secondary outcome measure means an outcome measure that is globalism and cons of lesser importance than a primary outcome measure, but is part of been of Abuse, a pre-specified analysis plan for evaluating the effects of the intervention or interventions under investigation in a clinical study and cell is not specified as an of Abuse, exploratory or other measure. A clinical study may have more than one secondary outcome measure. For each secondary outcome measure, include the following information: Title : * Name of the children’s care specific secondary outcome measure Description : Description of the metric used to of Abuse characterize the specific secondary outcome measure, if not included in the secondary outcome measure title. Time Frame : * Time point(s) at which the federalist 10 explained measurement is assessed for the specific metric used. The description of the time point(s) of assessment must be specific to the outcome measure and is generally the specific duration of time over which each participant is assessed (not the Essay on Healing overall duration of the study). Definition: Any other measurements, excluding post-hoc measures, that will be used to evaluate the intervention(s) or, for observational studies, that are a focus of the study. Title : * Name of the specific other pre-specified outcome measure Description : Description of the metric used to poem from mother to son characterize the specific other pre-specified outcome measure, if not included in the other pre-specified outcome measure title. Time Frame : * Time point(s) at which the measurement is assessed for the specific metric used.

The description of the time point(s) of assessment must be specific to the outcome measure and is generally the specific duration of time over which each participant is assessed (not the overall duration of the study). Definition: The sex and, if applicable, gender of the participants eligible to participate in the clinical study. Definition: The sex of the participants eligible to participate in the clinical study. Select one. Note : Sex means a person's classification as male or female based on biological distinctions. All: Indicates no limit on after a Victim, eligibility based on the sex of participants Female: Indicates that only advantages, female participants are being studied Male: Indicates that only male participants are being studied. Definition: If applicable, indicate whether participant eligibility is based on Essay on Healing after a Victim, gender. Select one.

Note : Gender means a person's self-representation of gender identity. Yes: Eligibility is based on gender No: Eligibility is not based on gender. Definition: If eligibility is based on outline early years models supporting children’s care, gender, provide descriptive information about Gender criteria. Limit: 1000 characters. Definition: The minimum and on Healing after been a Victim maximum age of advantages and disadvantages, potential participants eligible for on Healing a Victim the clinical study, provided in relevant units of time.

Definition: The numerical value, if any, for War Strategy: a Losing Essay the minimum age a potential participant must meet to be eligible for Essay after a Victim of Abuse the clinical study. Definition: The numerical value, if any, for paper 10 explained the maximum age a potential participant can be to be eligible for the clinical study. On Healing Been Of Abuse? Unit of Time * Definition: Indication that participants who do not have a disease or condition, or related conditions or symptoms, under study in advantages and disadvantages of biofuels, the clinical study are permitted to after participate in and disadvantages of biofuels, the clinical study. Essay After Been Of Abuse? Select Yes/No. Definition: A limited list of criteria for selection of participants in the clinical study, provided in terms of inclusion and paper 10 explained exclusion criteria and suitable for assisting potential participants in identifying clinical studies of interest. Use a bulleted list for each criterion below the headers Inclusion Criteria and Exclusion Criteria. Limit: 15,000 characters. Definition: A description of the population from Essay which the groups or cohorts will be selected (for example, primary care clinic, community sample, residents of a certain town). Limit: 1000 characters. Definition: Indicate the method used for the sampling approach and explain in the Detailed Description.

Select one. Probability Sample: Exclusively random process to guarantee that each participant or population has specified chance of selection, such as simple random sampling, systematic sampling, stratified random sampling, cluster sampling, and advantages and disadvantages consecutive participant sampling Non-Probability Sample: Any of a variety of Essay of Abuse, other sampling processes, such as convenience sampling or invitation to poem from mother volunteer. Definition: The name or title, toll-free telephone number and email address of a person to whom questions concerning enrollment at any location of the study can be addressed. Include the following information: First Name Middle Initial Last Name or Official Title * Degree Phone : * Toll free phone number of the Central Contact Person.

Use the format 800-555-5555 within the United States and Canada. Essay Of Abuse? If outside the United States and Canada, provide the full phone number, including the country code. Early Curriculum Care Learning And Development? Ext : phone extension, if needed Email : * electronic mail address of the central contact person. Definition: Person to contact if Central Contact is not available. Include the following information:

First Name Middle Initial Last Name or Official Title Degree Phone : Toll free phone number of the Essay on Healing after Central Contact Backup. Use the format 800-555-5555 within the Revising the Drug a Losing Battle United States and Canada. If outside the United States and Canada, provide the full phone number, including the country code. Ext : Phone extension, if needed Email : Electronic mail address of the contact person. Definition: Person(s) responsible for after of Abuse the overall scientific leadership of the organ protocol, including study principal investigator.

Include the following information: First Name Middle Initial Last Name Degree Organizational Affiliation : Full name of the official's organization. If none, specify Unaffiliated. Limit: 255 characters. Definition: For each participating facility in a clinical study, the on Healing after been a Victim following information: Facility Name: * § Full name of the the Drug War Strategy: Essay organization where the clinical study is being conducted. Definition: The recruitment status of each participating facility in Essay on Healing after been a Victim, a clinical study.

Not yet recruiting: Participants are not yet being recruited Recruiting: Participants are currently being recruited, whether or not any participants have yet been enrolled Enrolling by invitation: Participants are being, or will be selected from a predetermined population Active, not recruiting: Study is continuing, meaning participants are receiving an outline years supporting children’s learning and development, intervention or being examined, but new participants are not currently being recruited or enrolled Completed: The study has concluded normally; participants are no longer receiving an intervention or being examined (that is, the a Victim of Abuse last participant's last visit has occurred) Suspended: Study halted prematurely but potentially will resume Terminated: Study halted prematurely and War Strategy: a Losing Essay will not resume; participants are no longer being examined or receiving intervention Withdrawn: Study halted prematurely, prior to enrollment of after of Abuse, first participant. Definition: For each facility participating in a clinical study, including the mother name or title, telephone number, and email address of a person to whom questions concerning the study and enrollment at that site can be addressed. Include the following information: Definition: Person to contact if Facility Contact is Essay on Healing a Victim not available (that is, a second contact person). First Name Middle Initial Last Name Degree Role : Site Principal Investigator Site Sub-Investigator. Contact information character limits: First Name: 62 characters Last Name: 62 characters Degree: 30 characters Phone: 30 characters Phone Ext: 14 characters Email: 254 characters.

Definition: Indicate whether there is a plan to make individual participant data (IPD) collected in this study, including data dictionaries, available to years curriculum supporting children’s care learning other researchers (typically after the end of the study). Select one. After A Victim Of Abuse? Yes: There is a plan to make IPD and related data dictionaries available. Mother? No: There is not a plan to make IPD available. Undecided: It is Essay been of Abuse not yet known if there will be a plan to federalist 10 explained make IPD available. Definition: If Plan to Share IPD is Yes, briefly describe what specific individual participant data sets are to be shared (for example, all collected IPD, all IPD that underlie results in a publication). If the Plan to Essay on Healing after been of Abuse Share IPD is No or Undecided, an explanation may be provided for why IPD will not be shared or why it is globalism not yet decided. Limit: 1000 characters. IPD Sharing Supporting Information Type. Definition: The type(s) of supporting information that will be shared, in addition to the individual participant data set and data dictionaries for the IPD itself. Select all that apply.

Study Protocol Statistical Analysis Plan (SAP) Informed Consent Form (ICF) Clinical Study Report (CSR) Analytic Code. Definition: A description of when the IPD and any additional supporting information will become available and for on Healing been how long, including the start and end dates or period of availability. This may be provided as an absolute date (for example, starting in cell tissue organ, January 2025) or as a date relative to the time when summary data are published or otherwise made available (for example, starting 6 months after publication). Limit: 1000 characters. Definition: Describe by what access criteria IPD and any additional supporting information will be shared, including with whom, for what types of analyses, and by what mechanism.

Information about who will review requests and Essay after been of Abuse criteria for reviewing requests may also be provided. Limit: 1000 characters. Definition: The web address, if any, used to cell tissue find additional information about the plan to share IPD. Definition: Citations to publications related to the protocol: background and/or results. Provide either the PubMed Unique Identifier (PMID) of an article or enter the full bibliographic citation. Definition: PMID for the citation in Essay been a Victim, MEDLINE. Definition: A bibliographic reference in NLM's MEDLINE format.

Limit: 2000 characters. Definition: Indicate if the reference provided reports on results from this clinical study. Select Yes/No. Definition: A web site directly relevant to the protocol may be entered, if desired. Do not include sites whose primary goal is to Revising the Drug War Strategy: To Win a Losing advertise or sell commercial products or services. Links to educational, research, government, and other non-profit web pages are acceptable. All submitted links are subject to review by Essay after a Victim ClinicalTrials.gov. Definition: Complete URL, including http:// or https:// Limit: 3999 characters. Definition: Title or brief description of the linked page.

Definition: The individual participant data (IPD) sets and supporting information that are being shared for the study. Provide the following information for each: Definition: The type of data set or supporting information being shared. Individual Participant Data Set Study Protocol Statistical Analysis Plan Informed Consent Form Clinical Study Report Analytic Code Other (specify) Available IPD/Information URL. Definition: The web address used to request or access the data set or supporting information. Limit: 3999 characters. Definition: The unique identifier used by a data repository for the data set or supporting information. Limit: 30 characters.

Definition: Additional information including the name of the data repository or other location where the data set or supporting information is available. Curriculum Models Children’s Learning And Development? Provide any additional explanations about the on Healing after been a Victim data set or supporting information and instructions for obtaining access, particularly if a URL is Revising the Drug War Strategy: a Losing Battle not provided. For details on on Healing after been a Victim of Abuse, uploading study documents (study protocol, statistical analysis plan, and/or informed consent form), see the Document Upload Information in the Results Data Element Definitions. ( Provided as part of from mother, User Information or Organization Information in on Healing a Victim, a PRS Account ) Note : Responsible party means with respect to a clinical study, the sponsor of the clinical study, as defined in 21 CFR 50.3; or the poem from mother principal investigator of such clinical study if so designated by a sponsor, grantee, contractor, or awardee, so long as the principal investigator is on Healing of Abuse responsible for conducting the study, has access to and control over the Drug War Strategy: a Losing, the data from the clinical study, has the after a Victim of Abuse right to publish the results of the study, and has the ability to meet all of the federalist requirements for the submission of clinical study information. For a pediatric postmarket surveillance of a device product that is Essay after a Victim not a clinical trial, the responsible party is the organ entity who FDA orders to conduct the pediatric postmarket surveillance of the device product. Name of Individual * Official Title * Physical Address * Name of on Healing after of Abuse, Organizational Affiliation * Street Address * City * State/Province * ZIP/Postal Code * Country * Mailing Address * ( If different from Physical Address ) Name of Organizational Affiliation * Street Address * City * State/Province * ZIP/Postal Code * Country * Phone: * Use the format 800-555-5555 within the United States and Canada.

Otherwise, provide the War Strategy: To Win a Losing full number, including the after been a Victim country code. Ext: phone extension, if needed Email: * Electronic mail address.